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Publisher's mock-up for Sidney Nolan's book "Kelly myth" with placeholder text in Latin, and photographs of Nolan artworks pasted in to the first 34 pages. Layout lines and annotations in pencil. The remaining 370 pages are blank.
Catalogue of the 27 paintings of the first Kelly series.
Sidney Nolan (1917 1992) wove a compelling narrative around the figure of Ned Kelly as the 'wronged' anti-hero who forged his own homemade armour and was pursued by police through the often featureless Australian bush. Though the Kelly myth didn't start with Nolan's paintings, his images remain the most enduring and instantly recognisable evocations of the legend. Kelly's stark black silhouette gave Nolan his most powerful poetic metaphor for Australians' relationship with their land. The text is by Andrew Sayers, Director of the National Portrait Gallery, Canberra, and Murray Bail, whose novels include the prize-winning Eucalyptus.
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This volume provides descriptive and interpretive insights into the ‘living’ usage of language and other semiotic modes in building and performing the law across academic, professional and institutional contexts, where issues arise from the meaning and function of legal texts, discourse and genre in constituting and enabling conventions, albeit dynamically, and account for the socially and (inter)culturally influenced forms of discursive actions and practices. The twenty contributions included here weave significant contexts and situations for legal discourse and practice into a tight thread, and justify selected topic areas through a variety of approaches, frameworks, methodologies, and procedures. As such, this publication is multidimensional and multiperspectival in its design and implementation of key issues confronting discursive actions and practices of the law, and provides an invaluable resource for academics in a wider range of disciplines, including linguistics, applied linguistics and communication studies. It will also be of interest to students of interdisciplinary discourse analysis.