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Flights of Fancy
In-depth analyses are presented of 15 superior films, each one representing a subgenre of fantasy cinema--Beauty and the Beast, Conan the Barbarian, The Dark Crystal, Dragonslayer, 5,000 Fingers of Dr. T, It's a Wonderful Life, Jason and the Argonauts, King Kong, Lost Horizon, Popeye, Superman, The Thief of Baghdad, Time Bandits, Topper, and The Wizard of Oz. A chapter is devoted to each film, providing a plot summary and detailed information about cast and crew, special effects (stop-motion animation, miniatures, hanging miniatures, optical effects, tricks of perspective, blue screens, matte paintings, glass shots, reverse projection, slow motion, rear and front projection, etc.), and strengths and weaknesses, as well as explorations of the film's relationship to written fantasy, other films, and cultural myths.
Keep Watching the Skies!
Bill Warren's Keep Watching the Skies! was originally published in two volumes, in 1982 and 1986. It was then greatly expanded in what we called the 21st Century Edition, with new entries on several films and revisions and expansions of the commentary on every film. In addition to a detailed plot synopsis, full cast and credit listings, and an overview of the critical reception of each film, Warren delivers richly informative assessments of the films and a wealth of insights and anecdotes about their making. The book contains 273 photographs (many rare, 35 in color), has seven useful appendices, and concludes with an enormous index. This book is also available in hardcover format (ISBN 978-0-7864-4230-0).
Textual Traffic
In Textual Traffic, S. Shankar clarifies notions of modernity and postmodernity by lucidly examining their relationship to colonialism. In the process, he challenges current emphases in cultural criticism through an exploration of what it means to regard the text as an economy and carries out a detailed scrutiny of travel narratives as a genre. Paying particular attention to representations of Africa and India, Shankar tracks the historical contours of a colonial modernity in a wide variety of travel narratives—African-American and postcolonial, canonical and filmic—drawn from different periods of the twentieth century. Included are explorations of Joseph Conrad's Heart of Darkness, Zora Neale Hurston's Mules and Men, Richard Wright's Black Power, V. S. Naipaul's India trilogy, and Stephen Spielberg's Indiana Jones and the Temple of Doom.
Race and the Animated Bodyscape
Race does not exist in animation—it must instead be constructed and ascribed. Yet, over the past few years, there has been growing discourse on the intersection of these two subjects within both academic and popular circles. In Race and the Animated Bodyscape: Constructing and Ascribing a Racialized Asian Identity in "Avatar" and "Korra," author Francis M. Agnoli introduces and illustrates the concept of the animated bodyscape, looking specifically at the US television series Avatar: The Last Airbender and its sequel, The Legend of Korra. Rather than consider animated figures as unified wholes, Agnoli views them as complexes of signs, made up of visual, aural, and narrative components that...
The Empire Triumphant
George Lucas's first Star Wars trilogy shows the influences of its era; Cold War tension is evident in its theme of rebellion against totalitarianism. Recent entries in the Star Wars saga--The Phantom Menace (1999) and Attack of the Clones (2002)--are much more concerned with evil corporations, terrorists, and the corruption of the political process. Each film is influenced by the times in which it was released, but also by cultural subtexts and by other films that had direct and indirect effects on Lucas as writer, producer, and director. This work focuses on all six Star Wars films. The first topic of this multifaceted examination is how the films use the language of colonialism ("The" Reb...
The Cinema of Preston Sturges
Most published works on writer-director Preston Sturges (1898-1959) have focused on the elements that made him a symbol of classic Hollywood comedy or his contributions to the genre via such 1940s classics as The Lady Eve, Sullivan's Travels and Miracle of Morgan's Creek. In contrast, this critical study asserts that there are enough unexplained incongruities, fragmentations and contradictions in Sturges' output to demand a re-evalution of his place in film history as a predecessor (and perhaps progenitor) of later postmodern filmmakers. Four appendices offer a generous selection of previously unavailable material, including an exclusive interview with the director's fourth wife Sandy Sturges.
Beyond the Stars: Stock characters in American popular film
The third of five volumes of new scholarship on American movie conventions. The 19 essays explore cinematic representations of such material items as food, weapons, clothing, tools, technology, and art and literature. Not illustrated. No index. Paper edition (unseen), $13.95. Annotation copyright by Book News, Inc., Portland, OR.
Buster Keaton's Crew
Buster Keaton told an interviewer in 1965, "When I'm working alone, the cameraman, the prop man, the electrician, these are my eyes out there.... They knew what they were talking about." Drawn from film trade magazines, newspapers, interviews and public records, this book tells the previously unpublished stories of the behind-the-scenes crew who worked on Keaton's silent films--like Elgin Lessley, who went from department store clerk to chief cameraman, and Fred Gabourie, who served as an army private in the Spanish American War before he became Keaton's technical director. "I'd ask, 'Did that work the way I wanted it to?' and they'd say yes or no," Keaton said of his crew. He couldn't have made his films without them.
Fantasy
This book considers fantasy film and its relationship to myth, legend and fairytale, examining its important role in contemporary culture. It provides an historical overview of the genre and its evolution, contextualising each fantasy film within its socio-cultural period and with reference to relevant critical theory.
The Lucas Effect: George Lucas and the New Hollywood
A filmmaker, visionary, and entrepreneur, George Lucas has not only changed the way we experience film and filmmaking, but also revolutionized film industry practices and standards. George Lucas, on an economic, aesthetic, and cultural level, has contributed more than any other individual to the shaping of the New Hollywood and is one of the most important figures in film history. His contribution to the film industry and our culture can be defined as the "Lucas Effect." Until now Lucas' work has been studied categorically. That is, popular books have been written that focus specifically on his life, his marketing skills, his films, his fans, or his various business accomplishments and practices. This is the first book to weave these threads together into a cohesive, rigorous study that illustrates the far reaching impact and importance of his creative genius. This book is important not only for film academics, students of film criticism and theory, popular culture scholars, and film devotees, but also for industry power brokers, Lucas fans and anyone who is interested in the work, life, and legacy of one of film's most important visionaries, George Lucas.
