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Walking, Falling
Walking, Falling is Kelwyn Sole’s seventh collection of poetry. It extends and deepens themes that emerged in his earlier books: love and human relationships; the exposing of false and clichéd perspectives in our socio-political life; our relationship as South Africans to land and landscape. Rustum Kozain has written about his work: “Whether the theme is the end of a relationship or the murder of immigrants, there is the calm look of analysis, a voice, like a conscience, that threatens to disturb the reader’s complacency, but a voice simultaneously gentle with empathy and sincerity.”
Land Dreaming
Kelwyn Sole's brilliant new collection is a volume of landscapes, voices and dreams, and a roving, meditative self. With a perfect ear and eye he captures an extraordinary array of scenarios, characters and places, where land, sea and sky are also an abiding presence. His modes shift from the filmic to the interior monologue, his tones from the wickedly satirical to the poignant, the raucously contentious to the intimate. In Sole's hands the prose poem becomes the perfect form. Full of arresting lines and images, its constellations create something that reads almost like a novel. It taps beneath the surface of South Africa. - Stephen Clingman, winner of the Sunday Times Alan Paton Award 1999 for Bram Fischer: Afrikaner Revolutionary
Absent Tongues
Absent Tongues is Kelwyn Sole's sixth collection of poetry; a collection that speaks of tenderness, anger, ambivalence and fear. This is territory Kelwyn has long made his own - hymnal vignettes that thread the landscape of South Africa with patterns of myth and people, with pasts, presents, and, at times, with futures. We come away from these poems with something akin to nostalgia, something like a yearning to belong in the most fundamental sense - to be water, air, bone, sky. Kelwyn Sole writes with grace, acuity and with thoughtful philosophical purpose, affirming his position in the forefront of contemporary South African poetry.
Writing my Reading
These essays are interventions in a cultural contestation in South Africa during the Seventies and Eighties. Some of them are more general in nature and were written in the first instance as public oral interventions in debates whose outcome contributed to the founding of South Africa's post-apartheid society. Other essays are more specifically aimed at poetic practices, particularly as these have been of crucial aesthetic and ultimately ethical importance in a critical phase of South Africa's painful development. Intimate knowledge of (and personal involvement in) the commitment of literature to concrete political situations informs these succinct and spirited essays, along with Horn's meas...
Beyond the Delivery Room
A debut collection of poems from popular performance poet, Khadija Heeger. The collection is the first in a trilogy of poems that Heeger has worked on over many years. This collection is a combination of story-telling, resistance, re-naming, remembering. The language of the book is personal to the poet and reflects the wider community and society she is part of. She mixes languages, English and Afrikaans, and the language of the Cape called Kaaps.
The Lava of this Land
A collection of South African poetry.
Across the Lines
This third volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the subject of intertextuality. Intertextual relations between oral and written versions of literature, text and performance, as well as problems emerging from media transitions, regionally instructed forms of intertextuality, and the works of individual authors are equally dealt with. Intertextuality as both a creative and a critical practice frequently exposes the essential arbitrariness of literary and cultural manifestations that have become canonized. The transformation and transfer of meanings which accompanies any crossing between texts rests not least on the nature of the artistic corpus e...
Rereading the Imperial Romance
"Chrisman's book demonstrates how South Africa played an important if now overlooked role in British imperial culture, and shows the impact of capitalism itself in the making of racial, gender and national identities. This book makes an original contribution to studies of Victorian literature of empire; South African literary history; African studies; black nationalism; and the literature of resistance."--BOOK JACKET.
