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Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.
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Make Your Own, Amazing Moving Art! Have you ever wanted to create your own moving-part toy or mechanism but weren’t sure where to start? Now you can easily build fascinating kinetic structures and simple machines with this do-it-yourself guide to making art in motion. Master craftsman Rodney Frost shares his wealth of knowledge with clear explanations and easy-to-follow instructions, building from simple to more complex projects to help you quickly absorb the lessons and build your skills. Frost keeps the concepts relatable, the materials accessible, and the projects doable. Simple illustrations help explain how basic mechanisms work, including cams, cranks, levers, pulleys, gears, and fly...
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This book explores the ways in which artists use technology to create different perceptions of time in art in order to reflect on contemporary relationships to technology. By considering the links between technology, movement and contemporary art, the book explores changing relationship between temporality in art, art history, media art theory, modernity, contemporary art, and digital art. This book challenges the dominant view that kinetic art is an antiquated artistic experiment and considers the changing perception of kinetic art by focusing on exhibitions and institutions that have recently challenged the notion of kinetic art as a marginalised and forgotten artistic experiment with mech...
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Architectural facades now have the potential to be literally kinetic, through automated sunscreens and a range of animated surfaces. This book explores the aesthetic potential of these new types of moving facades. Critique of theory and practice in architecture is combined here with ideas from kinetic art of the 1960’s. From this background the basic principles of kinetics are defined and are used to generate experimental computer animations. By classifying the animations, a theory of kinetic form called ‘state change’ is developed. This design research provides a unique and timely resource for those interested in the capacity of kinetics to enliven the public face of architecture. Extra material including animations can be seen at www.kineticarch.net/statechange
"In the past year important exhibitions of kinetic art have taken place in New York, Tel Aviv, Glasgow, and London. Yet despite the growing public interest there has been little published on the subject outside catalogues and ephemera. This new book presents the first comprehensive review of the field, with special emphasis on artists working in Paris, and including a historical survey of the use of movement in art. Kinetic art has been called 'the movement movement' : but unlike many artistic movements confined to small national groups or based on particular sets of theoretical tenets, kinetic art is notable for its international 'membership' and for the catholicity of styles and aims, whic...