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Ambiguous Images
What does rock art say about gender and how can our understanding of gender shape the way that we view rock art? A significant contribution to the relatively unexplored field of gender in rock art, this volume contains a wealth of information for archaeologists, anthropologists, and art historians interested in past gender systems. Hays-Gilpin argues that art is at once a product of its physical and social environment and at the same time a tool of influence in shaping behavior and ideas within a society. Taking this stance, rock art is shown to be very often one of the strongest lines of evidence avaliable to scholars in understanding ritual practices, gender roles, and ideologicial constructs of prehistoric peoples. Subsequently issues of representation and the people who made these forms of art are also discussed.
Reader in Gender Archaeology
This Reader in Gender Archaeology presents nineteen current, controversial and highly influential articles which confront and illuminate issues of gender in prehistory. The question of gender difference and whether it is natural or culturally constructed is a compelling one. The articles here, which draw on evidence from a wide range of geographic areas, demonstrate how all archaeological investigation can benefit from an awareness of issues of gender. They also show how the long-term nature of archaeological research can inform the gender debate across the disciplines. The volume: * organizes this complex area into seven sections on key themes in gender archaeology: archaeological method and theory, human origins, division of labour, the social construction of gender, iconography and ideology, power and social hierarchies and new forms of archaeological narrative * includes section introductions which outline the history of research on each topic and present the key points of each article * presents a balance of material which rewrites women into prehistory, and articles which show how the concept of gender informs our understanding and interpretation of the past.
BELIEF IN THE PAST
Human actions are often deeply intertwined with religion and can be understood in a strictly religious context. Yet, many volumes and articles pertaining to discussions of religion in the archaeological past have focused primarily on the sociopolitical implications of such remains. The authors in this volume argue that while these interpretations certainly have a meaningful place in understanding the human past, they provide only part of the picture. Because strictly religious contexts have often been ignored, this has resulted in an incomplete assessment of religious behavior in the past. This volume considers exciting new directions for considering an archaeology of religion, offering examples from theory, tangible archaeological remains, and ethnography.
Pushing Boundaries in Southwestern Archaeology
Pushing Boundaries in Southwestern Archaeology draws together the proceedings from the sixteenth biennial Southwest Symposium. In exploring the conference theme, contributors consider topics ranging from the resuscitation of archaeomagnetic dating to the issue of Athapaskan origins, from collections-based studies of social identity, foodways, and obsidian trade to the origins of a rock art tradition and the challenges of a deeply buried archaeological record. The first of the volume’s four sections examines the status, history, and prospects of Bears Ears National Monument, the broader regulatory and political boundaries that complicate the nature and integrity of the archaeological record...
Flower Worlds
The recognition of Flower Worlds is one of the most significant breakthroughs in the study of Indigenous spirituality in the Americas.Flower Worldsis the first volume to bring together a diverse range of scholars to create an interdisciplinary understanding of floral realms that extend at least 2,500 years in the past.
Prehistoric Sandals from Northeastern Arizona
During the late 1920s and early 1930s, archaeologists Earl and Ann Axtell Morris discovered an abundance of sandals from the Basketmaker II and III through Pueblo III periods while excavating rockshelters in northeastern Arizona. These densely twined sandals made of yucca yarn were intricately crafted and elaborately decorated, and Earl Morris spent the next 25 years overseeing their analysis, description, and illustration. This is the first full published report on this unusual find, which remains one of the largest collections of sandals in Southwestern archaeology. This monograph offers an integrated archaeological and technical study of the footwear, providing for the first time a full-s...
A Marriage Out West
A Marriage Out West is an intimate biographical account of two fascinating figures of twentieth-century archaeology. Frances Theresa Peet Russell, an educator, married Harvard anthropologist Frank Russell in June 1900. They left immediately on a busman’s honeymoon to the Southwest. Their goal was twofold: to travel to an arid environment to quiet Frank’s tuberculosis and to find archaeological sites to support his research. During their brief marriage, the Russells surveyed almost all of Arizona Territory, traveling by horse over rugged terrain and camping in the back of a Conestoga wagon in harsh environmental conditions. Nancy J. Parezo and Don D. Fowler detail the grit and determinati...
Religion in the Prehispanic Southwest
Religion mattered to the prehistoric Southwestern people, just as it matters to their descendents today. Examining the role of religion can help to explain architecture, pottery, agriculture, even commerce. But archaeologists have only recently developed the theoretical and methodological tools with which to study this topic. Religion in the Prehispanic Southwest marks the first book-length study of prehistoric religion in the region. Drawing on a rich array of empirical approaches, the contributors show the importance of understanding beliefs and ritual for a range of time periods and southwestern societies. For professional and avocational archaeologists, for religion scholars and students, Religion in the Prehispanic Southwest represents an important contribution.
Color in the Ancestral Pueblo Southwest
"There is a lack of a systematic understanding of Ancestral Pueblo color choices over time and this manuscript aims at compiling a more complete picture of the geographic and temporal distribution of color use in the Ancestral Pueblo world. The manuscript consists of two parts. The first examines color itself, through the science of color perception to the social significance of color in the human experience. It includes ethnographic and archaeological evidence for the production and use of color, including the technical and material constraints that shaped the use of color and the extent of archaeological preservation. The second part focuses on color across a range of material objects, including ceramics, painted murals, textiles, ornaments, rock art, and other painted items. These chapters identify patterns in color use over time, their geographic distribution, and the implications of color in the Ancestral Pueblo world"--Provided by publisher.
Symbols in Clay
In late prehistory, the ancestors of the present-day Hopi in Arizona created a unique and spectacular painted pottery tradition referred to as Hopi Yellow Ware. This ceramic tradition, which includes Sikyatki Polychrome pottery, inspired Hopi potter Nampeyo’s revival pottery at the turn of the twentieth century. How did such a unique and unprecedented painting style develop? The authors compiled a corpus of almost 2,000 images of Hopi Yellow Ware bowls from the Peabody Museum’s collection and other museums. Focusing their work on the exterior, glyphlike painted designs of these bowls, they found that the “glyphs” could be placed into sets and apparently acted as a kind of signature. The authors argue that part-time specialists were engaged in making this pottery and that relatively few households manufactured Hopi Yellow Ware during the more than 300 years of its production.Extending the Peabody’s influential Awatovi project of the 1930s, Symbols in Clay calls into question deep-seated assumptions about pottery production and specialization in the precontact American Southwest.
