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Polly Apfelbaum
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Polly Apfelbaum
Polly Apfelbaum creates what she calls "fallen paintings," hybrid works of rare beauty that exist in a contentious, ambivalent space between painting, sculpture and installation. These works transform the colors of mass culture into wild oscillating spectra bordering on the organic. This volume accompanies the first large museum survey of her work, and features new and recent installations as well as a range of work from the past 15 years.
Polly Apfelbaum
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Polly Apfelbaum
Polly Apfelbaum's multifaceted oeuvre is characterised by the search for new artistic means of expression and the breaking down of barriers between sculpture, painting and installation.The artist combines techniques and materials from both fine art and arts and crafts. She experiments with ceramic, textiles, paper and handwoven carpets. Stylistically, she is influenced by Bauhaus Modernism, Minimal Art, Abstract Expressionism and Pop Art.Since the 1990s, Apfelbaum has used the floor as a surface on which to present her 'Fallen Paintings'. Her intent exploration of space, colour, form and materiality finds its logical progression in this show on the upper floor of the Belvedere 21. Themes such as feminism and spirituality, quotations from the history of art as well as references to popular prints and comics are intrinsic to Apfelbaum's art. In the spirit of an open space for contemplation, the exhibition invites its visitors to participate.Interview with Polly Apfelbaum by Kate McNamaraEnglish and German text.Accompanies an exhibition at Belvedere 21, Vienna, 7 September 2018 - 13 January 2019
Polly Apfelbaum
This publication marks the first solo exhibition in a public gallery in the Uk and traces the significant developments that have taken place in Polly Apfelbaum's practice over the last twelve months. It is a practice that has been characterised by a compelling investigation into colour and form and primarily manifests itself as expansive floor-based installations.
Polly Apfelbaum
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Polly Apfelbaum
"For this exhibition, Polly Apfelbaum designed carpets that practically cover the exhibition spaces. This publication renders a printed interpretation (by Luc Derycke and the artist) of her show at Be-Part. The book starts off with a few enigmatic cut out pages in bright red, orange and purple, representing the shapes of the Be-Part rugs. These are followed by installation views in black and white that still only partly reveal the actual show's experience. A series of details in full color unveil the installation bit by bit."--
Polly Apfelbaum
Polly Apfelbaum: What Does Love Have To Do With ItStephen D. Paine GalleryMassachusetts College of ArtOctober 21-December 3, 2003
Polly Apfelbaum
Publication in conjunction with the exhibition Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape and a bunch of flowers) presented at Kemper Museum of Contemporary Art, Kansas City, Missouri, January 24 - April 28, 2019. The catalogue features an introduction by Curator Erin Dziedzic, and essays by Lynn Zelevansky and Ezra Shales and includes full-color images of works and the installation.
Polly Apfelbaum
"Polly's use of various fabrics - stained and dyed - and more recently glazed ceramics, is beguiling and refreshing in its offerings of simple pleasures.In this way, she subtly assumes a political, and feminist, position, challenging pomposity, notions of entitlement and hierarchies in cultural practice - against high fine art - to suggest an egalitarianism in society across the board" - Cornerhouse website.
