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Borderland
Borderland: On Reviving Culture is a most timely book that tells the story of a project for our times. It is the story of the Borderland organization, which consists of two dovetailing initiatives, an international NGO, the Borderland Foundation, and the more locally and nationally focused Borderland Centre of Arts, Culture and Nations. Borderland is based in the far northeastern corner of Poland close to the borders of Russia, Lithuania and Belarus, where it has devised an array of programs and initiatives designed to promote harmonious cultural plurality in a region of inter-ethnic and religious tensions that date back centuries. Ian Watson, Director of the Theatre Program, Director of the Urban Civic Initiative, Department of Arts, Culture and Media, Rutgers University-Newark
Toward Xenopolis
Essays by a founder of the Borderland Foundation in East-Central Europe explore the meanings of community in a fractured world.
Irena Veisaitė
Irena Veisaitė is held in deep esteem throughout her country. This volume is an attempt to relate the difficult journey of her remarkable life against the backdrop of the complex history of Lithuania and its Litvaks (Lithuanian Jews). After being rescued by Christian Lithuanian families and having survived the Holocaust Irena Veisaitė devoted herself to study and creative work. She was a memorable lecturer, respected theatre critic, associate film director, and also founder and chairman of the Open Society Fund (Soros Foundation) which made an invaluable contribution to the process of democratisation in Lithuania. Irena Veisaitė made it her life’s work to speak up for dialogue and mutual understanding and believes that even in the most difficult circumstances it is possible to preserve one’s humanity. Having lived through some of the major atrocities of the twentieth century, her insistence on the need for tolerance has inspired many.
Milosz
Andrzej Franaszek’s award-winning biography of Czeslaw Milosz—winner of the Nobel Prize in Literature—recounts the poet’s odyssey through WWI, the Bolshevik revolution, the Nazi invasion of Poland, and the USSR’s postwar dominance of Eastern Europe. This edition contains a new introduction by the translators, along with maps and a chronology.
Only the Nails Remain
Only the Nails Remain: Scenes from the Balkan Wars is a chronicle of poet and critic Christopher Merrill's ten war-time journeys to the Balkans from the years 1992 through 1996. At once a travelogue, a book of war reportage, and a biography of the imagination under siege, this beautifully written and personal narrative takes the reader along on the author's journeys to all the provinces and republics of the former Yugoslavia—Bosnia-Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, Serbia, Slovenia, and Vojvodina—as well as to Albania, Austria, Bulgaria, Greece, Hungary, Italy, and Turkey. His journeys provide the narrative structure for an exploration of the roles and responsibility o...
The Palgrave Encyclopedia of the Possible
The Palgrave Encyclopedia of the Possible represents a comprehensive resource for researchers and practitioners interested in an emerging multidisciplinary area within psychology and the social sciences: the study of how we engage with and cultivate the possible within self, society and culture. Far from being opposed either to the actual or the real, the possible engages with concrete facts and experiences, with the result of transforming them. This encyclopedia examines the notion of the possible and the concepts associated with it from standpoints within psychology, philosophy, sociology, neuroscience and logic, as well as multidisciplinary fields of research including anticipation studies, future studies, complexity theory and creativity research. Presenting multiple perspectives on the possible, the authors consider the distinct social, cultural and psychological processes - e.g., imagination, counterfactual thinking, wonder, play, inspiration, and many others - that define our engagement with new possibilities in domains as diverse as the arts, design and business.
Life should be Transparent
This book of thirteen conversations introduces us to the life of an exceptional person—theatre critic, Germanist, and long-time chair of the Open Lithuania Fund board—Irena Veisaitė. The dialogue between Lithuanian historian Aurimas Švedas and a woman who reflects deeply on her experiences reveals both one individual’s historically dramatic life and the fate of Europe and Lithuania in the twentieth century. Through the complementary lenses of history and memory, we confront with Veisaitė the horrific events of the Holocaust, which brought about the end of the Lithuanian Jewish world. We also meet an array of world-class cultural figures, see fragments of legendary theatre performanc...
20 Ground-Breaking Directors of Eastern Europe
Directors have long been the main figures on Eastern European stages. During the last three decades some of the most outstanding among them have risen to international stardom thanks to their ground-breaking productions that speak to audiences far beyond local borders. Not by chance, a considerable number of these directors have won the second-biggest theatre award on the continent – the European Prize for (New) Theatrical Realities. It would not be an exaggeration to say that the top directors of the region have been pushing contemporary theatre as a whole ahead into new territories. This book offers informative and in-depth portraits of twenty of these directors, written by leading critics, scholars, and researchers, who shed light on the directors’ signature styles with examples of their emblematic productions and outline the reasons for their impact. In addition, in two chapters the selected directors themselves discuss their artistic family trees as well as the main stakes theatre faces today. The book will be of interest to theatre scholars, students, and anybody engaged with theatre on a global scale.
Gardzienice: Polish Theatre in Transition
This is one of the first detailed attempts to assess developments in Polish experimental theatres since 1989. The author questions whether those artists can maintain their vision in the face of Poland's economic difficulties and increased.
