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Empire Wasted
  • Language: en
  • Pages: 116

Empire Wasted

  • Type: Book
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  • Published: 2016-11-15
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  • Publisher: Unknown

Empire Wasted is an astonishing book, anthemic in its catchiness and the power of its arguments. From the suite of "Decade Zero," the years so vacant they don't even have a name...through to the neo-di Prima fervor of the revolutionary letters, it hits all the right notes. -KEVIN KILLIAN

Ready for the World
  • Language: en

Ready for the World

  • Type: Book
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  • Published: 2020
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  • Publisher: Unknown

Poetry. Women's Studies. What does it take for a girl to get ready for the world, and is it ever possible to go back? READY FOR THE WORLD is a book of poems, spells, performance scripts, and feminist fairytales that derives its magic from tarot and astrology, feminist artist foremothers, and virtual and IRL covens. In her update of the lyric "I" for the digital age, Klaver claims for poetry the trivialized tones of femininity, unwilling to give up on the possibility of an outside to patriarchy as she loops around in cyclical time to access a spirit of magic, play, friendship, and artmaking. Written in the years Klaver was collaborating on feminist writing, performance, ritual, and activism in person and online in the form of the (G)IRL writing group, The Real Housewives of Bohemia podcast, the Women Poets Wearing Sweatpants website, the Anti-Surveillance Feminist Poet Hair & Makeup Party roving mob, and the Enough Is Enough proto-#MeToo activist collective, READY FOR THE WORLD explores how alternative practices and communities can resist destructive forms of power and conjure other ways of being and knowing.

Midwinter Day
  • Language: en
  • Pages: 130

Midwinter Day

Perhaps Bernadette Mayer's greatest work, Midwinter Day was written on December 22, 1978, at 100 Main Street, in Lenox, Massachusetts. "Midwinter Day", as Alice Notley notes, "is an epic poem about a daily routine". In six parts, Midwinter Day takes us from awakening and emerging from dreams through the whole day -- morning, afternoon, evening, night -- to dreams again: "a plain introduction to modes of love and reason, / Then to end I guess with love, a method to this winter season / Now I've said this love it's all I can remember / Of Midwinter Day the twenty-second of December".

Gurlesque
  • Language: en

Gurlesque

  • Type: Book
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  • Published: 2010
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  • Publisher: Unknown

A new anthology of wicked, subversive young women poets

Virginals
  • Language: en
  • Pages: 86

Virginals

  • Type: Book
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  • Published: 2021-04
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  • Publisher: Unknown

Poetry. "Szporluk has often been read and praised as a visionary surrealist, but her body of work, evinced by VIRGINALS, shows her also as a powerful dramatist, enacting scenes rooted in very real moments of tension and danger. These shocking stanzas lay bare their speakers' violent psyches, and take poet and reader to new, honest spaces cleared of niceties and decorum. In sequences of poems, Szporluk acknowledges and explores the dissonance of art and love, in narrow, unruly lines that are disarmingly direct, except the direction is towards a kind of madness. It's a relentless and overwhelming lyricism, persuasive and unforgettable."--Ed Skoog

Starting Today
  • Language: en
  • Pages: 210

Starting Today

The poems in this anthology document the political and personal events of the president's crucial first days through a variety of contemporary poetic voices.

The Weird Sister Collection
  • Language: en
  • Pages: 219

The Weird Sister Collection

Collecting the best of the underground blog Weird Sister, these unapologetic and insightful essays link contemporary feminism to literature and pop culture. Launched in 2014, Weird Sister proudly staked out a corner of the internet where feminist writers could engage with the literary and popular culture that excited or enraged them. The blog made space amid book websites dominated by white male editors and contributors, and also committed to covering literary topics in-depth when larger feminist outlets rarely could. Throughout its decade-long run, Weird Sister served as an early platform for some of contemporary literature’s most striking voices, naming itself a website that “speaks it...

Bobcat Country
  • Language: en

Bobcat Country

  • Type: Book
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  • Published: 2010
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  • Publisher: Unknown

Poetry. "Brandi Homan's BOBCAT COUNTRY is the unholy love child of Lynda Barry and Ween. Fabulously honest, surprising, and hilarious, these poems are a TGIFriday's extravaganza of retarded American enthusiasm, deftly rendered. Homan loves the 'Fuck yeaaaah!'s our culture hoots just before it drives its rental car off a cliff. Her details are so spot on, their mere presence relieves us of the need for contrived, 'poetic' resolutions. That's what makes the poems true--there are no easy answers in them. They make me proud to be a woman, and yet, simultaneously, wanna sincerely rock out in a parking lot to rape rock"--Jennifer L. Knox.

Women Poets on Mentorship
  • Language: en
  • Pages: 333

Women Poets on Mentorship

Short essays by women poets on mentoring women poets; includes poems by the subjects and authors.

La Liminal
  • Language: en

La Liminal

  • Type: Book
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  • Published: 2010
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  • Publisher: Unknown

Poetry. Women's Studies. LA LIMINAL closely examines what lies beneath the "glatzy" spectacle of Los Angeles. Through the x-ray eyes of a failed Hollywood hopeful, with the advantage of distance and a sharp tongue, the reader gets a guided tour through an internalized, apocalyptic landscape. Transitional places and phases are imagined as both frightening and ripe, capable of producing a space where anxiety and creativity co-habit in the narrated realm of the speaker. Readers will enjoy the dryly personal tone, surprising refractions of language, acute sense of metaphor, and humor. Armed with these, Becca Klaver's probing meditations and acerbic wit poke a careful hole through the scummy, glittering surface, to put a cocktail-ringed finger right on the humanity beneath it, until LA functions not just as synecdoche for country and national identity, but becomes a trope for personal identity, and more specifically, a feminine identity rebuilt from the wreckage of failure.