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Monsters I Have Been
By challenging masculinity, these poems speak to the rejection of traditional societal values in favor of being yourself.
The Taxidermist's Cut
A survival guide that shows how bigotry and redemption are mapped on the psyche and on the body
Continuous Frieze Bordering Red
Continuous Frieze Bordering [Red] documents the migratory patterns of an Other as she travels between countries, languages, and shades of Rothko's red. A narrative on hybridity, the text navigates the instability of cultural border identities and functions as an ekphrasis of Rothko's bricked-in, water-damaged windows in his Seagram murals.
Resisting Arrest
An anthology of poems addressing the issue of violence against African-Americans.
Falsework, Smalltalk
None
You're the Only Friend I Need
Fiction. African & African American Studies. Latinx Studies. LGBTQIA Studies. Winner of the 2019 Gold Line Press Fiction Chapbook Contest. The stories in Alejandro Heredia's YOU'RE THE ONLY FRIEND I NEED offer new possibilities for transnational storytelling and the Dominican diaspora by centering Blackness and queerness. In these stories; friendship is a vehicle to understand what lies between and within people. A young Dominican immigrant makes an unlikely friend in her Bronx building. Two queer teens venture into the streets of Santo Domingo in search of queer belonging. A 20-something lost in existential thought finds a home in a gay Latin club. In Heredia's stories; friendship is at once balm; poison; wound; and respite from the troubles that society places on migrants; on queer people; on Black folks across the diaspora. YOU'RE THE ONLY FRIEND I NEED cuts through received notions and sings with emotional honesty and lyrical prose.
The World I Leave You
The first anthology of its kind, The World I Leave You: Asian American Poets on Faith and Spirit spotlights poets of the Asian diaspora with connections to East, West, South, and Southeast Asia and the Pacific Islands who represent a variety of cultures and religious traditions including Islam, Hinduism, Christianity, Buddhism, and Zoroastrianism. Among the contributors are active religious practitioners, recent converts, agnostics, and those who practice a personal spirituality. This vibrant collection includes many of this generation's most acclaimed writers and exciting new voices to create a nuanced and dynamic portrait of today's Asian American poets and their spiritual engagements with issues such as poetry as spiritual witness, locating the divine in the natural world, relationships with cultural history and ancestors, spiritual practice as a form of political resistance, questions of faith and doubt, and prayers and rituals.
God's Will for Monsters
Rachelle Cruz's debut collection is beyond ready to burst itself open, and bleed. Savor these poems, suck the marrow from their bones. These are lovely, complex poems, "sweet and bitter as a plum," a braised heart, blood-warmed and wet. -Barbara Jane Reyes
( Ghost Gestures )
Literary Nonfiction. Poetry. Drama African & African American Studies. Latinx Studies. Women's Studies. Winner of the 2019 Gold Line Press Nonfiction Chapbook Contest. How can you return to where you've never been? ( GHOST GESTURES ) conjures diaspora hauntings and traces black bodies across space and time. In Dakar and Banjul, Detroit and Montreal, Tlaxcala and Río Piédras, Gabrielle Civil showcases black bodies dancing, hiding, and re-emerging. In performance writing, she invokes the doll, the queen, and the ghost to explore where black women have never and always been. She plays hide-and-seek with her own transforming body and tackles history, identity, art, and desire. "bring this here / bring this back / keep this here / bring us back / bring us here / bring us back to this." Incorporating chants, notations, images, and scores, ( GHOST GESTURES ) will spirit you away.
Former Possessions of the Spanish Empire
Winner of the 2018 Hillary Gravendyk National Prize, Former Possessions of the Spanish Empire explores grief and violence, the intersections of race, gender, and sexuality, and the complications of desire. Aimee Nezhukumatathil calls Peñaloza's says "Of this I am certain: I'll be celebrating this poet for many years to come."
