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Listen & Other Stories
Listen is a book where characters ask readers to do just that: listen to their stories, especially because many aren't the type of people who often get listened to - even though they should. These characters' trials, missed connections, and sundry challenges are full of surprises - some good, some bad, some funny, some wise, and some all this at once. Perhaps most surprising of all, there's tenderness here and a lot of heart - which often gets the collection's characters into a lot of trouble.
Bury My Clothes
Bury My Clothes is a meditation on violence, race, and the place in art at which they intersect. Art—specifically in oppressed communities—is about survival, Roger Bonair-Agard asserts, and establishing personhood in a world that says you have none. Through poetry, we transform both the world of art and the world itself. Roger Bonair-Agard is a Cave Canem fellow, two-time National Poetry Slam Champion, and author of Tarnish and Masquerade and Gully. He has appeared three times on HBO’s Def Poetry Jam and is Co-founder and Artistic Director of the LouderARTS Project in New York.
Fieldnotes on Ordinary Love
"“Wilson’s collection is romantic yet world-weary, bereaved yet fortified―a kindred reflection of the heart in the modern world.” ―Publishers Weekly Fieldnotes on Ordinary Love is a collection whose poems approach family, politics, and romance, often through the lens of space: the vagaries of a relationship full of wonder and coldness, separation and exploration. There is the sense of the speaker as a cartographer of familiar spaces, of land he has never left or relationships that have stayed with him for years, and always with the newness of an alien or stranger. Acutely attuned to the heritage of Greco-Roman myth, Wilson writes through characters such as the Basilisk and the Minotaur, emphasizing the intense loneliness these characters experience from their uniqueness. For the racially ambiguous speaker of these poems, who is both black and not black, who has lived between the American South and the Midwest, there are no easy answers. From the fields of Kentucky to the pigeon coops of Chicago, identities and locations blur—the pastoral bleeds into the Afrofuturist, black into white and back again."
The Best American Poetry 2015
Title page verso indicates hardcover edition, but this ISBN is for the paperback printing.
All Blue So Late
All Blue So Late is the second poetry collection by Laura Swearingen-Steadwell, author of How to Seduce a White Boy in Ten Easy Steps. In it, she gives voice to the outrage of the individual confronting sclerotic constructs of race, gender, and the American identity.
The Bloomsbury Handbook of Contemporary American Poetry
With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: · Major histories and genealogies of post-war poetry – from the language poets and the Black Arts Movement to New York school and the Beats · Poetry, identity and community – from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability · Key genres and forms – including digital, visual, documentary and children's poetry · Central critical themes – economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, and Claudia Rankine reflect on the craft and value of poetry today.
Revisiting the Elegy in the Black Lives Matter Era
Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers. Moreover, this book provides a model for how to productively interweave theoretical and deeply personal accounts to encourage discussions about art and activism that transgress disciplinary boundaries, as well as lines of race, gender, class, and nation.
Honest Engine
In this his fourth collection, award-winning poet Kyle Dargan examines the mechanics of the heart and mind as they are weathered by loss. Following a spate of deaths among family and friends, Dargan chooses to present not color-negative elegies but self-portraits that capture what of these departed figures remains within him. Amid this processing of mortality, it becomes clear that he has arrived at a turning point as a writer and a man. As the title suggests, Dargan aspires toward an unflinching honesty. These poems do not purport to possess life s answers or seek to employ language to mask what they do not know. Dargan confesses as a means of reaching out to the nomadic human soul and inviting it to accompany him on a walk toward the unknown."
How to Seduce a White Boy in Ten Easy Steps
This sultry, wry poetry book dazzles us with its bold exploration into the politics and metaphysics of identity. From fierce and funny sexual fantasies to cutting observations of interracial dynamics, How to Seduce a White Boy in Ten Easy Steps asks us to fully consider what it is to be human in an age of fragmentation and double meanings. There are no easy answers here: the voice of the liberated woman rings clearly as a man-eater in one moment and shudders under the weight of lost love in the next. Laura Yes Yes skillfully navigates the trauma of being the Other while acknowledging the absurdity of our perceptions of race. With precise craft and breathtaking imagery, How to Seduce a White Boy blooms as a ferocious celebration of life.
You'll Be Fine
After her mother dies of an accidental overdose, Alex takes leave from her job as a writer for a Washington, DC, lifestyle magazine to return home to Maryland’s Eastern Shore. There, she joins her brother Owen, a study in failure-to-launch, in sorting out their mother’s whimsical and often self-destructive life. Alex has proposed to her editor that while she is home she profile Juliette Sprigg, her former high school fling, owner of a wildly popular local restaurant, and celebrity chef in the making. While working on the story and trying for a second chance with Juliette, Alex meets Carolyn Massey, editor of the town newspaper, and wonders if there’s more to life than reheating leftovers. Enter Alex and Owen’s Aunt Johanna, who arrives from Seattle to help with arrangements. When Johanna reveals a family secret, Alex may have to accept her family for who they are rather than who she hoped they would be. And just maybe apply the same philosophy to her heart and herself.
