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In 2019, Nine Arches Press launched their nationwide Primers scheme for a fifth time, in search of exciting new voices in poetry, with Jacqueline Saphra and Jane Commane as selecting editors. After reading through hundreds of anonymous entries, and narrowing down the choices from longlist to shortlist, three poets emerged as clear choices: Krystelle Bamford, Claire Cox and Hannah Jane Walker. Primers Volume Five brings together a showcase from each of the three poets. At the core of these poems are the milestones and critical moments of our lives and, vitally, the ties that bind us to those we love. From the tides of grief to surfing the wave of birth, these often courageous and candid poems are distinctive in their engagement with fear, loss and self-discovery, and how they emerge afresh, bold and illuminating. An insightful collection of new work from some of poetry's most talented emerging voices. "Each of these poets moved us from a very first read with courage, openness and authenticity and each walks an exhilarating edge, daring to take risks with both language and content." - Jacqueline Saphra
"The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz man...
Poetry. Edited by Nick Makoha. An Anthology of the Best New British and Irish Poets of 2019-2020 as selected by Nick Makoha.
Introduction -- 1. Modern Arabic Poetry and English Poetry -- 2. The Arabic Waste Lands -- 3. Translating Whitman's Song of Myself into Arabic -- 4. Al-Sayyab's Translational Contribution -- Conclusion -- Bibliography.
This collection, which won the 2015 Costa Poetry Award, is an exhibition of the Dundee-born poet’s stunningly accomplished adoption of the sonnet’s ancient structure This collection from Don Paterson, his first since the Forward Prize–winning Rain in 2009, is a series of forty luminous sonnets. Some take a traditional form, while others experiment with the reader’s conception of the sonnet, but they all share the lyrical intelligence and musical gift that has made Paterson one of our most celebrated poets. Addressed to friends and enemies, the living and the dead, children, musicians, poets, and dogs, these poems are as ambitious in their scope and tonal range as in the breadth of th...
A cloth bag containing ten copies of the title.
"A major collection of contemporary Palestinian poetry translated by 24 of Scotland's very best writers including Alasdair Gray, Liz Lochhead, James Robertson, Jackie Kay, William Letford, Aonghas MacNeacail, DM Black, Tom Pow, Ron Butlin and John Glenday. A Bird is not a Stone is a unique cultural exchange, giving both English and Arabic readers a unique insight into the political, social and emotional landscape of today's Palestine. Includes both established and emerging Palestinian poets. Foreword by Scotland's Mackar (Poet Laureate) Liz Lochhead"--Publisher's description.
"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."
A terrifying 1930s ghost story set in the haunting wilderness of the far north. January 1937. Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely and desperate to change his life. So when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year. Gruhuken. But the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice. Stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return - when the sea will freeze, making escape impossible. And Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...