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The Aesthetics of Imagination in Design
  • Language: en
  • Pages: 289

The Aesthetics of Imagination in Design

  • Type: Book
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  • Published: 2013-04-12
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  • Publisher: MIT Press

A theoretically informed investigation that relates the philosophies of aesthetics and imagination to understanding design practice. In The Aesthetics of Imagination in Design, Mads Folkmann investigates design in both material and immaterial terms. Design objects, Folkmann argues, will always be dual phenomena—material and immaterial, sensual and conceptual, actual and possible. Drawing on formal theories of aesthetics and the phenomenology of imagination, he seeks to answer fundamental questions about what design is and how it works that are often ignored in academic research. Folkmann considers three conditions in design: the possible, the aesthetic, and the imagination. Imagination is ...

Technology, Commercialization and Gender
  • Language: en
  • Pages: 266

Technology, Commercialization and Gender

  • Type: Book
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  • Published: 2017-08-23
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  • Publisher: Springer

This book explores the gender dimension in technology commercialization through a collection of papers by internationally renowned scholars in the USA, Mexico and Europe. Technology, Commercialization and Gender looks at various gender imbalances in this key innovation area and demonstrates that the construction of gendered identities within male-dominated work environments such as technology commercialization is a complex and lengthy process, often faced with institutional culture obstacles. More gender awareness and openness along all stages of the innovation chain, as well as more research and policy interventions are needed to ensure better use of highly-skilled human capital in knowledge-based economies around the globe.

Not at Your Service
  • Language: en
  • Pages: 528

Not at Your Service

  • Type: Book
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  • Published: 2020-12-16
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  • Publisher: Birkhäuser

Not at Your Service: Manifestos for Design brings together the broad spectrum of beliefs, subjects and practices of designers at Zurich University of the Arts. It offers different approaches and insights on the present-day role and impact of design. It is not conceived as a finished project, but as a fluid document of its time. Collaborative design, interaction within complex systems, attention economics, the ecological shift, visual literacy, gender-neutral design, "quick and dirty" design ethnography, social responsibility, the value of ugliness, death futures, immersive technologies, identity and crises, design as a transformative discipline – all of these topics are presented for debate with passion, conviction and professional expertise.

Toward a New Culture of the Material
  • Language: en
  • Pages: 324

Toward a New Culture of the Material

  • Categories: Art

Was wäre, wenn wir das multistabile, ambivalente und anpassungsfähige Verhalten aktiver Materie als offenen Gestaltungsspielraum verstehen? Die Beiträge dieses Bandes erkunden das formbildende Potenzial des Prozessua-len und Unverfügbaren - von mikrobi-ellem Co-Design über morphogeneti-sche Experimente und atmosphärische Kreationen bis hin zu Plastizität und Lebendigkeit in Architektur, Kunst und Begriffsentwicklung. Im Grenzgang zwischen analogen und digitalen For-men überschreiten die hier vorgestell-ten 19 Perspektiven disziplinäre und methodologische Grenzen und zielen darauf ab, ein neues Paradigma des Materiellen zwischen den Kulturen der Natur- und Geisteswissenschaften und des Designs zu begründen. Interdisziplinäre Beiträge zu aktiven Strukturen, adaptiven Materialien und Nachhaltigkeit Analoge Codes und Praktiken im Zeitalter des Digitalen Forschungsergebnisse des Exzellenzclusters "Matters of Activity. Image Space Material" an der Humboldt-Universität zu Berlin

The Palgrave Handbook of Image Studies
  • Language: en
  • Pages: 980

The Palgrave Handbook of Image Studies

This handbook brings together the most current and hotly debated topics in studies about images today. In the first part, the book gives readers an historical overview and basic diacronical explanation of the term image, including the ways it has been used in different periods throughout history. In the second part, the fundamental concepts that have to be mastered should one wish to enter into the emerging field of Image Studies are explained. In the third part, readers will find analysis of the most common subjects and topics pertaining to images. In the fourth part, the book explains how existing disciplines relate to Image Studies and how this new scholarly field may be constructed using both old and new approaches and insights. The fifth chapter is dedicated to contemporary thinkers and is the first time that theses of the most prominent scholars of Image Studies are critically analyzed and presented in one place.

Rethink! Prototyping
  • Language: en
  • Pages: 245

Rethink! Prototyping

  • Type: Book
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  • Published: 2015-11-18
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  • Publisher: Springer

In this book, the authors describe the findings derived from interaction and cooperation between scientific actors employing diverse practices. They reflect on distinct prototyping concepts and examine the transformation of development culture in their fusion to hybrid approaches and solutions. The products of tomorrow are going to be multifunctional, interactive systems – and already are to some degree today. Collaboration across multiple disciplines is the only way to grasp their complexity in design concepts. This underscores the importance of reconsidering the prototyping process for the development of these systems, particularly in transdisciplinary research teams. “Rethinking Proto...

Design, Gestaltung, Formatività
  • Language: en
  • Pages: 384

Design, Gestaltung, Formatività

  • Type: Book
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  • Published: 2022-09-05
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  • Publisher: Birkhäuser

What do the work processes of a neurosurgeon and a painter have in common? Applying the notions of Design, Gestaltung, and Formatività, this book sheds new light on processes of formation and transformation in the material world we live in. Scholars from the fields of history, philosophy, psychology, media, and cultural studies question established processes of giving form, while artists, designers, engineers, and scientists describe their creative processes. This book provides its readers with an overview of the spectrum of "philosophies of making" and invites them to refl ect on their own creative process, its possibilities and associated responsibilities to the environment, and ultimately to express these in action. There has never been a more urgent need to develop a new relationship between matter and form. Discussing and expanding the definitions of Design, Gestaltung und Formatività Leading international theorists write about the relationship between matter and form A collection of new texts and first English translation of key texts

The Creativity Complex
  • Language: en
  • Pages: 259

The Creativity Complex

Wherever we turn, we find creative practices and creative spaces, creative organizations and creative subjects. At work or in public places, in media representations and in advertisements, on social platforms, in schools and universities: There is a demand to be new and special, conspicuous and singular. How did this creativity complex and its imperative to be creative come about? Which terms and concepts enable us to understand its multiple and partly contradictory forms and processes? Where are its limits? Gathering and interweaving 40 short and incisive essays, this companion maps, investigates and illuminates the contemporary creativity complex.

Goodbye Privacy
  • Language: en
  • Pages: 452

Goodbye Privacy

  • Categories: Art
  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

This is the catalogue for the 2007 Ars Electronic Festival, held in Linz, Austria. It presents theoretical reflections by participating artists and scholars, along with descriptions of exhibited art projects in a current survey of the fields of interaction between art, technology, and society.

Entwerfen - Wissen - Produzieren
  • Language: de
  • Pages: 303

Entwerfen - Wissen - Produzieren

»Wissen« und »Forschung« sind zu Schlüsselbegriffen für das Design avanciert. In der Designforschung wird derzeit die wechselwirksame Beziehung zwischen Praktiken des Entwerfens, Wissens und Produzierens eingehend befragt. Von zentraler Bedeutung ist dabei der Aspekt des Anwendungskontextes, der das Paradox beschreibt, dass die gegenwärtige Produktion von Wissen sich zwar gesellschaftlichen Fragestellungen annähert, zugleich aber eine Kommerzialisierung dieses Wissens befördert. Die interdisziplinären Beiträge des Bandes zeigen, wie das praktische und theoretische Designwissen innerhalb dieses Spannungsfeldes verhandelt wird.