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Writing in Our Time
Process poetics is about radical poetry — poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction. To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the “upstart” poets published in Vancouver’s TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s and ’90s. The poetics explored include the works of Nicole Brossard, Daphne Martlatt, bpNichol, George Bowering, Roy Kiyooka, and Frank Davey in the 1960s and ’70s. For the 1980-2000 period, the authors include essays on Jeff Derksen, Clare Harris, Erin Mour, and Lisa Robertson. They also look at books by older authors published after 1979, including Robin Blaser, Robert Kroetsch, and Fred Wah. A historiography of the radical poets, and a roster of the little magazines, small press publishers, literary festivals, and other such sites that have sustained poetic experimentation, provide context.
History, Literature and the Writing of the Canadian Prairies
The Canadian Prairie has long been represented as a timeless and unchanging location, defined by settlement and landscape. Now, a new generation of writers and historians challenge that perception and argue, instead, that it is a region with an evolving culture and history. This collection of ten essays explores a more contemporary prairie identity, and reconfigures "the prairie" as a construct that is non-linear and diverse, responding to the impact of geographical, historical, and political currents. These writers explore the connections between document and imagination, between history and culture, and between geography and time.The subjects of the essays range widely: the non-linear stru...
Poets Talk
This is a book that takes on the “hard questions” about the role of poets in society together with the challenges of reading “difficult” poetry. Using the relaxed format of the personal interview, Butling and Rudy open doors to some of the most challenging and important poetry of the 1990s. Robert Kroetsch talks about his dread of systems and his subversive use of sub-literary forms. Erin Mouré and Daphne Marlatt discuss the feminist trajectories in their work—how to jump circuits and activate alternative networks. Dionne Brand links her poetics to Marxist politics and Pan-African liberation movements. Annharte explains her use of humour to de-program Native people. Jeff Derksen wants to disarticulate and rearticulate linguistic and social systems, while Fred Wah emphasizes the role of poetry in changing how we see the world.
The False Laws of Narrative
The False Laws of Narrative is a selection of Fred Wah’s poems covering the poets entire poetic trajectory to date. A founding editor of Tish magazine, Wah was influenced by leading progressive and innovative poets of the 1960s and was at the forefront of the exploration of racial hybridity, multiculturalism, and transnational family roots in poetry. The selection emphasizes his innovative poetic range. Wah is renowned as one of Canada’s finest and most complex lyric poets and has been lauded for the musicality of his verse. Louis Cabri’s introduction offers a paradigm for thinking about how sound is actually structured in Wah’s improvisatory poetry and offers fresh insights into Wah’s context and writing. In an afterword by the poet himself, Wah presents a dialogue between editor and poet on the key themes of the selected poems and reveals his abiding concerns as poet and thinker.
Rivering
Opening doors, dreaming awake, tracing networks of music and meaning, Marlatt’s poetry stands out as an essential engagement with what matters to anyone writing with a social-environmental conscience. Rivering includes poems inspired by the village of Steveston where, before the war, a Japanese-Canadian community lived within the rhythms of salmon on the Fraser River delta. Also gathered into Rivering: lesbian love poetry from Touch to my Tongue; a transformance of Nicole Brossard’s Mauve; passages from The Given, winner of the 2009 Dorothy Livesay Poetry Prize; a traditional “Kuri” song from the Noh drama, The Gull; and an unpublished excerpt from the chamber opera “Shadow Catch....
Canadiana
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West Coast Line
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Bolder Flights
A growing number of literary historians and critics now recognize the contemporary long poem as a distinctively Canadian genre. This collection of essays leads the reader to a deeper understanding of Canadian literary cultures in terms of their local intimacies and idiosyncrasies as well as in their national contexts.
Vancouver Island BC Backroad Mapbook
Known for its beautiful scenery and abundant forests, beaches, and wildlife, Vancouver Island is just a short ferry ride away from the bustling Lower Mainland. Get away from it all on a multi-day hike along the West Coast Trail, view some of the world’s largest trees in Strathcona Provincial Park, reel in the catch of a lifetime in Campbell River (the “Salmon Capital of the World”), or explore the charming Gulf Islands by kayak – there are endless outdoor adventure opportunities! The Vancouver Island Backroad Mapbooks 9th edition includes many map updates and cartographic style changes including enhanced private land, expanded fish species and countless multi-use trail and ATV trail ...
Log Home Design
Log Home Design is the preferred, trusted partner with readers in simplifying the process of becoming a log home owner. With its exclusive focus on planning and design, the magazine's friendly tone, practical content and targeted advertising provide the essential tools consumers need – from the crucial preliminary stages through the finishing touches of their dream log home.
