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"Follows the story of Ivoe Williams, an African American woman journalist, through the start of the twentieth century"--Provided by publisher.
In this often fascinating, nostalgic, and thoroughly moving collection of 20 interviews, author LaShonda Katrice Barnett offers a rare glimpse into the careers of the world's prominent black women performing singers and songwriters. Marking an unprecedented exploration of the musical styles and careers of twenty black women performing songwriters, I Got Thunder represents practically all genres-folk, jazz, neo soul, hip-hop, rhythm and blues, and traditional blues. Barnett's interviews are accompanied by brief biographies and selected discographies for each of the influential artists included.Discussing their influences, inspirations and creative processes are: Abbey Lincoln, Angelique Kidjo, Brenda Russell, Chaka Khan, Dianne Reeves, Dionne Warwick, Joan Armatrading, Miriam Makeba, Narissa Bond, Nina Simone, Nona Hendryx, Odetta, Oleta Adams, Pamela Means, Patti Cathcart Andress (of Tuck & Patti), Shemekia Copeland, Shirley Caesar, Tokunbo Akinro, Toshi Reagon, and Tramaine Hawkins.
Stories about black lesbians, past and present. They range from Miss Hannah's Lesson, on a relationship between a slave and her mistress, to Losing Sight of Lavender, in which the protagonist contracts HIV.
Life-saving letters from a glittering wishlist of top authors. If you received a letter from your older self, what do you think it would say? What do you wish it would say?That the boy you were crushing on in History turns out to be gay too, and that you become boyfriends in college? That the bully who is making your life miserable will one day become so insignificant that you won't remember his name until he shows up at your book signing?In this anthology, sixty-three award-winning authors such as Michael Cunningham, Amy Bloom, Jacqueline Woodson, Gregory Maguire, David Levithan, and Armistead Maupin make imaginative journeys into their pasts, telling their younger selves what they would have liked to know then about their lives as Lesbian, Gay, Bisexual, or Transgendered people. Through stories, in pictures, with bracing honesty, these are words of love and understanding, reasons to hold on for the better future ahead. They will tell you things about your favorite authors that you never knew before. And they will tell you about yourself.
The Queer Limit of Black Memory: Black Lesbian Literature and Irresolution identifies a new archive of Black women's literature that has heretofore been on the margins of literary scholarship and African diaspora cultural criticism. It argues that Black lesbian texts celebrate both the strategies of resistance used by queer Black subjects and the spaces for grieving the loss of queer Black subjects that dominant histories of the African diasporas often forget. Matt Richardson has gathered an understudied archive of texts by LaShonda Barnett, S. Diane Adamz-Bogus, Dionne Brand, Sharon Bridgforth, Laurinda D. Brown, Jewelle Gomez, Jackie Kay, and Cherry Muhanji in order to relocate the queerne...
This book analyzes representative works of African American fiction, film, and music in which interracial desire appears in the context of same sex desire. In close readings of these "texts," Stefanie K. Dunning explores the ways in which the interracial intersects with queerness, blackness, whiteness, class, and black national identity. She shows that representations of interracial desire do not follow the logic of racial exclusion. Instead they are metaphorical and anti-biological. Rather than diluting race, interracial desire makes race visible. By invoking the interracial, black gay and lesbian artists can remake our conception of blackness.
Hot & Bothered, together with Quickies, are hot his-and-her follow-ups to the highly successful Queer View Mirror 1 and 2 books of queer "short short" fiction. Hot & Bothered includes work by 69 women from the US, Canada and elsewhere-stories about danger, romance, humor, and of course, hot sex. From a woman in love with Marge Simpson (asking the question, "Are your nipples blue, too?") to a sex-obsessed dyke trying to do her grocery shopping, to a woman wearing tit clamps trying to go through airport security, the stories in Hot & Bothered will get you there in 1,000 words or less. Contributors include such luminaries as Dorothy Allison (Bastard Out of Carolina and Skin), Lucy Jane Bledsoe, Joan Nestle, Nisa Donnelly, Gerry Gomez Pearlberg, Sarah Schulman (Rat Bohemia), Persimmon Blackbridge (Sunnybrook and Prozac Highway), Judith Katz, Lesléa Newman (The Femme Mystique), Elana Dykewomon, Jess Wells, and Kitty Tsui (Breathless). This book is the first of the four-volume Hot & Bothered series.
The award-winning author’s “fearless” debut novel chronicles the life of a legendary Texas outlaw with “a ruthless sensibility . . . spare and tough” (Publishers Weekly). Some called him a Texas hero. Some called him the Devil himself. But on one point they all agreed. While he was alive, John Wesley Hardin was the deadliest man in Texas. A killer at fifteen, in the next few years he became skilled enough with his pistols to back down Wild Bill Hickok in the street. The law finally caught up with him when he was twenty-five. By then, he had killed as many as forty men and been shot so many times that, it was said, he carried a pound of lead in his flesh. In jail he became a scholar...
The award-wining collection Blue Talk and Love tells the stories of girls and women of color navigating the moods and mazes of urban daily life. Set in various enclaves of New York City — including the middle-class Hamilton Heights section of Harlem, the black queer social world of the West Village, the Spanish-speaking borderland between Harlem and Washington Heights, and historic Tin Pan Alley — the collection uses magic realism, historical fiction, satire and more to highlight young black women's inner lives. The storylines range widely: a big-bodied teenage girl from Harlem discovers her sexuality in the midst of racial tensions at her Upper East Side school; four young women from Ne...
This book passionately illustrates why the celebration of Black girlhood is essential. Based on the principles and practices of a Black girl-centered program, it examines how performances of everyday Black girlhood are mediated by popular culture, personal truths, and lived experiences, and how the discussion and critique of these factors can be a great asset in the celebration of Black girls. Drawing on scholarship from women's studies, African American studies, and education, the book skillfully joins poetry, autobiographical vignettes, and keen observations into a wholehearted, participatory celebration of Black girls in a context of hip-hop feminism and critical pedagogy. Through humor, honesty, and disciplined research it argues that hip-hop is not only music, but also an effective way of working with Black girls. Black Girlhood Celebration recognizes the everyday work many young women of color are doing, outside of mainstream categories, to create social change by painting an unconventional picture of how complex - and necessary - the goal of Black girl celebration can be.