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The Resilient City in World War II
The fate of towns and cities stands at the center of the environmental history of World War II. Broad swaths of cityscapes were destroyed by the bombing of targets such as transport hubs, electrical grids, and industrial districts, and across Europe, Asia, and the Americas, urban environments were transformed by the massive mobilization of human and natural resources to support the conflict. But at the same time, the war saw remarkable resilience among the human and non-human residents of cities. Foregrounding the concept of urban resilience, this collection uncovers the creative survival strategies that city-dwellers of all kinds turned to in the midst of environmental devastation. As the first major study at the intersection of environmental, urban, and military history, The Resilient City in World War II lays the groundwork for an improved understanding of rapid change in urban environments, and how societies may adapt.
Frontiers of Screen History
Frontiers of Screen History is an edited collection that provides an insightful exploration into the depiction and imagination of European borders in cinema after the Second World War.
A Companion to Nordic Cinema
A Companion to Nordic Cinema presents a collection of original essays that explore one of the world’s oldest regional cinemas from its origins to the present day. Offers a comprehensive, transnational and regional account of Nordic cinema from its origins to the present day Features original contributions from more than two dozen international film scholars based in the Nordic countries, the United States, Canada, Scotland, and Hong Kong Covers a wide range of topics on the distinctive evolution of Nordic cinema including the silent Golden Age, Nordic film policy models and their influence, audiences and cinephilia, Nordic film training, and indigenous Sámi cinema. Considers Nordic cinema...
History of Nordic Computing 2
The First Conference on the History of Nordic Computing (HiNC1) was organized in Trondheim, in June 2003. The HiNC1 event focused on the early years of computing, that is the years from the 1940s through the 1960s, although it formally extended to year 1985. In the preface of the proceedings of HiNC1, Janis Bubenko, Jr. , John Impagliazzo, and Arne Sølvberg describe well the peculiarities of early Nordic c- puting [1]. While developing hardware was a necessity for the first professionals, quite soon the computer became an industrial product. Computer scientists, among others, grew increasingly interested in programming and application software. P- gress in these areas from the 1960s to the ...
The Cinema of Aki Kaurismäki
Aki Kaurismäki is an enigma, an eminent auteur who claims his films are a joke. Since 1983, Kaurismäki has produced classically-styled films filled with cinephilic references to film history. He has earned an international art-house audience and many prizes, influencing such directors as Jim Jarmusch, Quentin Tarantino, and Wes Anderson. Yet Kaurismäki is often depicted as the loneliest, most nostalgic of Finns (except when he promotes his films, makes political statements, and runs his many businesses). He is also depicted as a bohemian known for outlandish actions and statements. The Cinema of Aki Kaurismäki is the first comprehensive English-language study of this eccentric director. Drawing on revisionist approaches to film authorship, the text links the filmmaker and his films to the stories and issues animating film aesthetics and history, nostalgia, late modernity, politics, commerce, film festivals, and national cinema.
Transnational Cinema in a Global North
Volume of essays examining the transition from national Nordic cinemas to transnational and global Nordic cinema.
The Oxford Handbook of the History of Youth Culture
"Youth culture is not an invention of 20th-century movies and television; youth have been forming their own cultures from the moment they were given space to invent their own ways of relating to one another and to their parents and communities. Taking a global approach and beginning in early modern Europe, the essays in the Oxford Handbook of the History of Youth Culture provide broadly contextualized case studies of the ways in which the meanings and expressions of both "youth" and "culture" have evolved through time and space. The authors show that youth culture has been shaped by geography, ethnicity, class, gender, faith, technology, and myriad other factors. Examining subjects ranging f...
Independent Filmmaking Around the Globe
With chapters on under-explored cinemas as well as traditional centres, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time.
Crime and Fantasy in Scandinavia
Scandinavian popular novels and films have flourished in the last thirty years. In Crime and Fantasy in Scandinavia, Andrew Nestingen argues that the growth and visibility of popular culture have been at the heart of the development of heterogeneous �publics� in Scandinavia, in opposition to the homogenizing influence of the post-World War II welfare state. Novels and films have mobilized readers and viewers, serving as a preeminent site for debates over individualism, collectivity, national homogeneity, gender, and transnational relations. Crime and Fantasy in Scandinavia provides insight into the changing nature of civil society in Scandinavia through the lens of popular culture. Nestingen develops his argument through the examination of genres where the central theme is individual transgression of societal norms: crime films and novels, melodramas, and fantasy fiction. Among the internationally known writers and filmmakers discussed are Henning Mankell, Aki Kaurism�ki, Lukas Moodysson, and Lars von Trier.
Film and Ethics
This book forms part of the multi-disciplinary Studies in Ethics Series from Liverpool Hope University. It explores the slipperiness of ethics as a concept and demonstrates the multiplicity of intellectual inquiry within contemporary Film Studies. At first glance, ‘ethics’ is not necessarily a subject conventionally associated with film. Film is often regarded as a form of ‘lowbrow’ popular culture, either offering bland entertainment or deliberately setting out to shock – or, more cynically, generate box office revenue – through gratuitous inclusion of sex and violence. Certainly, there have always been a minority of films based on the stereotypically ‘ethical’ subject of re...
