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Ambiguous Images
What does rock art say about gender and how can our understanding of gender shape the way that we view rock art? A significant contribution to the relatively unexplored field of gender in rock art, this volume contains a wealth of information for archaeologists, anthropologists, and art historians interested in past gender systems. Hays-Gilpin argues that art is at once a product of its physical and social environment and at the same time a tool of influence in shaping behavior and ideas within a society. Taking this stance, rock art is shown to be very often one of the strongest lines of evidence avaliable to scholars in understanding ritual practices, gender roles, and ideologicial constructs of prehistoric peoples. Subsequently issues of representation and the people who made these forms of art are also discussed.
Reader in Gender Archaeology
This Reader in Gender Archaeology presents nineteen current, controversial and highly influential articles which confront and illuminate issues of gender in prehistory. The question of gender difference and whether it is natural or culturally constructed is a compelling one. The articles here, which draw on evidence from a wide range of geographic areas, demonstrate how all archaeological investigation can benefit from an awareness of issues of gender. They also show how the long-term nature of archaeological research can inform the gender debate across the disciplines. The volume: * organizes this complex area into seven sections on key themes in gender archaeology: archaeological method and theory, human origins, division of labour, the social construction of gender, iconography and ideology, power and social hierarchies and new forms of archaeological narrative * includes section introductions which outline the history of research on each topic and present the key points of each article * presents a balance of material which rewrites women into prehistory, and articles which show how the concept of gender informs our understanding and interpretation of the past.
BELIEF IN THE PAST
Human actions are often deeply intertwined with religion and can be understood in a strictly religious context. Yet, many volumes and articles pertaining to discussions of religion in the archaeological past have focused primarily on the sociopolitical implications of such remains. The authors in this volume argue that while these interpretations certainly have a meaningful place in understanding the human past, they provide only part of the picture. Because strictly religious contexts have often been ignored, this has resulted in an incomplete assessment of religious behavior in the past. This volume considers exciting new directions for considering an archaeology of religion, offering examples from theory, tangible archaeological remains, and ethnography.
Prehistoric Sandals from Northeastern Arizona
During the late 1920s and early 1930s, archaeologists Earl and Ann Axtell Morris discovered an abundance of sandals from the Basketmaker II and III through Pueblo III periods while excavating rockshelters in northeastern Arizona. These densely twined sandals made of yucca yarn were intricately crafted and elaborately decorated, and Earl Morris spent the next 25 years overseeing their analysis, description, and illustration. This is the first full published report on this unusual find, which remains one of the largest collections of sandals in Southwestern archaeology. This monograph offers an integrated archaeological and technical study of the footwear, providing for the first time a full-s...
Color in the Ancestral Pueblo Southwest
"There is a lack of a systematic understanding of Ancestral Pueblo color choices over time and this manuscript aims at compiling a more complete picture of the geographic and temporal distribution of color use in the Ancestral Pueblo world. The manuscript consists of two parts. The first examines color itself, through the science of color perception to the social significance of color in the human experience. It includes ethnographic and archaeological evidence for the production and use of color, including the technical and material constraints that shaped the use of color and the extent of archaeological preservation. The second part focuses on color across a range of material objects, including ceramics, painted murals, textiles, ornaments, rock art, and other painted items. These chapters identify patterns in color use over time, their geographic distribution, and the implications of color in the Ancestral Pueblo world"--Provided by publisher.
Painting the Cosmos
Painting the Cosmos presents current research on nearly two thousand years of ancestral Hopi painting and the values expressed in the imagery, settings, and performance contexts of paintings on kiva walls and pottery vessels. Nine essays show how continuity in Hopi values, such as reciprocity, humility, and hard work are expressed metaphorically in art, song, ritual activities, daily tasks, and visual arts. Many fundamentals of Hopi iconography (the study of images) are held in common with other Pueblos in New Mexico, with indigenous cultures of northwest Mexico, and with ancient Mesoamerican civilizations. In this region, histories, aesthetics, and values have common roots that are explored here through verbal and visual metaphors, past and present. This volume is richly illustrated in full color. Authors include Kelley Hays-Gilpin, Delbridge Honanie, Michael Kabotie, Lawrence Loendorf, Elizabeth Newsome, Polly Schaafsma, Emory Sekaquaptewa, Karl Taube, and Dorothy Washburn.
Flower Worlds
The recognition of Flower Worlds is one of the most significant breakthroughs in the study of Indigenous spirituality in the Americas.Flower Worldsis the first volume to bring together a diverse range of scholars to create an interdisciplinary understanding of floral realms that extend at least 2,500 years in the past.
Footprints of Hopi History
This book demonstrates how one tribe has significantly advanced knowledge about its past through collaboration with anthropologists and historians--Provided by publisher.
Ambiguous Images
What does rock art say about gender and how can our understanding of gender shape the way that we view rock art? A significant contribution to the relatively unexplored field of gender in rock art, this volume contains a wealth of information for archaeologists, anthropologists, and art historians interested in past gender systems. Hays-Gilpin argues that art is at once a product of its physical and social environment and at the same time a tool of influence in shaping behavior and ideas within a society. Taking this stance, rock art is shown to be very often one of the strongest lines of evidence avaliable to scholars in understanding ritual practices, gender roles, and ideologicial constructs of prehistoric peoples. Subsequently issues of representation and the people who made these forms of art are also discussed.
The Colorado Plateau VI
"With a plethora of updates and insights into land conservation and management questions on the Colorado Plateau, The Colorado Plateau VI shows how new technologies for monitoring, spatial analysis, restoration, and collaboration improve our understanding, management, and conservation of outcomes at the appropriate landscape scale for the Colorado Plateau"--Provided by publisher.
