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It's Not Magic
Snapshots of youth, displayed with verve and sparkling clarity, in a new collection of poems that “dazzles with its linguistic sleight of hand” (Richard Blanco). From jaunts through New York subways, to a Cincinnati Waffle House, to a chance encounter with one’s future life partner, Sands writes in turns autobiographically and imaginatively, drawing on voices from his private world and the public sphere to create an urgent portrait of youth that is almost rebellious in its sheer, persistent joy. Nostalgic and vivid, this collection of poems is written reverie. Selected by Richard Blanco, Jon Sands is the winner of the 2018 National Poetry Series.
Relinquenda
A 4-part poetry collection that explores women’s roles in familial dynamics, immigration, and El Salvador’s civil war while reflecting on the death of the poet’s father A National Poetry Series winner, selected by the celebrated poet Reginald Dwayne Betts When COVID-19 broke and the United States closed the border to travel, Alexandra Lytton Regalado was separated from family back in El Salvador. She wrote Relinquenda entirely during lockdown as a meditation on cancer, the passing of her father, and the renewed significance of community. The central part of the collection focuses on her father during his 6-year struggle with cancer and considers how his stoicism, alcoholism, and hermit...
For Want of Water
Searing verses set on the Mexican border about war and addiction, love and sexual violence, grief and loss, from an American Book Award–winning author. Selected by Gregory Pardlo as winner of the National Poetry Series. El Paso is one of the safest cities in the United States, while across the river, Ciudad Juárez suffers a history of femicides and a horrific drug war. Witnessing this, a Filipina’s life unravels as she tries to love an addict, the murders growing just a city—but the breadth of a country—away. This collection weaves the personal with recent history, the domestic with the tragic, asking how much “a body will hold,” reaching from the border to the poet’s own Philippines. These poems thirst in the desert, want for water, searching the brutal and tender territories between bodies, families, and nations.
Anarcha Speaks
The reimagined story of Anarcha, an enslaved Black woman, subjected to medical experiments by Dr. Marion Sims. Selected by Tyehimba Jess as a National Poetry Series winner. In this provocative collection by award-winning poet and artist Dominique Christina, the historical life of Anarcha is personally reenvisioned. Anarcha was an enslaved Black woman who endured experimentation and torture at the hands of Dr. Marion Sims, more commonly known as the father of modern gynecology. Christina enables Anarcha to tell her story without being relegated to the margins of history, as a footnote to Dr. Sims’s life. These poems are a reckoning, a resurrection, and a proper way to remember Anarcha . . . and grieve her.
Dear Specimen
A National Poetry Series winner, selected and with a foreword by Kwame Dawes. A 5-part series of interwoven poems from a dying parent to her daughter, examining the human capacity for grief, culpability, and love, asking: do we as a species deserve to survive? Dear Specimen opens with both its speaker and her planet in peril. In “Speak to Me,” she puzzles over a millipede, as if the blue rune of its body could help her understand her impending death and the crisis her species has created. Throughout the collection, poems addressed to specimens echo the speaker’s concern and amplify her wonderment. A catalog of our climate transgressions, Dear Specimen’s final poem foretells a future ...
The Other Boston Busing Story
"METCO, America's longest-running voluntary school desegregation program, has for 34 years bused black children from Boston's city neighborhoods to predominantly white suburban schools. Sixty-five METCO graduates vividly recall their own stories in this revealing book. Susan E. Eaton interviewed program participants who are now adults, asking them to assess the benefits and hardships of crossing racial and class lines on their way to school. Their answers poignantly show that this type of racial integration is not easy-they struggled to negotiate both black and white worlds, often feeling fully accepted in neither. Even so, nearly all the participants believe the long-term gains outweighed the costs and would choose a similar program for their own children-though not without conditions and apprehensions"--
Mother Jones Magazine
Mother Jones is an award-winning national magazine widely respected for its groundbreaking investigative reporting and coverage of sustainability and environmental issues.
Rebels on the Air
Explores the alternative radio that refuses to succumb to the big business that monopolizes the airwaves Boring DJs who never shut up, and who don't even pick their own records. The same hits, over and over. A constant stream of annoying commercials. How did radio get so dull? Not by accident, contends journalist and historian Jesse Walker. For decades, government and big business have colluded to monopolize the airwaves, stamping out competition, reducing variety, and silencing dissident voices. And yet, in the face of such pressure, an alternative radio tradition has tenaciously survived. Rebels on the Air explores these overlooked chapters in American radio, revealing the legal barriers e...
Mother Jones Magazine
Mother Jones is an award-winning national magazine widely respected for its groundbreaking investigative reporting and coverage of sustainability and environmental issues.
Scriptorium
National Poetry Series Winner A collection of poems exploring religious and linguistic authority, from medieval England to contemporary Appalachia—with a foreword by Poet Laureate Tracy K. Smith The poems in Scriptorium are primarily concerned with questions of religious authority. The medieval scriptorium, the central image of the collection, stands for that authority but also for its subversion; it is both a place where religious ideas are codified in writing and a place where an individual scribe might, with a sly movement of the pen, express unorthodox religious thoughts and experiences. In addition to exploring the ways language is used, or abused, to claim religious authority, Scriptorium also addresses the authority of the vernacular in various time periods and places, particularly in the Appalachian slang of the author’s East Tennessee upbringing. Throughout Scriptorium, the historical mingles with the personal: poems about medieval art, theology, and verse share space with poems that chronicle personal struggles with faith and doubt.
