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Chicano Folklore
Originally published under title: Dictionary of Chicano folklore. Santa Barbara, Calif.: ABC-CLIO, c2000.
Lalo
He has been called "the father of Chicano music" and "the original Chicano hepcat." Now, Lalo's autobiography takes readers on a musical rollercoaster, from his earliest enjoyment of Latino and black sounds in Tucson to his burgeoning career in Los Angeles singing with Los Carlistas, the quartet with which he began his recording career in 1938.
Billboard
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Lalo
He has been called "the father of Chicano music" and "the original Chicano hepcat." Now, Lalo's autobiography takes readers on a musical rollercoaster, from his earliest enjoyment of Latino and black sounds in Tucson to his burgeoning career in Los Angeles singing with Los Carlistas, the quartet with which he began his recording career in 1938.
That's the Joint!
Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
The Mexican American Orquesta
The Mexican American orquesta is neither a Mexican nor an American music. Relying on both the Mexican orquesta and the American dance band for repertorial and stylistic cues, it forges a synthesis of the two. The ensemble emerges historically as a powerful artistic vehicle for the expression of what Manuel Peña calls the "dialectic of conflict." Grounded in ethnic and class conflict, this dialectic compels the orquesta and its upwardly mobile advocates to waver between acculturation and ethnic resistance. The musical result: a complex mesh of cultural elements—Mexican and American, working- and middle-class, traditional and contemporary. In this book, Manuel Peña traces the evolution of the orquesta in the Southwest from its beginnings in the nineteenth century through its pinnacle in the 1970s and its decline since the 1980s. Drawing on fifteen years of field research, he embeds the development of the orquesta within a historical-materialist matrix to achieve the optimal balance between description and interpretation. Rich in ethnographic detail and boldly analytical, his book is the first in-depth study of this important but neglected field of artistic culture.
Mexican American Mojo
Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican American Mojo is a lively account of Mexican American urban culture in wartime and postwar Los Angeles as seen through the evolution of dance styles, nightlife, and, above all, popular music. Revealing the links between a vibrant Chicano music culture and postwar social and geographic mobility, Anthony Macías shows how by participating in jazz, the zoot suit phenomenon, car culture, rhythm and blu...
Pancho Claus
Lalo Guerrero, the Father of Chicano Music, created "Pancho Claus" in a children's song he composed and first recorded in 1956 and that remains a beloved holiday song to this day. Those lyrics, with minor changes, are in this book with illustrations from world-renowned artist and Hollywood designer Bob Mackie. The beautifully drawn depictions capture the holiday traditions of one East Los Angeles Mexican-American family of that bygone era. Coupled with the original recording available on the album, "Lalo Guerrero: Pancho Claus & Other Holiday Favorites," this children's story will be enjoyed and cherished for generations to come. Find out why!
Zoot Suit & Other Plays
This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban charac...
Latinos in Pasadena
Histories of Pasadena are rich in details about important citizens, time-honored traditions, and storied enclaves such as Millionaires Row and Lamanda Park. But the legacies of Mexican Americans and other Latino men and women who often worked for Pasadena's rich and famous have been sparsely preserved through the generations--even though these citizens often made remarkable community contributions and lived in close proximity to their employers. A fuller story of the Pasadena area can be provided from these vintage images and the accompanying information culled from anecdotes, master's theses, newspaper articles, formal and informal oral histories, and the Ethnic History Research Project compiled for the City of Pasadena in 1995. Among the stories told is that of Antonio F. Coronel, a one-time Mexican Army officer who served as California state treasurer from 1866 to 1870 and whose image graced the 1904 Tournament of Roses program.
