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An anthology of poetry, song lyrics, and prose featuring writers from Vallejo, California: Diana Alden, Olivia Anderson, Kyrah Ayers, Daniel Badiali, Vallejo Poet Laureate Emerita Genea Brice, Jessica Brown, Lei Kim Sawyer Chavez, G.O. 284, Morgan Hannigan, Travis Jackson, Jr., Kathleen, Jeffrey Kingman, Chuck Lamplighter, Vallejo Poet Laureate D.L. Lang, Lady-D, Lee Lee, Lucinda Lees, Aqueila M. Lewis, Carol Pearlman, Nina Serrano, Ravi Shankar, Erika Snyder, Jeremy Snyder, Regina Sparrow, Diana Tenes, Keith Thompson, Amber Von Nagel, Jeff Williams, Lisa Wilson, and Lois Wu. With additional contributions by: Julia Dvorin, Benicia Poet Laureate Emerita Johanna Ely, Ranjit Singh Gill, Amy Gio...
DOWN THE FOGGY STREETS OF MY MIND is an ode to those of us who live with Dissociative Disorders such as PTSD and DID. It is an unapologetic anthem for survivors of sexual violence to rid themselves of being shamed and blamed in silence. When we tell our truth, we take back our power, as powerlessness lives in hiding. Poetry.
"Beneath the obvious beauty of Lisa Dordal's poetry lies a subtle ferocity that threatens to undo the reader on every page of WATER LESSONS. 'Anyone can become / animal or a flicker of light' warns the speaker as she embarks on a journey of recovery: of the memories surrounding a mother's addiction and death; of a father's dementia, which softens him even as it steals him away; and of the speaker's own complicity in mid-century suburban oblivion, a complicity that makes both a mother's and a Black maid's miseries equally tragic. Dordal demands that we not only see the past, but that we step into its deceptively gentle tide, one that sweeps us back to the people, places, and eras that still h...
This is the 2nd Edition of Richard Loranger's Unit of Agency, a full length collection of poetry dealing with the emotional trauma of life in quarantine and pandemic and major societal upheaval.
Spanning the mid to late 20th century and set in the Elkhorn Valley of southwestern Montana, The Stone Sister is told from three points of view -- a father's, a nurse's, and a sister's. Together they tell the unforgettable story of a child's birth, disappearance, and finally discovery in a home for "backward children." Robert Carter, a newly married man just back from World War II, struggles with his and his wife's decision to entrust the care of their disabled child to an institution and "move on" with family life. Louise Gustafson, a Midwestern nurse who starts over with a new life in the West, finds herself caring for a child everyone else has abandoned. And Elizabeth Carter, a young jour...
Jo Neace Krause's fiction is raw and complex. Her characters' dialogue and emotions are startling.
Celebrate your voice, claim your power—with this women’s poetry journal. The journey of poetry writing begins with a single line. Within these pages is an inspiring way to get started. In Her Words is a poetry journal for women who want to express themselves, reinforce their power, and magnify their writing journey. Poignant quotes from established female-identifying writers like Margaret Atwood and Audre Lorde will help guide you—one page at a time. Create a ritual of recording your innermost thoughts—the ones others often run from. In Her Words is the only poetry journal dedicated to you—women—who want to tease your inhibition and explore your imagination through writing. As Ma...
On December 22, 2018, the 40th anniversary of Bernadette Mayer's writing of Midwinter Day, 32 women poets typed into Google Docs titled Dreams, Morning, Noontime, Afternoon, Evening, and Night. Following the six-part structure of Mayer's book, they composed alongside each other all day, dozens of cursors blinking in a virtual happening. MIDWINTER CONSTELLATION is the result. Part patchwork quilt, part collective consciousness, the book hopes "to prove the day like the dream has everything in it," as Mayer wrote in 1978, and to extend her vision into a global 21st-century everyday. A radical experiment in collective writing, the book embroiders, echoes, and blurs the voices of poets across th...
Lenny's out of options. He's lost his arm to his abusive older brothers and he's lost his bearings within his family. But he's determined not to lose hope. He attempts an escape on a stolen skiff, hoping to ride the rivers from his family's farm deep in the western North Carolina mountains all the way to the Atlantic Ocean. A torrential storm sinks his boat and delivers him into the hands of a profanity-slinging priest whose illegal drug operation provides food and wages for the local parish. Snared within a power struggle between a crooked cop and the priest, Lenny once again relies on the thinnest shred of hope in his attempt to escape. Live Caught is a survival adventure which dives deep into the mystifying relationship between hope and choice, and examines the peril of remaining in an untenable situation rather than taking that terrifying first step toward change. Lenny takes that step, and then another and another in his journey back toward his abusers and the unlikely prospect of family reconciliation.
DOMINANT GENES, the new hybrid collection from Stonewall Honor author and Lambda Literary Award finalist SJ Sindu, is equal parts power and astonishing beauty, tenderness and shimmering anger, poetry and lyric essays interwoven in a gorgeous exploration of family, heritage, and the construction of nonbinary and queer identities. "We learn our anger through osmosis," Sindu writes of the inherited rage of South Asian women, "or maybe it's in the breast milk, spreading through our veins long before we learn how to look only at the floor and walk without showing our ankles." There is hope in this collection, and the lead weight of expectation, and warm moments of empathy too. Thematically linked and stylistically nimble, Sindu's pieces play with the fragmentary nature of memory and identity, her speakers traversing with intelligence and compassion the complexities of mental health, love, and pressurized relationships with the people closest to us-those who love us intensely, even when they understand us the least.