You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Lincoln presents the writing of today's most gifted Native American authors, against an ethnographic background which should enable a growing number of readers to share his enthusiasm. Lincoln has lived with American Indians, knows them, and is respected by them; all this enhances his book.
For decades Abraham and Mary Lincoln’s marriage has been characterized as discordant and tumultuous. In Abraham and Mary Lincoln, author Kenneth J. Winkle goes beyond the common image of the couple, illustrating that although the waters of the Lincoln household were far from calm, the Lincolns were above all a house united. Calling upon their own words and the reminiscences of family members and acquaintances, Winkle traces the Lincolns from their starkly contrasting childhoods, through their courtship and rise to power, to their years in the White House during the Civil War, ultimately revealing a dynamic love story set against the backdrop of the greatest peril the nation has ever seen. ...
None
Drawing upon history, psychology, folklore, linguistics, anthropology, and the arts, this book challenges "wooden Indian" stereotypes to redefine negative attitudes and humorless approaches to Native American peoples. Moving from tribal culture to interethnic literature, Lincoln covers the traditional Trickster of origin myths, historical ironies, Euroamericans "playing Indian," feminist Indian humor at home, contemporary painters and playwrights reinventing Coyote, popular mixed-blood music and Red English, and three Native American novelists, Louise Erdrich, James Welch, and N. Scott Momaday. Indi'n Humor documents and interprets the contexts of laughter among Native Americans, as they see and are seen by the rest of the world. The study comes to focus comically on the poets, visual artists, playwrights, and novelists who make up the cultural renaissance of the past twenty years.
In 1975 Kenneth Lincoln went on the road with his small daughter and four students, traveling from Los Angeles through Arizona, New Mexico, Nebraska, and the Dakotas, searching for the essence of the Indian experience in modern America. His gritty but poetic account of this trip explores the challenges facing native peoples. The Good Red Road captures the tension between Indians and whites, reveals the continuing importance of religion among the Lakotas, and depicts the differences among Indians. Finally, the book is a journey of self-discovery by Lincoln and his students, one of them coauthor Al Logan Slagle, a Cherokee Indian and later an advocate for Indian rights.
He was passion and the reason I breathed. I loved him, trusted him when life taught me to trust no one. He was nothing I thought he was. He wasn’t even the man he said he was. He was dangerous. Everyone told me to hide, to run, but now he’s back. He came for me and I’m not running at all. Because he’s still the man that gave me a reason to breathe and if that’s dangerous, that’s a risk I will have to take.
Drawing on the latest interpretive and methodological advances in historical scholarship, The Young Eagle: The Rise of Abraham Lincoln reexamines the young adult life of America's sixteenth president.
Examining contemporary poetry by way of ethnicity and gender, Kenneth Lincoln tracks the Renaissance invention of the Wild Man and the recurrent Adamic myth of the lost Garden. He discusses the first anthology of American Indian verse, The Path on the Rainbow (1918), which opened Jorge Luis Borges' university surveys of American literature, to thirty-five contemporary Indian poets who speak to, with, and against American mainstream bards. From Whitman's free verse, through the Greenwich Village Renaissance (sandwiched between the world wars) and the post-apocalyptic Beat incantations, to transglobal questions of tribe and verse at the century's close, Lincoln shows where we mine the mother l...