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Borderland
Borderland: On Reviving Culture is a most timely book that tells the story of a project for our times. It is the story of the Borderland organization, which consists of two dovetailing initiatives, an international NGO, the Borderland Foundation, and the more locally and nationally focused Borderland Centre of Arts, Culture and Nations. Borderland is based in the far northeastern corner of Poland close to the borders of Russia, Lithuania and Belarus, where it has devised an array of programs and initiatives designed to promote harmonious cultural plurality in a region of inter-ethnic and religious tensions that date back centuries. Ian Watson, Director of the Theatre Program, Director of the Urban Civic Initiative, Department of Arts, Culture and Media, Rutgers University-Newark
20 Ground-Breaking Directors of Eastern Europe
Directors have long been the main figures on Eastern European stages. During the last three decades some of the most outstanding among them have risen to international stardom thanks to their ground-breaking productions that speak to audiences far beyond local borders. Not by chance, a considerable number of these directors have won the second-biggest theatre award on the continent – the European Prize for (New) Theatrical Realities. It would not be an exaggeration to say that the top directors of the region have been pushing contemporary theatre as a whole ahead into new territories. This book offers informative and in-depth portraits of twenty of these directors, written by leading critics, scholars, and researchers, who shed light on the directors’ signature styles with examples of their emblematic productions and outline the reasons for their impact. In addition, in two chapters the selected directors themselves discuss their artistic family trees as well as the main stakes theatre faces today. The book will be of interest to theatre scholars, students, and anybody engaged with theatre on a global scale.
Gardzienice: Polish Theatre in Transition
This is one of the first detailed attempts to assess developments in Polish experimental theatres since 1989. The author questions whether those artists can maintain their vision in the face of Poland's economic difficulties and increased.
Ideologies of Eastness in Central and Eastern Europe
This book explores how the countries of Eastern Europe, which were formerly part of the Soviet bloc have, since the end of communist rule, developed a new ideology of their place in the world. Drawing on post-colonial theory and on identity discourses in the writings of local intelligentsia figures, the book shows how people in these countries no longer think of themselves as part of the "east", and how they have invented new stereotypes of the countries to the east of them, such as Ukraine and Belarus, to which they see themselves as superior. The book demonstrates how there are a whole range of ideologies of "eastness", how these have changed over time, and how such ideologies impact, in a practical way, relations with countries further east.
Representing and (De)Constructing Borderlands
This volume stems from the assumption that broadly-understood borderlands, as well as peripheries, provinces or uttermost ends of different kinds, are abodes of significant culture-generating forces. From the academic point of view, their undeniable appeal lies in the fact that they constitute spaces of mutual interactions and enable new cultural phenomena to surface, grow or decline, and, as such, are worth thorough and constant scrutiny. However, they also provide the setting for radical clashes between ideologies, languages, religions, customs, and, as the media report every single day, armies or guerrilla units. Living within such areas of creative dynamics and destructive friction (or v...
Włodzimierz Staniewski and the Phenomenon of “Gardzienice”
This book offers a broad, comprehensive overview of the contemporary state of the Gardzienice theatrical company and its evolution. Their most recent production, The Wedding, is taken as a focal point for a retrospective discussion on the company’s development. Premiered at the festival celebrating the 40th anniversary of the company, The Wedding echoes most of the major achievements of Staniewski’s stage language and his capacity of exploring and developing the performative potential of liveness. This study consists of essays by prominent practitioners and theoreticians of theatre, director’s notes, conversations with Staniewski and other company members, selected archival materials and substantial visual coverage. It promises to be of great interest to students and scholars across the fields of theatre and performance studies.
The Politics of Trauma and Memory Activism
This book analyses four case studies of Holocaust memory activism in Poland, contextualized within recent debates about Polish-Jewish relations and approached through a theoretical framework informed by critical theory. Three cases are advocacy groups, each located in a different region of Poland—Lublin, Kraków, and Sejny—and each group is presented with attention to the local context and specific dynamics of its vision and strategy. The fourth case study is the state, which has emerged as a powerful memory actor. Using research based on extensive fieldwork, including interviews and direct observation, the author argues that memory activism must grapple with emotional attachments to identity if it is to move beyond a reconciliation paradigm. Drawing on works from semiotics and critical trauma studies, the volume analyzes the assumptions each memory actor makes about three dimensions of Holocaust memory: 1) the relationship of the individual to Polish national identity; 2) the possibility of a reconciled Polish-Jewish history; and 3) the assignment of traumatic suffering to a particular group or event.
Complex Human Dynamics
This book, edited and authored by a closely collaborating network of social scientists and psychologists, recasts typical research topics in these fields into the language of nonlinear, dynamic and complex systems. The aim is to provide scientists with different backgrounds - physics, applied mathematics and computer sciences - with the opportunity to apply the tools of their trade to an altogether new range of possible applications. At the same time, this book will serve as a first reference for a new generation of social scientists and psychologists wishing to familiarize themselves with the new methodology and the "thinking in complexity".
Cultural Change in East-Central European and Eurasian Spaces
This book weaves together research on cultural change in Central Europe and Eurasia: notably, Bosnia and Herzegovina, Kazakhstan, Latvia, Poland, Russia, and Ukraine. Examining massive cultural shifts in erstwhile state-communist nations since 1989, the authors analyze how the region is moving in both freeing and restrictive directions. They map out these directions in such arenas as LGBTQ protest cultures, new Russian fiction, Polish memory of Jewish heritage, ethnic nationalisms, revival of minority cultures, and loss of state support for museums. From a comparison of gender constructions in 30 national constitutions to an exploration of a cross-national artistic collaborative, this insightful book illuminates how the region’s denizens are swimming in changing tides of transnational cultures, resulting in new hybridities and innovations. Arguing for a decolonization of the region and for the significance of culture, the book appeals to a wide, interdisciplinary readership interested in cultural change, post-communist societies, and globalization.
