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Queer Art Camp Superstar
Hailed as "the most consequential artist to have emerged since the nineteen-eighties," American artist and filmmaker Ryan Trecartin has received numerous accolades for his kaleidoscopic, multilayered movies and multimedia installations. However, there exists to date no comprehensive study of this prolific artist's work. Queer Art Camp Superstar compensates for this absence of sustained critical analysis of Trecartin's work by looking closely at a selection of his most significant movies in order to discern the artist's artistic genealogy, evolving aesthetics, radical approach to digital and Internet culture, and impact on contemporary art, film, and media. Examining Trecartin's substantial b...
Any Ever
Borne of the internet age, Ryan Trecartin is critically dissecting our media- and social-networking-soaked reality with his zany, outlandish epic videos. This book surveys all of the major works of this artist's young career.
Ryan Trecartin
Following in the great artist book tradition of John Baldessari and Edward Ruscha, the UCCA has called on Aaron Curry along with LA artists Kathryn Andrews, Alex Israel, Matthew Monahan, Sterling Ruby, Ryan Trecartin, and Kaari Upson to make individual artist books for 'The Los Angeles Project' in Beijing. For his first artist book, Ryan Trecartin compiles over one hundred composited images created by mining his personal Instagram and Snapchat feeds, screenshots, and photos, all captured and archived in his phone. While developing several new bodies of work that encompass video, sculpture, and installation (which debut in Berlin and Los Angeles in September and October 2014, respectively) Trecartin collected images which functioned as both reference material and conceptual pivot points for his expansive new bodies of work.
Queer Art Camp Superstar
Hailed as "the most consequential artist to have emerged since the nineteen-eighties," American artist and filmmaker Ryan Trecartin has received numerous accolades for his kaleidoscopic, multilayered movies and multimedia installations. However, there exists to date no comprehensive study of this prolific artist's work. Queer Art Camp Superstar compensates for this absence of sustained critical analysis of Trecartin's work by looking closely at a selection of his most significant movies in order to discern the artist's artistic genealogy, evolving aesthetics, radical approach to digital and Internet culture, and impact on contemporary art, film, and media. Examining Trecartin's substantial b...
Co-Art
Twenty-five leading artist duos and collectives give insight into how and why to work collaboratively Art history is traditionally presented as the individual's struggle for self-expression, yet over the past fifty years, the number of artists working collaboratively has grown exponentially. Co-Art: Artists on Creative Collaboration explores this phenomenon through conversations with twenty-five leading art-world pairs and groups, who offer insight that is relevant beyond the art world, making this book vital for all who seek to work creatively and effectively with others. Artists featured: Allora & Calzadilla, Assemble, Auguste Orts, ayr, Biggs & Collings, Broomberg & Chanarin, ChimPom, Claire Fontaine, DAS INSTITUT, DIS, Elmgreen & Dragset, Eva & Franco Mattes, GCC, Gelitin, Guerrilla Girls, Iain Forsyth and Jane Pollard, Jane and Louise Wilson, John Wood and Paul Harrison, LaBeouf, Rönkkö & Turner, Lizzie Fitch/Ryan Trecartin, Los Carpinteros, Pauline Boudry/Renate Lorenz, Raqs Media Collective, SUPERFLEX
Perpetual Inventory
In essays that span three decades, one of contemporary art's most esteemed critics celebrates artists who have persevered in the service of a medium. The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the “post-medium condition”—the abandonment by contemporary art of the modernist emphasis on the medium as the source of artistic significance. Jean-François Lyotard argued that the postmodern condition is characterized by the end of a “...
Surround Audience
"This exhibition and book mark the third edition of the Triennial, a signature initiative of the New Museum devoted to early-career artists from around the world. It provides an important platform for an emergent generation of artists that is shaping the discourse of contemporary art. The Triennial's predictive, rather than retrospective, model embodies the institution's thirty-seven-year commitment to exploring the future of culture through the art of today"--Page 7.
Video
As TikTokers, YouTubers and traditional artists continue to reimagine the video form, this book explores the value of this medium within medical practice and patient care, as well as everyday creative expression.
Mass Effect
Essays, discussions, and image portfolios map the evolution of art forms engaged with the Internet. Since the turn of the millennium, the Internet has evolved from what was merely a new medium to a true mass medium—with a deeper and wider cultural reach, greater opportunities for distribution and collaboration, and more complex corporate and political realities. Mapping a loosely chronological series of formative arguments, developments, and happenings, Mass Effect provides an essential guide to understanding the dynamic and ongoing relationship between art and new technologies. Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image ...
Deterioration, They Said
American artists Cory Arcangel, Jessica Ciocci & Jacob Ciocci / Paper Rad, Shana Moulton, and Ryan Trecartin and Lizzie Fitch, have been brought together in this publication. In their works the artists create an overwhelming, colour-charged aesthetic with an excessive density of content, reacting to the consumer-oriented condition of Western society. In their image-spaces the four collaborations address a culture of excess, constructing their critique via a form of appropriation, which simultaneously releases a veritable deluge of images. In the tradition of experimental film and Scatter art they probe potential unconventional narrative patterns and test for the disintegration of stereotypes. As a result, the video works are often shown in sculptural settings, in which fragments of pop culture and handcrafted forms are amalgamated into an multimedia Gesamtkunstwerk. Published with the migros museum für gegenwartskunst, Zurich.
