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Continuous Frieze Bordering Red
Continuous Frieze Bordering [Red] documents the migratory patterns of an Other as she travels between countries, languages, and shades of Rothko's red. A narrative on hybridity, the text navigates the instability of cultural border identities and functions as an ekphrasis of Rothko's bricked-in, water-damaged windows in his Seagram murals.
She, a Blueprint
Poetry. Art. Asian American Studies. Poems by Michelle Naka Pierce and images by Sue Hammond West. "It is an ekphrasis of the female form, one which writes a woman into being where the woman cannot be. It is a reverse-ekphrasis of the formal female, one which images what might be a woman were woman not imagined. Pierce and Hammond West's SHE, A BLUEPRINT underscores that every grid is someone's narrative, and there is only necessity in the thrust of us" Vanessa Place."
Saints of Hysteria
Collaborative poetry — poems written by one or more people — grew out of word games played by French surrealists in the 1920s. It was taken up a decade later by Japan’s Vou Club and then by Charles Henri Ford, who created the chainpoem, composed by poets who mailed their lines all over the world. After WW II, the Beat writers’ collaborative experiments resulted in the famous Pull My Daisy. The concept was embraced in the 1970s by feminist poets as a way to find a collective female voice. Yet, for all its rich history, virtually no collections of collaborative poetry exist. This exhilarating anthology remedies the omission. Featured are poems by two, four, even as many as 18 people in a dizzying array of forms: villanelles to ghazals, sonnets to somonkas, pantoums to haiku, even quizzes, questionnaires, and other nonliterary forms. Collaborators’ notes accompany many of the poems, giving a fascinating glimpse into the creative process.
Teachers & Writers
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Poetry Project
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The Hello Delay
This text explores themes of familiarity and strangeness, asking the reader to consider the differences between them and where they overlap. Sampling from all forms of communication, the author implores us to greet the unknown and to listen in turn.
AstroLit
A unique, illustrated introduction to astrology that explores the zodiac through a literary lens, drawing lessons from celebrated authors including Jane Austen, Charlotte Brontë, W.E.B. Du Bois, Nella Larsen, Oscar Wilde, and dozens more. AstroLit is a cosmic voyage through the lives and works of literary giants from the eighteenth, nineteenth, and early twentieth centuries. Renowned literary history scholars McCormick Templeman and Rachel Feder bring the twelve signs of the zodiac to glimmering life by analyzing the astrological influence of over fifty illustrious writers' sun signs on the shape and depth of their work. Each of the twelve sections focuses on a particular zodiac sign, featu...
Sightseer in This Killing City
A fourth collection from a prize-winning poet whose "gift is breathtaking" (Naomi Shihab Nye) Eugene Gloria's Sightseer in This Killing City captures the surreal and disorienting feelings of the present. In the wake of recent presidential elections in the United States and in the Philippines, Gloria's latest collection sharpens his obsession with arrivals and departures, gun violence, displacement, cultural legacy, and the bitter divisions in America. Through the voice of Nacirema, the central persona of the collection, we are introduced to a character who chooses mystery and inhabits landscapes fraught with beauty and brutality. Gloria quotes melodies from seventies soul and jazz, blending the urban lament of Thelonious Monk and John Coltrane with the idiom of Stevie Wonder and Fela Kuti. Sightseer in this Killing City is an argument for grace and perseverance in an era of bombast and bullies.
John Cage and Buddhist Ecopoetics
John Cage was among the first wave of post-war American artists and intellectuals to be influenced by Zen Buddhism and it was an influence that led him to become profoundly engaged with our current ecological crisis. In John Cage and Buddhist Ecopoetics, Peter Jaeger asks: what did Buddhism mean to Cage? And how did his understanding of Buddhist philosophy impact on his representation of nature? Following Cage's own creative innovations in the poem-essay form and his use of the ancient Chinese text, the I Ching to shape his music and writing, this book outlines a new critical language that reconfigures writing and silence. Interrogating Cage's 'green-Zen' in the light of contemporary psychoanalysis and cultural critique as well as his own later turn towards anarchist politics, John Cage and Buddhist Ecopoetics provides readers with a critically performative site for the Zen-inspired “nothing” which resides at the heart of Cage's poetics, and which so clearly intersects with his ecological writing.
Poets & Writers
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