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Edited with a facing-page English translation from the Latin text by: Clover, Helen;
"The first comprehensive history of courtliness and chivalry in their literary and cultural contexts."--Robert Grudin, University of Oregon "The first comprehensive history of courtliness and chivalry in their literary and cultural contexts."--Robert Grudin, University of Oregon
n 1986, to mark the 900th anniversary of the murder of King Cnut IV in the Church of Saint Alban in Odense, the Book of Cnut (Knuds-bogen) was published. The volume shed light on different aspects of the life and cult of Cnut as king and saint. Since then, archaeological excavations in Odense, as well as recent national and international research on the cult of Saint Cnut, have provided scholars with new information about the life and times of Cnut. Furthermore, recent scholarship within medieval studies has resulted in a range of studies which allow for innovative comparisons with the Cnut material. With the interdisciplinary seminar behind the present publication, we brought together both national and international experts. The aim was to bring forth new aspects of Cnut's life and afterlife and to put these in a wider, international context. By doing so, we aimed to lay the basis for future research about Cnut and to form the basis for further dissemination of the latest discoveries pertaining to Cnut and his time.
Presents issues that affected the course of music within the church of England during the reformation.
The theme of the essays in this volume is the identification of the resources which between c.1320 and 1642 the English church saw fit to provide for the performance of the music of its liturgy. Individual essays describe the music and the choirs of Canterbury and Lincoln Cathedrals, Winchester Cathedral Priory and the private chapel of Cardinal Wolsey, while the personnel of the chapels of Edward III, the Black Prince and John of Gaunt emerge from study of the texts of compositions of the 14th century. From the alignment of contemporary musical and archival sources there arises a web of conclusions relating to the size of ensemble, vocal scoring and sounding pitch envisaged by its composers for English church polyphony of the period c.1320-1559. These essays thus encompass the two most profound of the revolutions to which the music of the English church was subject at this period: the inauguration and widespread adoption of choral polyphony in the years c.1455-85 and the liturgical and doctrinal Reformation of 1547 to 1563.
Survey of an important period in the development of the choral tradition in the Anglican church. When Bernarr Rainbow was director of music at the College of St Mark and St John, Chelsea, he came across the 1849 diary of service music of Thomas Helmore. Astonished at its breadth of repertoire, he was inspired to investigate the circumstances of the document. His findings are recorded in this book, which sets Thomas Helmore's contribution in perspective against the background of the Choral Revival as a whole. In tracing the history of the remarkable revival of care for the music of the liturgy, the author produced a socio-musical history of a period vital in the evolution of the Anglican Church, and made clear, probably for the first time, how music in the Anglican Churchcame to follow lines which are unique in Christendom. His book was originally published at a time of important changes in ecclesiastical thinking; his presentation of the decisions taken in the past which led to the existing relationship between choirs and congregations, interesting in itself, is also valuable in the continuing debate.
Lanfranc of Pavia was archbishop of Canterbury from 1070 to 1089, and so for nineteen critical years in the history of the Anglo-Norman church and kingdom after the Norman conquest of 1066. He came to Canterbury with long experience of intellectual and ecclesiastical currents, including reforming currents, in mid-eleventh-century western Europe. At first concerned with the liberal arts, after migrating to Normandy he turned to sacred study; he commented upon the Pauline Epistlesand engaged Berengar of Tours in eucharistic controversy. He became prominent in the fourishing monastic life of Normandy at Bec and as abbot of Duke William's foundation of Saint-Etienne at Caen. At Canterbury, he wa...