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This volume features 29 invited papers presented at the Royal Society of Edinburgh on 1-2 July 2008 by colleagues, collaborators, students and friends of Professor J. Michael Rotter (FREng, FRSE, FICE, FASCE, FIStructE, FIEAust) in honour of his 60th birthday.The articles published in this volume will be of great value to readers as it contains con
In this book, Patricia Mainardi presents a new analysis of the major shift in nineteenth-century art from large public to small private works by examining the political and institutional factors that were in effect. Mainardi brings to life the complex institutional world of official art in the mid- to late-nineteenth century, presenting the relevant individual personalities, group interests, conflicts, and shift in a policy with clarity and detail. Writing in a lively, often witty style, she throws much new light on such subjects as the decline of history painting, the rise and eventual triumph of genre painting, the influence exerted in France by the art of England, Belgium, and Germany, and the inevitable collapse of the official exhibition system.