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**Winner, 2019 Western Australian Premier's Book Awards, Daisy Utemorrah Award** **Winner, 2021 Australia Books Industry Awards, Small Publishers' Children's Book of the Year** **Winner, 2021 Queensland Literary Awards, Children's Book Award** **Winner, 2021 Speech Pathology, Australia Books of the Year Awards, Eight to ten Years** **Shortlisted, 2022 NSW Premier's Literary Awards, Patricia Wrightson Prize for Children's Literature** **Shortlisted, 2022 Adelaide Festival Awards for Literature, Children's Literature Awards** **Shortlisted, 2022 Ena Noel Award, The IBBY Australia Encouragement Award for a Young Emerging Writer or Illustrator** **Shortlisted, 2021 Children's Book Council of Aus...
This is the breaking, the shattering, the smattering of every limit ever accepted or imposed... Kindred, Kirli Saunders debut poetry collection, is a pleasure to lose yourself in. Kirli has a keen eye for observation, humour and big themes that surround Love/Connection/Loss in an engaging style, complemented by evocative and poignant imagery. It talks to identity, culture, community and the role of Earth as healer. Kindred has the ability to grab hold of the personal in the universal and reflect this back to the reader.
She was small when she heard about them ... the incredible freedom machines. A poetic and visual feast from multi-award-winning creators Kirli Saunders and Matt Ottley.
Itravel Country, like my Old People done. I see the Country, like my Old PeopledoneI burn Country, like my Old People done. I sing Country, like my Old Peopledone-- JacobMorris, Ban Maganindadjyang (My Old People Done) Guwayu, For All Times is acollection of First Nations poems commissioned by Red Room Poetry over the past16 years, and is a radical literary intervention for its breadth ofrepresentation, temporal depth and diversity of language. This fiercely uncensoredcollection features 61 poems from First Nations poets in 12 First Nationslanguages, and together they are an exquisite expression of living FirstNations culture. Journey through a range of poetic forms fromlyric, confessional, ...
Why would a wombat be registered for war? It's 1965, and an old Tattersalls barrel starts rolling marbles to randomly conscript young Australian men to fight in the war in Vietnam. Melbourne housewife Jean McLean is outraged, as are her artist friends Clif and Marlene Pugh, who live in the country with their wombat, Hooper. Determined to wreck the system, Jean forms the Save Our Sons movement's Victorian branch, and she and her supporters take to the streets to protest. Meanwhile, in the small country town of Katunga, Bill Cantwell joins the Australian Army, and in Saigon, young Mai Ho is writing letters to South Vietnamese soldiers from her school desk. And when Hooper's call-up papers arri...
Originally published: Australia: Allen & Unwin, 2021.
The #1 international bestselling debut novel about the wisdom of the very young, the mischief of the very old, and the magic that happens along the way Millie Bird, seven years old and ever hopeful, always wears red gumboots to match her curly hair. Her struggling mother, grieving the death of Millie's father, leaves her in the big ladies' underwear department of a local store and never returns. United at this fateful moment with two octogenarians seekers, she embarks with them upon a road trip to find Millie's mother. Together they will discover that old age is not the same as death, that the young can be wise, and that letting yourself feel sad once in a while just might be the key to a happy life.
The reverberations from the slap are far-reaching, affecting the marriages and friendships of all those who witness it. What unfolds is a powerful, haunting novel about love, sex, marriage, and the fury and intensity that family can arouse. In this remarkable novel, Christos Tsiolkas brilliantly weaves together a maze of complex relationships. Told through the eyes of eight different characters, the slap and the ensuing emotional maelstrom become catalysts for an unflinching and all-seeing journey into the modern family and domestic life. Children come of age, marriages teeter on the brink and midlife crises erupt against a backdrop of lust, jealousy, deception and inadequacy. In its penetrating and incisive examination of the evergrowing middle class and its fears and aspirations, The Slap is a fiercely intelligent and provocative story about the nature of loyalty and happiness, compromise and truth.
What We Carry brings together the voices of more than 60 contemporary Australian poets to provide accounts of childbearing that are both lyrical and embodied. Featuring diverse voices and perspectives on experiences of infertility, conception, termination, loss, pregnancy, birth and the early postpartum period, this collection illuminates the endlessly different ways the potential to carry life is experienced. The poems invite you to share incredibly personal stories - some humourous, some sincere, some full of elation and love, others frustration or despair. They provide powerful insights into the potential for childbearing experiences to shape us, change the trajectories of our lives, and teach us about what it means to be human. For after all, all of us were carried, at the beginning.
* Readings Prize for New Australian Fiction, Shortlist * 2022 Stella Prize, Longlist "A Best Book of the Year" —The Guardian "A Most Anticipated book of 2022" —Entertainment Weekly With an unforgettable voice and exuberant wit, She Is Haunted is a masterful debut exploring issues of identity, connection, and loss, told with remarkable grace and assurance by Chinese/American/Australian author, Paige Clark. In stories charged by the complexities of mother-daughter relationships, grief, exes, and the profundities of friendship, She Is Haunted features injured ballerinas, cloned dogs, and competitive call centers in settings as far ranging as future and present Australia, New York City’s C...