You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book combines approaches from the design disciplines, humanities, and social sciences to foster interdisciplinary engagement across geographies around the identities embodied in and of peripheries. Peripheral communities bear human faces and names, necessitating specific modes of inquiry and commitments that prioritize lived human experience and cultural expression. Hence, the peripheries of this book are a question, not a given, the answers to which are contingent forms assembled around embodied identities. Peripheries are urban fringes, periphery countries in the modern world-system, Indigenous lands, occupied territories, or the peripheries of authoritative knowledge, among others. No form can exist outside historical relations of power enacted through knowledge, political structures, laws, and regulations.
These essays examine art on the borders of the medieval world, from China to Spain. They engage three related issues: margins, frontiers, and cross-cultural encounters. Historiographic problems and pedagogical questions weave through the essays and the editors introduction.
Only little is known about the book culture of Tunis, although the city had been a centre for teaching and learning throughout Ḥafṣid rule in Ifrīqiya (c. 1230 to 1574). The libraries of Tunis are considered lost since the sack of the city by the armies of the emperor Charles V in the summer of 1535. This study reconstructs for the first time the original holdings of Tunis' medieval libraries and shows what can still be learned from these recovered fragments. An in-depth analysis of a wide range of texts and artefacts shows that the Ḥafṣid libraries were looted and their collections redistributed, mostly among European collectors. The Lost Libraries of Tunis brings Early Modern scho...
Icelandic Farmhouses. Identity, Landscape and Construction (1790-1945) retraces the history of Icelandic rural architecture between the late eighteenth century and the mid-twentieth century. Through the study of Icelandic rural buildings, this book narrates a very special history of architecture: one of adaptation and tradition, scarcity of building materials and transfers of knowledge with Europe. The history of Icelandic farmhouses is intermixed with construction issues, nationalistic debates, and a quest for a much-needed modernization of the standards of living. The book aims to retrace the role of modern building techniques in the development of Icelandic rural architecture and society.
This book describes a research project begun by the author in 2015 and co-authored by the chiefs of the KhoiSan peoples living in the Nelson Mandela Bay Municipality, South Africa, aided by staff and students at Nelson Mandela University. The scope of the project was to investigate methods and procedures that could help re-establish the link between the Indigenous communities and their ‘forgotten’ heritage sites due to the colonial segregations. Making use of a participatory and interdisciplinary method we explored the tangible and intangible heritage of the Eastern Cape province, with particular attention to the remains of precolonial fish traps located along the shoreline. Included also are important testimonies from the KhoiSan chiefs who, alongside the author, led the project.
Nowadays, there is an increasing recognition of the value of knowledge management in the construction projects and ontology-based semantic modelling is seen as an important means of addressing this problem, even if a knowledge-base which maps the construction planning and scheduling domains, in a formal and machine-readable way, is still missing. Addressing this issue, the book is divided in two parts. Part I, theory, is a theoretical introduction of on ontologies concepts and expert systems. Part II, application, presents a research of ontologies development for semantic modelling of construction scheduling, workspace, product and time domains. The last chapter presents the architecture of an ontology-based expert system, to show how ontologies can support automated planning mechanisms.
An authoritative survey situating some of the Western world’s most renowned buildings within a millennium of Islamic history Some of the most outstanding examples of world architecture, such as the Mosque of Córdoba, the ceiling of the Cappella Palatina in Palermo, the Giralda tower in Seville, and the Alhambra Palace in Granada, belong to the Western Islamic tradition. This architectural style flourished for over a thousand years along the southern and western shores of the Mediterranean—between Tunisia and Spain—from the 8th century through the 19th, blending new ideas with local building practices from across the region. Jonathan M. Bloom’s Architecture of the Islamic West introduces readers to the full scope of this vibrant tradition, presenting both famous and little-known buildings in six countries in North Africa and southern Europe. It is richly illustrated with photographs, specially commissioned architectural plans, and historical documents. The result is a personally guided tour of Islamic architecture led by one of the finest scholars in the field and a powerful testament to Muslim cultural achievement.
This book explores an anonymous sixteenth-century portrait of Muley al-Hassan, the Hafsid king of Tunis (ca. 1528–1550), that bears witness to relations between North Africa, the Habsburgs, and the Ottomans. While Muley al-Hassan appears frequently in the vast literature on Charles V Habsburg, he is overshadowed by the emperor. Here he emerges as a protagonist, a figure whose shifting reputation can be traced well into the seventeenth century. Images of the King of Tunis circulated in broadsheets, ephemeral images made for triumphal entries, manuscripts, tapestry designs, engravings, and books. The ceaseless production of Tunisian imagery allowed Europeans to face their North African counterparts through scenes of battle but also through imaginary encounters and festive cross-dressing. This book shows how portraits of Hafsid rulers challenge assumptions about the absolute divide between Christian and Muslim, sovereign and subject, the familiar and the foreign, and they put a face on the entangled histories of the early modern Mediterranean.
A revealing history of Islamic architectural influence on Europe's cathedrals, palaces and monuments.
Consacré à la médina dans l’espace méditerranéen, ce volume repose essentiellement sur une recherche historique et photographique approfondie sur les caractéristiques de la forme urbaine et son évolution ainsi que sur des études de cas issues de l’expérience directe. L’objectif principal du livre réside dans sa valeur documentaire et évocatrice, sans oublier l’analyse des espaces architecturaux variés dotés de complexes monumentaux de grande importance culturelle disposés selon des hiérarchies précises et des usages spécifiques. La recherche résume les différentes expériences provenant de cet immense patrimoine architectonique arabo-musulman et de son évolution u...