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In this volume, Stanisław Rosik focuses on the meaning and significance of Old Slavic religion as presented in three German chronicles (the works of Thietmar of Merseburg, Adam of Bremen, Helmold of Bosau) written during the time of the Christianization of the Western Slavs. The source analyses show the ways the chroniclers understood, explained and represented pre-Christian beliefs and cults, which were interpreted as elements of a foreign, “barbarian”, culture and were evaluated from the perspective of Church doctrine. In this study, individual features of the three authors are discussed– including the issue of the credibility of their information on Old Slavic religion– and broader conclusions on medieval thought are also presented.
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
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The exhibition entitled “The Masters of Byssus, Silk and Linen” (13-22 May, 2017; Rectorate Palace, Sapienza University of Rome) intends to highlight the way in which, by processing raw materials, high quality fabrics can be achieved, which are then embellished by the weaver’s hand, as it was done in ancient times with silk and linen and is still practiced today with byssus. The unwoven fibers and/or fabrics were dyed in order to add extra beauty to the fabric. The exhibition, organized by the Commodity Science Museum, the Chemistry Museum “Primo Levi” and the “Polo Museale Sapienza” (PMS), with the collaboration of the Cultural Association “Visioni e Illusioni”, with the patronage of the Polish Institute of Rome, intends to highlight the additional value of fabrics when they are processed by the Artists, who are better defined as Masters of Byssus, Silk and Linen.