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   The rich popular tradition of India's women writers is finally available in this collection of short stories translated from seven of the country's languages. The writers and their heroines reflect the complex mosaic of Indian life-they are old and young, rural and urban, rich and poor. Here we meet Muniyakka, called "walkie-talkie" because she mutters to herself; Shakun, the dollmaker, an exploited artist who needs to feel that others depend on her; and Jashoda, professional mother to children of the rich, from Mahasveta Devi's acknowledged masterpiece "The Wet Nurse." These stories "are dense with thsoe customs, manners, and objects that usually remain locked within regional languages," wrote Anita Desai in the New York Review ofBooks . Meena Alexander's thoughtful introduction places the stories and the writers in the context of modern India.
I am going home, the child Gayatri often tells her friends, and this line becomes the leitmotif of the story around which the lives of Gayatri and her friend Rama revolve. Written in two parts and stretching over twenty years, the novel vividly encapsulates the futility and angst of modern, urban reality.
Although Indian Women S Short Fiction Has Always Enjoyed Equal Importance And Popularity As Their Novels, Very Little Critical Attention Has Been Paid To It So Far. Indian Women S Short Fiction Seeks To Fulfil This Long Felt Need. It Puts Together Fifteen Perceptive And Analytical Articles By Scholars Across The World. The Articles, Which Are Focussed On Native Indian Writing As Well As Diasporic Short Fiction, Deal With Such Interesting Literary Issues As Construction Of Femininity, Disablement And Enablement, Bengali Heritage, Hybrid Identities, Nostalgia, Representation Of The Partition Violence, Tradition And Modernity, And Cultural Perspectivism.It Is Hoped That The Book Will Prove Useful To Scholars Interested In Short Fiction Studies In General And Indian Women S Short Fiction In Particular.
Since Its Inception In 19Th Century, Indian Writing In English Has Coruscated Worldwide And The English Works Of Indian Authors Have Been Highly Appreciated Even By The People Of English-Speaking Nations. Not Remaining Confined To The Restricted Gamut Of Themes And Style Of Olden Days, Indian Writing In English Has Made Its Dent In Myriad Human Concerns At The Hands Of Great Number Of Indian Writers.In The Present Anthology, A Sincere Attempt Has Been Made To Provide An In-Depth Study Of The Works Of Reputed Indian Authors Like Bhabani Bhattacharya, Amitabh Ghosh, Shashi Tharoor, Raj Kamal Jha, Arundhati Roy, Jhumpa Lahiri, Shobha De, Manju Kapur, Anita Nair To Name But A Few. Aiming At Enco...
Contributed essays.
The Stories Are Sharply Evocative And Haunting In Their Exploration Of The Lives Of Women In Contemporary India. The Women In These Stories Are Unforgettable, In Their Struggle Towards Selfrealisation, Their Committment To A Special Feminine Sensibility And The Way They Seek To Define Their Space. At Once Feminine And Feminist, Kannan Addresses The Reader In The Delicate Voice Of Poetry And A Prose Which Has Verve, Wit And A Bold Poise. Her Transparent Translation Retains The Power And Enigmatic Silences Of The Original.
This Anthology Of Papers Presented At A Seminar Organised By The Sahitya Akademi In March 1988, Takes Stock Of The Indian Poetry Of The Five Decades After Independence, Raises Basic Conceptual Questions, Examines Paradigm Shifts And Interrogates The Established Canons By Foregrounding Marginalised Voices. The Papers Examine The Growth Of Modern Sensibility In Indian Poetry In Specific Linguistic Contexts, Relates It To General Cultural Issues And Examines Post-Colonial Avant-Grade Trends Including The Feminist And The Dalit Movements. The Papers Are Collected Under Three Heads: ýModernism In Retrospectý Examines The Historical, Political And Aesthetic Aspects Of Modernism;ýAfter Modernism...
The present volume is a highly comprehensive assessment of the postcolonial short story since the thirty-six contributions cover most geographical areas concerned. Another important feature is that it deals not only with exclusive practitioners of the genre (Mansfield, Munro), but also with well-known novelists (Achebe, Armah, Atwood, Carey, Rushdie), so that stimulating comparisons are suggested between shorter and longer works by the same authors. In addition, the volume is of interest for the study of aspects of orality (dialect, dance rhythms, circularity and trickster figure for instance) and of the more or less conflictual relationships between the individual (character or implied auth...
This collection, which gathers fifteen stories by contemporary Indian women representing the varied languages and regions of their subcontinent, is now available to an American audience for the first time.
Today, Indian writing in English is a fi eld of study that cannot be overlooked. Whereas at the turn of the 20th century, writers from India who chose to write in English were either unheeded or underrated, with time the literary world has been forced to recognize and accept their contribution to the corpus of world literatures in English. Showcasing the burgeoning field of Indian English writing, this encyclopedia documents the poets, novelists, essayists, and dramatists of Indian origin since the pre-independence era and their dedicated works. Written by internationally recognized scholars, this comprehensive reference book explores the history and development of Indian writers, their major contributions, and the critical reception accorded to them. The Routledge Encyclopedia of Indian Writing in English will be a valuable resource to students, teachers, and academics navigating the vast area of contemporary world literature.