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Fusing aesthetic and economic perspectives in exploring the lives and work of women in the Lucknow, India embroidery industry, this book offers insights into anthropology of work and women's studies.
In Lucid Language That Speaks To Laymen And Architects Alike, This Book Provides A History Of Twentieth Century Architecture In India. It Examines In Detail The Early Influences On Indian Architecture Both Of Movements Like The Bauhaus As Well As Prominent Individuals Like Habib Rehman, Jawaharlal Nehru, Frank Lloyd Wright And Le Corbusier.
This is an analysis of the sociological and economic causes of the demise of certain traditions, such as the glowing, rich phulkaris of the Punjab. Also discussed are women embroiderers, working in traditions that are centuries old, but new to the marketplace and urban lifestyles. The book provides a moving account of the rites of passage of Rabari women who, empowered through their embroidery, have become their own designers and entrepreneurs, It shows through color photographs and text how craft has not only been a catalyst for personal growth and social and economic change but has also created new conflicts and challenges. Women who worked to their own rhythms and creative impulses now craft to tunes others play. Cultural influences from the outside world have infiltrated their aesthetic and homes. The articles included describe textiles and skills still used by people for themselves, rather than the courtly textiles of yesteryear. While India is poised between past and future, craft still maintains its place.
Festschrift to mark fifty years of the company.
Richly layered and remarkably candid, this is anything but an ordinary memoir. Life-writing at its truthful and unapologetic best, here is a story of a textile historian, entrepreneur and collector with an eventful and adventurous life story. As a child in countryside England, Jenny had thought she would grow up to be a spy, but life had other plans. Brought to the world of Asian textiles, art and museums, she has over the last five decades travelled across Asia with a passion to document traditional, local, and nomadic weaves and handcrafted textiles. She lays bare her idyllic childhood in the aftermath of the Second World War; her aspirations of being in the arts and then as a researcher at the Victoria and Albert museum in London; the struggles of falling in and out of love and a broken marriage; of parenting; and her passion for Indian textiles, having established herself as one of the most successful British entrepreneurs working in India who co-founded the luxury brands shades of India and kashmir loom.
Kamaladevi Chattopadhyay (1903–1988) was a prominent socialist, anticolonial and antiracist activist, champion of women’s rights, and advocate for the arts and crafts. Defying the borders of gender, nation, and race, her efforts spanned social movements and played a leading role in the creation of modern India and the development of the Global South. In The Art of Freedom, Nico Slate showcases new archival materials to document Kamaladevi’s campaign to become the first woman elected to provincial office; her confrontation with Gandhi that helped open the salt protests of 1930 to women; her leadership of the All India Women’s Conference and the Congress Socialist Party; her pioneering...
Ever been intrigued by the Indian Fashion Industry—its stereotypes of drugged models, gay designers, and fascinating but unaffordable clothes? Join Shefalee Vasudev, former editor of Marie Claire and an acclaimed fashion journalist, on a deep‐sea dive into the gagging depths of Indian fashion. In Powder Room, she offers an insider’s view of people who make the industry what it is—from a lower middle class girl who sells global luxury for a living to a designer who fights the inner demons of child sexual abuse yet manages to survive and thrive in the business of fashion, or a Ludhiana housewife on a perpetual fashion high. Besides candid interviews of known names in Indian fashion, Shefalee provides a commentary on new social behaviour, urban culture, generational differences, and the compulsions behind conspicuous consumption in a country splitting at the seams with inequalities of opportunity and wealth. From Nagaland to Patan, Mumbai, Delhi, and Punjab, Powder Room mirrors how and why India ‘does’ fashion.
This volume captures the social, political, psychological, administrative, and policy dimensions of the COVID-19 pandemic in the Indian context. The book is divided into four parts. Part I highlights social narratives from underprivileged workers, ASHA workers, the LGBTIQ+ community, and sanitary workers. It documents their struggles to develop mitigation, adaptation, and resilience strategies. Part II includes case studies and stories of self-management, the mental health of students from rural and urban Maharashtra, and of caregivers. It unveils the path of transformation of self to deal with the issues of anxiety and emotional turmoil caused during and due to the COVID-19 pandemic. Part I...
This volume presents a collection of essays that explore the relationship between sporting clothing and gender. Drawing on uniform and sports apparel as a means of exploring the socio-sexual politics of the contemporary world, the contributions analyse the historical, political-economic, socio-cultural and sport-specific dimensions of gendered clothing in sport. Part of a two-volume series (the other discussing this phenomenon in the USA), contributors cover topics such as the rise of athleisurewear, Olympics outfits, eSports, religious considerations, the saree, fitness attire on Instagram, Japanese bloomers, youth clothing, ForPlay’s sexy sports costumes, and women’s sportswear for rugby, tennis, throwing, biking, wrestling, and flat track roller derby. This global anthology will be of interest to practitioners and scholars of sports history, the sociology of sport, and gender/media studies.
Pussyhats, typically crafted with yarn, quite literally created a sea of pink the day after Donald J. Trump became the 45th president of the United States in January 2017, as the inaugural Women’s March unfolded throughout the U.S., and sister cities globally. But there was nothing new about women crafting as a means of dissent. Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats is the first book that demonstrates how craft, typically involving the manipulation of yarn, thread and fabric, has also been used as a subversive tool throughout history and up to the present day, to push back against government policy and social norms that crafters perceive to b...