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Purple Threads
Winner of the David Unaipon Award, an engaging, moving and often funny yarn about growing up in the home of two Aunties running a sheep farm in rural Gundagai. Growing up in the shifting landscape of Gundagai with her Nan and Aunties, Sunny spends her days playing on the hills near their farmhouse and her nights dozing by the fire, listening to the big women yarn about life over endless cups of tea. It is a life of freedom, protection and love. But as Sunny grows she must face the challenge of being seen as different, and of having a mother whose visits are as unpredictable as the rain. Based on Jeanine Leane's own childhood, these funny, endearing and thought-provoking stories offer a snapshot of a unique Australian upbringing.
Walk Back Over
This work is about listening to the past and walking back over it, step after step, to see what you missed the first time. It speaks to what has been left out of official records, recordings and documents--the emotions, the other sides of paper--and what is not said. These poems engage with the ongoing, interventionist nation-state and the crime scene that is Australia in the lives of Aboriginal people. In contrast to state archives, museums, libraries, universities and collection agencies--and their methods of 'recording the lives' of Aboriginal people--my work explores the body where memories are stored as an archive; anchored and etched. Writing is an act of remembering a dismembered past.
Guwayu, for All Times
Itravel Country, like my Old People done. I see the Country, like my Old PeopledoneI burn Country, like my Old People done. I sing Country, like my Old Peopledone-- JacobMorris, Ban Maganindadjyang (My Old People Done) Guwayu, For All Times is acollection of First Nations poems commissioned by Red Room Poetry over the past16 years, and is a radical literary intervention for its breadth ofrepresentation, temporal depth and diversity of language. This fiercely uncensoredcollection features 61 poems from First Nations poets in 12 First Nationslanguages, and together they are an exquisite expression of living FirstNations culture. Journey through a range of poetic forms fromlyric, confessional, ...
A Companion to Australian Aboriginal Literature
This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers.
Dark Secrets
"This collection of poems tells the story of women's experiences from After Dreaming (AD), 1887 to 1961. Inspired by anecdotal and family stories from Wiradjuri women it moves from campfire to captivity to confinement and through colonialism"--p. 2.
Throat
not in Aus, mate bad things don't happen here our beaches are open they are not places where bloodied mattresses burn Throatis the explosive second poetry collection from award-winning Mununjali Yugambeh writer Ellen van Neerven. Exploring love, language and land, van Neerven flexes their distinctive muscles and shines a light on Australia's unreconciled past and precarious present with humour and heart. Van Neerven is unsparing in the interrogation of colonial impulse, and fiercely loyal to telling the stories that make us who we are.
Long History, Deep Time
The vast shape-shifting continent of Australia enables us to take a long view of history. We consider ways to cross the great divide between the deep past and the present. Australia’s human past is not a short past, so we need to enlarge the scale and scope of history beyond 1788. In ways not so distant, these deeper times happened in the same places where we walk today. Yet, they were not the same places, having different surfaces, ecologies and peoples. Contributors to this volume show how the earth and its past peoples can wake us up to a sense of place as history – as a site of both change and continuity. This book ignites the possibilities of what the spaces and expanses of history ...
The Boy from the Mish
'I don't paint so much anymore,' I say, looking to my feet. 'Oh. Well, I got a boy who needs to do some art. You can help him out,' Aunty Pam says, like I have no say in the matter, like she didn't hear what I just said about not painting so much anymore. 'Jackson, this is Tomas. He's living with me for a little while.' It's a hot summer, and life's going all right for Jackson and his family on the Mish. It's almost Christmas, school's out, and he's hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson's Aunty and annoying little cousins visit from the city - but this time a mysterious boy with a troubled past comes with them.....
Giving this Country a Memory: Contemporary Aboriginal Voices of Australia
Aboriginal literature is a growing field with a rapidly expanding global audience. The book represents a range of writers; it includes highly acclaimed Aboriginal writers whose works are widely recognised (Kim Scott, Doris Pilkington Garimara, Melissa Lucashenko) and other writers whose works are on the ascendancy (Romaine Moreton and Jeanine Leane). This book contributes to the understanding of Aboriginal literature and of how these writers developed as writers. See www.cambriapress.com/books/9781604979114.cfm for reviews, author bio, and more book information on this Cambria Press publication. "This book is an essential resource for anyone with more than a passing interest in Aboriginal writing and Australian literature." - Philip Morrissey, Head of Australian Indigenous Studies, University of Melbourne
Living on Stolen Land
You are on Indigenous lands,swimming in Indigenous waters,looking up at Indigenous skies. Living on Stolen Land is a prose-styled look at our colonial-settler 'present'. This book is the first of its kind to address and educate a broad audience about the colonial contextual history of Australia, in a highly original way. It pulls apart the myths at the heart of our nationhood, and challenges Australia to come to terms with its own past and its place within and on 'Indigenous Countries'. This title speaks to many First Nations' truths -- stolen lands, sovereignties, time, decolonisation, First Nations perspectives, systemic bias and other constructs that inform our present discussions and ever-expanding understanding. This title is a timely, thought-provoking and accessible read.
