Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Purple Threads
Winner of the David Unaipon Award, an engaging, moving and often funny yarn about growing up in the home of two Aunties running a sheep farm in rural Gundagai. Growing up in the shifting landscape of Gundagai with her Nan and Aunties, Sunny spends her days playing on the hills near their farmhouse and her nights dozing by the fire, listening to the big women yarn about life over endless cups of tea. It is a life of freedom, protection and love. But as Sunny grows she must face the challenge of being seen as different, and of having a mother whose visits are as unpredictable as the rain. Based on Jeanine Leane's own childhood, these funny, endearing and thought-provoking stories offer a snapshot of a unique Australian upbringing.
Walk Back Over
This work is about listening to the past and walking back over it, step after step, to see what you missed the first time. It speaks to what has been left out of official records, recordings and documents--the emotions, the other sides of paper--and what is not said. These poems engage with the ongoing, interventionist nation-state and the crime scene that is Australia in the lives of Aboriginal people. In contrast to state archives, museums, libraries, universities and collection agencies--and their methods of 'recording the lives' of Aboriginal people--my work explores the body where memories are stored as an archive; anchored and etched. Writing is an act of remembering a dismembered past.
Guwayu, for All Times
Itravel Country, like my Old People done. I see the Country, like my Old PeopledoneI burn Country, like my Old People done. I sing Country, like my Old Peopledone-- JacobMorris, Ban Maganindadjyang (My Old People Done) Guwayu, For All Times is acollection of First Nations poems commissioned by Red Room Poetry over the past16 years, and is a radical literary intervention for its breadth ofrepresentation, temporal depth and diversity of language. This fiercely uncensoredcollection features 61 poems from First Nations poets in 12 First Nationslanguages, and together they are an exquisite expression of living FirstNations culture. Journey through a range of poetic forms fromlyric, confessional, ...
A Companion to Australian Aboriginal Literature
This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers.
Dark Secrets
"This collection of poems tells the story of women's experiences from After Dreaming (AD), 1887 to 1961. Inspired by anecdotal and family stories from Wiradjuri women it moves from campfire to captivity to confinement and through colonialism"--p. 2.
Throat
not in Aus, mate bad things don't happen here our beaches are open they are not places where bloodied mattresses burn Throatis the explosive second poetry collection from award-winning Mununjali Yugambeh writer Ellen van Neerven. Exploring love, language and land, van Neerven flexes their distinctive muscles and shines a light on Australia's unreconciled past and precarious present with humour and heart. Van Neerven is unsparing in the interrogation of colonial impulse, and fiercely loyal to telling the stories that make us who we are.
Long History, Deep Time
The vast shape-shifting continent of Australia enables us to take a long view of history. We consider ways to cross the great divide between the deep past and the present. Australia’s human past is not a short past, so we need to enlarge the scale and scope of history beyond 1788. In ways not so distant, these deeper times happened in the same places where we walk today. Yet, they were not the same places, having different surfaces, ecologies and peoples. Contributors to this volume show how the earth and its past peoples can wake us up to a sense of place as history – as a site of both change and continuity. This book ignites the possibilities of what the spaces and expanses of history ...
The Boy from the Mish
'I don't paint so much anymore,' I say, looking to my feet. 'Oh. Well, I got a boy who needs to do some art. You can help him out,' Aunty Pam says, like I have no say in the matter, like she didn't hear what I just said about not painting so much anymore. 'Jackson, this is Tomas. He's living with me for a little while.' It's a hot summer, and life's going all right for Jackson and his family on the Mish. It's almost Christmas, school's out, and he's hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson's Aunty and annoying little cousins visit from the city - but this time a mysterious boy with a troubled past comes with them.....
Gawimarra
This superb collection moves from deeply tender meditations on Country, culture and kinship, to experimental archival poems dissecting the violence and destruction of the settler-colony. Jeanine Leane's poems are richly palpable in texture, imagery and language, layering the personal with the political, along with a sharp-tongued telling of history. Cleverly divided into three parts, 'Gathering', 'Nation' and 'Returning', Gawimarra weaves back and forth in a dedication to strong matriarchs, and the core acts of gathering and returning - memory, language, history - resonate powerfully throughout. A remarkable book that is the result of decades of poetic, political, and cultural work and reflection.
False Claims of Colonial Thieves
Shortlisted for the ALS Gold Medal 2019 ‘A gentle whisper from the past Visits me in my dreams Or is it the future that I see ... ’ From well-known poets John Kinsella and Charmaine Papertalk-Green comes a tête-à-tête that is powerful, thought provoking, and challenges what we think we know about our country, colonisation, and how we understand our land. Striking conversations surrounding childhood, life, love, mining, death, respect, and diversity; imbued by silken Yamatji sensibility and sublimely responded to by the son of a foreman from South Champion Mine. This extraordinary publication weaves two differing points of view together as Papertalk-Green and Kinsella’s words traverse this land and reflect back to us all, our many identities and quiet voices.
