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King Lear
Originally published in 1984. With selections organised chronologically, this collection presents the best writing on one of Shakespeare’s most studied plays. The structure displays the changing responses to the play and includes a wide range of criticism from the likes of Coleridge, Hazlitt, Moulton, Granville-Barker, Orwell, Levin, Stampfer, Gardner and Speaight interspersed with short entries from Keats, Raleigh, Freud and others. The final chapter by the editor elucidates his own thoughts on Lear, building on his commentary in the Introduction which puts the collection in context.
The Merchant of Venice
Unique features include an extensive overview of Shakespeare's life, world, and theater by the general editor of Signet Classic Shakespeare series, plus a special introduction to the play by the editor Sylvan Barnet, Tufts University. Another feature of this series includes dramatic criticism from the past and present: Commentaries by Nicholas Rowe, William Hazlitt, Edgar Elmer Stoll, Linda Bamber, Alexander Leggart, and Robert Smallwood. Special introduction by Kenneth Myrick, Tufts University.
Embodied Care
Until now, ethicists have said little about the body, limiting their comments on it to remarks made in passing or, at best, devoting a chapter to the subject. Embodied Care is the first work to argue for the body's centrality to care ethics, doing so by analyzing our corporeality at the phenomenological level. It develops the idea that our bodies are central to our morality, paying particular attention to the ways we come to care for one another. Hamington's argues that human bodies are "built to care"; as a result, embodiment must be recognized as a central factor in moral consideration. He takes the reader on an exciting journey from modern care ethics to Merleau-Ponty's philosophy of the body and then to Jane Addams's social activism and philosophy. The ideas in Embodied Care do not lead to yet another competing theory of morality; rather, they progress through theory and case studies to suggest that no theory of morality can be complete without a full consideration of the body.
The Merchant of Venice
The Signet Classics edition of William Shakespeare's black comedy. A complex play that combines pathos and humor, The Merchant of Venice also introduces one of Shakespeare's most memorable villains, the Jewish moneylender Shylock, who famously demands a “pound of flesh” for what he is owed. This revised Signet Classics edition includes unique features such as: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editor, Kenneth Myrick • Notes on the sources of The Merchant of Venice • Dramatic criticism from Nicholas Rowe, William Hazlitt, Elmer Edgar Stoll, and others • A comprehensive stage and screen history of notable actors, directors, and productions • Text, notes, and commentaries printed in the clearest, most readable text • And more...
The Sociology of Hypocrisy
With close attention to the spheres of sport and religion as important sites of moral currency, this book draws on media coverage of major cases of hypocrisy, attending to differing meanings and consequences of hypocrisy within the US, France and Iceland. Instances come from scandals within the established churches, as well as cases from the National Collegiate Athletic Association, the Tour de France, and the inquest into the Hillsborough Disaster in the UK. It considers the importance of the context within which moral conduct takes place and the relevance of this for the occurrence of hypocritical action, while exploring also the implications of advances in computer and information technol...
Squitter-wits and Muse-haters
This study offers an approach toward Renaissance literary production, demonstrating that antipoetic sentiment, previously dismissed as an unimportant aspect of Tudor-Stuart literary culture, constituted a significant shaping presence in Sidney, Spenser and Milton.
The Merchant of Venice
This volume is a collection of all-new original essays covering everything from feminist to postcolonial readings of the play as well as source queries and analyses of historical performances of the play. The Merchant of Venice is a collection of seventeen new essays that explore the concepts of anti-Semitism, the work of Christopher Marlowe, the politics of commerce and making the play palatable to a modern audience. The characters, Portia and Shylock, are examined in fascinating detail. With in-depth analyses of the text, the play in performance and individual characters, this book promises to be the essential resource on the play for all Shakespeare enthusiasts.
Words of Delight
In this introduction to Scripture, Leland Ryken organizes biblical passages into literary genres including narratives, poetry, proverbs, and drama, demonstrating that knowledge of a genre's characteristics enriches one's understanding of individual passages. Ryken offers a volume brimming over with wonderful insights into Old and New Testament books and passages--insights that have escaped most traditional commentators.
