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Maximizing reader insights into the principles of designing furniture as wooden structures, this book discusses issues related to the history of furniture structures, their classification and characteristics, ergonomic approaches to anthropometric requirements and safety of use. It presents key methods and highlights common errors in designing the characteristics of the materials, components, joints and structures, as well as looking at the challenges regarding developing associated design documentation. Including analysis of how designers may go about calculating the stiffness and endurance of parts, joints and whole structures, the book analyzes questions regarding the loss of furniture stability and the resulting threats to health of the user, putting forward a concept of furniture design as an engineering processes. Creating an attractive, functional, ergonomic and safe piece of furniture is not only the fruit of the work of individual architects and artists, but requires an effort of many people working in interdisciplinary teams, this book is designed to add important knowledge to the literature for engineer approaches in furniture design.
"This book represents the most sophisticated historiographical approach to understanding nation-building. Patrice Dabrowski demonstrates tremendous erudition... making brilliant use of contemporary newspapers and journals, as well as archival material." -- Larry Wolff, Boston College, author of Inventing Eastern Europe Patrice M. Dabrowski investigates the nation-building activities of Poles during the decades preceding World War I, when the stateless Poles were minorities within the empires of Russia, Germany, and Austria-Hungary. Could Poles maintain a sense of national identity, or would they become Germans, Austrians, or Russians? Dabrowski demonstrates that Poles availed themselves of the ability to celebrate anniversaries of past deeds and personages to strengthen their nation from within, providing a ground for a national discourse capable of unifying Poles across political boundaries and social and cultural differences. Public commemorations such as the jubilee of the writer Jozef Kraszewski, the bicentennial of the Relief of Vienna, and the return to Poland of the remains of the poet Adam Mickiewicz are reconstructed here in vivid detail.
Aimed at policy-makers and practitioners, this work looks at how local and indigenous communities can maintain the balance between their societies and their forest environments when faced with increasing external pressures, rising populations and growing demands for basic needs and cash. While efforts by governments or coporations to restore and manage forest environments are often non-existent or ineffective, there frequently exists, within communities who depend on forests, a wealth of knowledge about rational land use and environmental protection.
With over 2,200 recipes in 29 categories, Polish Heritage Cookery is the most extensive and varied Polish cookbook ever published. This illustrated edition of the bestseller includes 20 color photographs. "A encyclopedia of Polish cookery and a wonderful thing to have!"--Julia Child, Good Morning America
This book sets out to present the Polish-Russian conflict the way the elite of Russian society saw it. One of its chief research topics is the interaction between Russian public opinion, the policy the Empire pursued on its uncompliant subjects, and the impact the Polish conflict had on the evolution of Russian political ideas and movements. A major issue it addresses is the reaction of Russian society, its diverse political factions and social and philosophical trends and their relationship to the Polish national movement, and the effect of the Polish question on their evolution. Research in numerous archives and manuscript collections in Russia, Poland, Ukraine, Lithuania, played a fundamental role in the work for this book. This book was originally published in Polish as Fatalna sprawa: Kwestia polska w rosyjskiej mysli politycznej (Kraków: Arcana, 2000). It was awarded the Klio Prize, a prestigious Polish award for the best monograph on a historical subject. This English translation is an abridged version (about 1/3 of the book's original size).
The period of the baroque (late sixteenth to mid-eighteenth centuries) saw extensive reconfiguration of European cities and their public spaces. Yet, this transformation cannot be limited merely to signifying a style of art, architecture, and decor. Rather, the dynamism, emotionality, and potential for grandeur that were inherent in the baroque style developed in close interaction with the need and desire of post-Reformation Europeans to find visual expression for the new political, confessional, and societal realities. Highly illustrated, this volume examines these complex interrelationships among architecture and art, power, religion, and society from a wide range of viewpoints and localities. From Krakow to Madrid and from Naples to Dresden, cities were reconfigured visually as well as politically and socially. Power, in both its political and architectural guises, had to be negotiated among constituents ranging from monarchs and high churchmen to ordinary citizens. Within this process, both rulers and ruled were transformed: Europe left behind the last vestiges of the medieval and arrived on the threshold of the modern.
In the immediate aftermath of the First World War, Upper Silesia was the site of the largest formal exercise in self-determination in European history, the 1921 Plebiscite. This asked the inhabitants of Europe’s second largest industrial region the deceptively straightforward question of whether they preferred to be Germans or Poles, but spectacularly failed to clarify their national identity, demonstrating instead the strength of transnational, regionalist and sub-national allegiances, and of allegiances other than nationality, such as religion. As such Upper Silesia, which was partitioned and re-partitioned between 1922 and 1945, and subjected to Czechization, Germanization, Polonization...
A discussion of how modern Poland was created by the application and manipulation of myths about its past, and the symbols that represented them.
Publisher Description
Essays on “how motion pictures in the first two decades of the 20th century constructed ‘communities of nationality’ . . . recommended.” —Choice While many studies have been written on national cinemas, Early Cinema and the “National” is the first anthology to focus on the concept of national film culture from a wide methodological spectrum of interests, including not only visual and narrative forms, but also international geopolitics, exhibition and marketing practices, and pressing linkages to national imageries. The essays in this richly illustrated landmark anthology are devoted to reconsidering the nation as a framing category for writing cinema history. Many of the 34 con...