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Believe Your Ears
Believe Your Ears is the memoir of composer Kirke Mechem, whose unorthodox path to music provides a fascinating narrative. He wrote songs and played music by ear as a newspaper reporter, a touring tennis player, and a Stanford creative-writing major before studying composition and conducting at Harvard. He describes his residencies in San Francisco, Vienna, London, and Russia, and gives detailed attention to his choral music, operas, and symphonies. He writes that “the twentieth century gave us much brilliant music” but shows how atonality came to dominate the post-war period. His lyric style belongs to no particular “school,” avoiding the trends, –isms, experiments, fads, and luna...
Composers on Composing for Choir
Each composer addresses the following topics: biography ; creative process ; the relationship between text and music; views from the composer to the conductor ; the relationship between the composer and the commissioning party ; views on the teaching of composition ; influencial individuals ; ten works all choral conductors at all levels should study ; the future of choral music ; comprehensive list of [his/her] works for choir.
Focal Impulse Theory
Music is surrounded by movement, from the arching back of the guitarist to the violinist swaying with each bow stroke. To John Paul Ito, these actions are not just a visual display; rather, they reveal what it really means for musicians to move with the beat, organizing the flow of notes from beat to beat and shaping the sound produced. By developing "focal impulse theory," Ito shows how a performer's choices of how to move with the meter can transform the music's expressive contours. Change the dance of the performer's body, and you change the dance of the notes. As Focal Impulse Theory deftly illustrates, bodily movements carry musical meaning and, in a very real sense, are meaning.
There She Goes Again
There She Goes Again interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart,There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power.
Tartuffe
(Opera). Kirke Mechem's revision of Moliere's opera 'Tartuffe'. Book does include a recap of the opera and extensive program notes by Mechem. This is classified as a COMIC OPERA.
Women and Music in the Age of Austen
Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Sacred Music Drama
“The indelible imprint of sacred music drama throughout history is undeniable . . . and its resurgence in the twentieth and twentieth-first centuries stirs the curiosity.” Carl Gerbrandt, in pursuing these issues, has brought to our fingertips a stimulating historical perspective on sacred music drama as well as an extensively annotated list of repertoire. Years of research have gone into providing information on centuries of sacred music dramas/operas which for the most part have been known to very few. Included in these pages of his Second Edition are over 330 sacred music dramas/operas, each with scholarly and practical information that will be of interest and great value to the opera...
Field Artillery
This volume gathers in compact form the official historical records of field artillery units in the United States Army in order to perpetuate and publicize their traditions, honors, and heraldic entitlements. It includes the lineages and honors of Regular Army and Army Reserve field artillery commands, brigades, and groups, and corps and division artillery that have been active since 1965. It also includes the fifty-eight elements of each regiment that have been active since the inception of the Combat Arms Regimental System in 1957. This two-part second edition updates the lineages, honors, and heraldic items of the Regular Army's field artillery regiments and further expands them to include organizations above the regimental level, as well as Army National Guard units. All are current through September 1, 2003. This is the companion book of The Organizational History of Field Artillery, 1775-2003.
The Jayhawk
The Jayhawk, the University of Kansas’s legendary and unique mascot, has represented the university for more than one hundred years and is recognizable around the world. In The Jayhawk, Rebecca Ozier Schulte tells the story of the beloved mythical bird’s origins and historical significance, role as mascot, relationship with student life and representation in campus publications, popularity in advertising and as merchandise, and much more. Multiple students and artists drew the Jayhawk in the twentieth century, including the long-legged Jayhawk drawn by Daniel Henry “Hank” Maloy in 1912 and the militaristic, fighting Jayhawk of 1941 created by Dr. Eugene “Yogi” Williams. Six diffe...
