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Church and Society in Hungary and in the Hungarian Diaspora
In Church and Society in Hungary and in the Hungarian Diaspora, Nándor Dreisziger tells the story of Christianity in Hungary and the Hungarian diaspora from its earliest years until the present. Beginning with the arrival of Christianity in the middle Danube basin, Dreisziger follows the fortunes of the Hungarians’ churches through the troubled times of the Middle Ages, the years of Ottoman and Habsburg domination, and the turmoil of the twentieth century: wars, revolutions, foreign occupations, and totalitarian rule. Complementing this detailed history of religious life in Hungary, Dreisziger describes the fate of the churches of Hungarian minorities in countries that received territories from the old Kingdom of Hungary after the First World War. He also tells the story of the rise, halcyon days, and decline of organized religious life among Hungarian immigrants to Western Europe, the Americas, and elsewhere. The definitive guide to the dramatic history of Hungary’s churches, Church and Society in Hungary and in the Hungarian Diaspora chronicles their proud past and speculates about their uncertain future.
Symphony Orchestras of the World
The profiles in this book are intended to provide the general reader with basic information on 122 of the leading or most representative orchestras of the world, exclusive of the United States. They will not expose house secrets behind the public facade, nor do they purport to offer definitive critical assessments. They offer historical precis, describe orchestras' seasonal activitieds, outline their administration, and describe their cultural impact.--Cf. Introduction.
Ballpoint
The triumphs and the trials of the men who invented the modern ballpoint pen as they battled corporate greed, dark eras--and each other. László Bíró's last name is, in much of the world, a synonym for his revolutionary writing tool. But few people know that Bíró began his career in interwar Budapest as a journalist frustrated with spotty ink; that he escaped fascism by fleeing to Paris and, finally, to Buenos Aires; that a fellow Hungarian, Andor Goy, also played a vital role in the pen's development--and that, in a tragic twist of shared fate, business pressures and politics ultimately deprived both men of their rights to the ballpoint pen. Taking us from Hitler's Europe in 1938, to Argentina, where Bíró settled, and to Communist-era Hungary, where Goy lived out his life, Ballpoint is a painstakingly researched, absorbing narrative that reads simultaneously like a work of history and a novel.
Opera Companies of the World
Here for the first time are in-depth profiles of 139 major opera companies from around the globe, representing 35 countries, from Argentina to Yugoslavia, and including little-known information on opera in the People's Republic of China, Israel, Japan, the Republic of South Africa, and Turkey. Briefly noted in an appendix are an additional 24 companies from ten countries, three of them not included in the main section. The profiles provide directory and access information, a survey of the company's history, and, wherever possible, a chronological listing of directors and managers, and a concise bibliography for further reference. An annotated research bibliography contains general sources, such as reference books, opera annals, architectural studies, discographies, and relevant studies of conductors and performers. A chronology of the foundings of the opera companies and an index complete the volume. Much of the information is singularly available in this source, which will be welcomed by scholars, researchers, and opera lovers.
Concert and Opera Conductors
Filling an important gap in scholarship, Professor Cowden's new bibliography provides complete and authoritative information on major conductors of permanent orchestral ensembles since the time of von Weber and Berlioz. Cowden has selected 1,249 conductors on the basis of citations in standard music references, biographical studies, autobiographies, and contributions to the pedagogy of conducting. Publications in English and several European languages are cited. The first section, Collective Works, gives detailed information on titles devoted to concert and opera conductors and related titles containing additional material on conductors and conducting. The section on individual conductors is arranged alphabetically by artist. Further sources and references are offered in appendixes and an index of authors is included.
