Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
East and West Entangled (17th-21st Centuries)
«History has to reorient», as the historian and sociologist Andre Gunder Frank observed. In the global or globalised age, a culture is no longer regarded as a discrete entity, but rather as a hybrid formation that interacts with other cultures in an incessant process of multidirectional exchange. Bringing together «Eastern» and «Western» case studies ranging from the seventeenth to the twenty-first centuries, this volume reminds historians that to conduct transcultural analyses they need to be alert to the multiple ways, comic intents included, in which difference is negotiated within contacts and encounters – from selective appropriation to rejection or resistance.
Kyosai
Skeletons, demons and ghosts rub shoulders with classically rendered ukiyo-e courtesans The Japanese artist Kawanabe Kyosai (1831-89) was celebrated for his exciting impromptu painting performances at calligraphy and painting parties. Described by British scholar Timothy Clark as "an individualist and an independent, perhaps the last virtuoso in traditional Japanese painting," Kyosai saw Japan transform itself from a feudal country into a modern state. The politically turbulent times in which he lived are reflected in his riotous images, in which skeletons, demons and ghosts rub shoulders with classically rendered ukiyo-e courtesans. Among his most charming and inventive works are his brilli...
Kyosai's Animal Circus
A compact and affordable bestiary of allegorical animals Kawanabe Kyosai (1831-89) delighted in the depiction of animals--crows with strong personalities, frogs in the schoolroom, rats on trapezes, cats in procession, elephants performing tricks--and frequently used them to satirize contemporary society. Having been trained as an academic painter, Kyosai would have been aware of traditions in which artists depicted creatures according to the laws of nature--the weak falling prey to the strong--as a commentary on actual society. He delighted in reversing such power relationships, frequently doing so to give an unexpected twist to the conventions of traditional imagery, and he seems particular...
これぞ暁斎!
None
Divine Felines: The Cat in Japanese Art
From Hello Kitty to Maneki Neko—Japan is the epicentre of global cat culture! Whether lurking in corners or taking center stage, cats are a ubiquitous presence in Japanese art. Depending on the situation, they may invite good fortune, prompt the viewer to meditate on a tale or provide evidence of an unseen world of magic and supernatural happenings. In 200 charming woodblock prints, paintings, screens and figurines spanning three centuries, Japanese art expert Rhiannon Paget celebrates the rich symbolism and surprising stories surrounding the feline image in Japan. This collection features works from over 30 museums and institions across the world, and contains essays on the following fasc...
Ogata Kōrin
A lush portrait introducing one of the most important Japanese artists of the Edo period Best known for his paintings Irises and Red and White Plum Blossoms, Ogata Kōrin (1658-1716) was a highly successful artist who worked in many genres and media--including hanging scrolls, screen paintings, fan paintings, lacquer, textiles, and ceramics. Combining archival research, social history, and visual analysis, Frank Feltens situates Kōrin within the broader art culture of early modern Japan. He shows how financial pressures, client preferences, and the impulse toward personal branding in a competitive field shaped Kōrin's approach to art-making throughout his career. Feltens also offers a keen visual reading of the artist's work, highlighting the ways Kōrin's artistic innovations succeeded across media, such as his introduction of painterly techniques into lacquer design and his creation of ceramics that mimicked the appearance of ink paintings. This book, the first major study of Kōrin in English, provides an intimate and thought-provoking portrait of one of Japan's most significant artists.
暁斎春画
男色好み、放屁合戦、しかけ絵おもちゃ、松茸見立て...炸裂するユーモアとパロディー精神。世界初公開の決定版!暁斎の作品を集めた個人コレクションとしては世界最大であり、最も充実した内容を誇るイスラエル・ゴールドマンコレクションから、所蔵の春画作品をすべて収録。
Painting Nature for the Nation
In Painting Nature for the Nation: Taki Katei and the Challenges to Sinophile Culture in Meiji Japan, Rosina Buckland offers an account of the career of the painter Taki Katei (1830–1901). Drawing on a large body of previously unpublished paintings, collaborative works and book illustrations by this highly successful, yet neglected, figure, Buckland traces how Katei transformed his art and practice based in modes derived from China in order to fulfil the needs of the modern nation-state at large-scale exhibitions and at the imperial court. She provides a rare examination of the vibrant world of Chinese-inspired culture during the 1880s, and the hostility which it faced in the following decade.
Demon of Painting
Kawanabe Kyosai (1831-1889), described as The Intoxicated Demon of Painting - who could paint a 50-foot theatre curtain in four hours - was a serious student of earlier styles, producing meticulous scrolls of beauties and Buddhist deities. He was also a comic artist of crazy pictures and political satires.
