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Jacob Campo Weyerman’s Comments on the Customs and Manners of his Time
The nucleus of Weyerman’s (1677-1747) literary oeuvre is the weekly periodical he published under varying titles from 1720 to the end of his life. He was its only contributor and editor. This book consists of key excerpts supplemented by a scholarly apparatus that contextualizes Weyerman's witty and satirical comments on the customs and manners of his cocitizens. His moralizing observations constitute a mirror of Dutch society in the second quarter of the eighteenth century in the decades before new socio-cultural paradigms associated with the Enlightenment and Romanticism took hold.
Heterodoxy, Spinozism, and Free Thought in Early-Eighteenth-Century Europe
'the oldest biography of Spinoza', La Vie de Mr. Spinosa, which in the manuscript copies is often followed by L'Esprit de M. Spinosa. Margaret Jacob, in her Radical Enlightenment, contended that the Traite was written by a radical group of Freemasons in The Hague in the early eighteenth century. Silvia Berti has offered evidence it was written by Jan Vroesen. Various discussions in the early eighteenth century consider many possi ble authors from the Renaissance onwards to whom the work might be attributed. The Trois imposteurs has attracted quite a bit of recent attention as one of the most significant irreligious clandestine writings available in the Enlightenment, which is most important ...
Jacob Campo Weyerman and his Collection of Artists’ Biographies
Weyerman’s collection of artists’ biographies (1729) is exceptional for three reasons. Firstly, he includes a great number of painters not mentioned elsewhere. Secondly, he does not limit his selection to good artists only; he also discusses failed painters and their abortive careers. Thirdly, he writes as an art critic who does not hesitate to pass judgments, sometimes severe, on his chosen subjects. In the process, Weyerman provides much information on the social and economic circumstances of art production. He found that a bohemian lifestyle was pernicious to a painter’s career, and argued that artists should live and think as merchants. In addition to analyzing Weyerman’s art critical terminology and his ideas on art theory, De Vries includes translations of two full chapters along with the original Dutch.
La Société nouvelle
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Jan Steen
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Société nouvelle
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Revue de Paris
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Jan Steen
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