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This volume provides readers with a simple, non-technical introduction to correspondence analysis (CA), a technique for summarily describing the relationships among categorical variables in large tables. It begins with the history and logic of CA. The author shows readers the steps to the analysis: category profiles and masses are computed, the distances between these points calculated and the best-fitting space of n-dimensions located. There are glossaries on appropriate programs from SAS and SPSS for doing CA and the book concludes with a comparison of CA and log-linear models.
There follows an up-to-date bibliography of the plays, from editions contemporary with the author through those published posthumously; it includes translations of the dramas into many languages, as well as a selection of critical studies worldwide."--Jacket.
Levinas and the Greek Heritage shows that throughout his career, Emmanuel Levinas always admired and recognized his profound debt to Plato and to the philosophical tradition he initiated, which have been largely transmitted to us by the Neoplatonists, most notably Plotinus and Proclus. How can we read Otherwise than Being or Beyond Essence in any other way than as some sort of Neoplatonic programme, prolonging Plato's Good "beyond being" of the Republic VI, 509b, in the direction of the "other man," the one which in his "nudity" and "fragility," opens for us the horizon of a new humanism? There are many ways by which one can attempt to go over and above Being, not only a Greek way (primordia...
Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Examines the idea of the invention of the individual subjective self by Plotinus and its impact on the Christian tradition, asking about the self in its relationships - the self in love, in ignorance, in forgetfulness, in possession - and about the self and its own physical image.
Ramón del Valle-Inclán (1866-1936) was undoubtedly the most controversial literary figure of his generation. Whilst his genius was recognised by fellow writers, the reading public was slow to accept his work, and his theatre taxed directors and audiences alike. One of the harshest criticisms levelled against him concerned his use of repetition. This study shows how the reuse, recycling and development of material becomes one of the hallmarks of Valle-Inclán's writing during the first three decades of his literary career, linking one genre with another and blurring the borders between different aesthetics. The repetition of themes and motifs, characters and stylistic devices reveals an und...
Although studies of Modernism have focused largely on European nations, Spain has been conspicuously neglected. As Carol A. Hess argues in this compelling book, such neglect is wholly undeserved. Through composer Manuel de Falla (1876-1946), Hess explores the advent of Modernism in Spain in relation to political and cultural tensions prior to the Spanish Civil War. The result is a fresh view of the musical life of Spain that departs from traditional approaches to the subject and reveals an open and constantly evolving aesthetic climate.
Published by Boydell & Brewer Inc.
Thoroughly interdisciplinary in approach, this volume examines how concepts such as the exercising of power, the distribution of justice, and transgression against the law were treated in both textual and pictorial terms in works produced and circulated in medieval French manuscripts and early printed books. Analysing texts ranging from romances, political allegories, chivalric biographies, and catalogues of famous men and women, through saints’ lives, mystery plays and Books of Hours, to works of Roman, canon and customary law, these studies offer new insights into the diverse ways in which the language and imagery of politics and justice permeated French culture, particularly in the late...
The Neoplatonic philosopher Plotinus invites us to take part in his philosophizing when he encourages his readers to think about what they think they are, as living beings, human beings, as rational beings, ethical subjects and as philosophers. He is interested in what we say about ourselves in ordinary language and notices that such ordinary experience conflicts with what the Platonic tradition claims we (truly) are. This conflict does not lead him to turn away from the human terms and expressions, but impels him to take seriously what we say about ourselves and to explain it philosophically.