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Some Answers Without Questions
The place I went to when I could not speak was also where my voice came from.Part memoir, part manifesto, Some Answers Without Questions is a rigorous and lyrical work of self-investigation. Lavinia Greenlaw sets out to explore the impulse to say something, to write or sing, and finds herself confronting matters of presence and absence, anger and speechlessness, authority and permission. The result is important and timely, a spirited and vital exploration of what enables anyone - but a woman and an artist in particular - to create and respond even when not invited to do so. Some Answers Without Questions is the result of decades of answering questions that don't really matter - and not being asked the ones that do.
The Casual Perfect
If Lavinia Greenlaw's Minsk was about home, her new collection tests the proximities of elsewhere, 'the circle round our house', the road between two lives. Its title recalls a phrase of Robert Lowell's to describe Elizabeth Bishop -- one of the book's presiding spirits, with her insistence on the provisional, on the moment in which perception is formed, on landscape as action rather than description. The Casual Perfect continues Lavinia Greenlaw's explorations of light and the borders of vision, which include a journey to the four corners of Britain to observe the solstices and equinoxes, and a cycle about the East Anglian landscape which is nine-tenths sky. Questions of travel hover around many of these poems, or questions which need to be 'travelled fully' rather than answered -- and which involve the overheard and the glimpsed, what is gleaned from traces and external signs. The result is a collection that is under-stated, spare but inclusive, which invites our presence as readers.
Night Photograph
Galileo's wife, a young woman dying of radium poisoning, the first dog in space, a strangely obsessed concert pianist, an early beneficiary of plastic surgery, and a Russian boy whose adventures are sadly limited by the immature powers of the child who has conjured him up are just some of the figures encompassed by Lavinia Greenlaw's imagination. The poet's level gaze as she contemplates the more bizarre aspects of science and of human behaviour lends further distinction to this, her first collection.
Mary George of Allnorthover
A prize-winning poet explores the secrets and strivings of a small English village in this debut novel of “precise, lyrical prose” (Publishers Weekly). Essex, England, 1970s. The day Tom Hepple returns to the village of Allnorthover, he stops at the local reservoir, beneath which lies his childhood home. Looking for a sign, he sees seventeen-year-old Mary George—who appears to be walking on water. Mary knows her life is far from miraculous, but as she contends with family and dating, navigating town festivals and raves shows, Tom becomes increasingly obsessed. Meanwhile, the small, orderly world of Allnorthover is being disrupted by power cuts, petrol shortages, and drought. The brash noise of punk rock is infiltrating the village hall, and London is getting closer all the time. As buried secrets begin to surface, Mary George is caught up in old dramas and new changes she struggles to comprehend. The T.S. Eliot Prize-winning poet Lavinia Greenlaw both recalls and subverts the traditions of nineteenth-century literature in this debut novel of family, community and the meaning of inheritance.
A Double Sorrow
When Chaucer composed Troilus and Criseyde he gave us, some say, his finest poem, and with it one of the most captivating love stories ever written. A Double Sorrow, Lavinia Greenlaw's new work, takes its title from the opening line of that poem in a fresh telling of this most tortured of love affairs. Set against the Siege of Troy, A Double Sorrow is the story of Trojan hero Troilus and his beloved Criseyde, whose traitorous father has defected to the Greeks and has persuaded them to ask for his daughter in an exchange of prisoners. In an attempt to save her, Troilus suggests that Criseyde flees the besieged city with him, but she knows that she will be universally condemned and looks inste...
The Importance of Music to Girls
The Importance of Music to Girls tells the story of the adventures that music leads us into - getting drunk, falling in love, cutting our hair, wanting to change the world - as well as the darker side of the adolescent years: loneliness, bullying, getting arrested. Lavinia Greenlaw remembers the music that inspired and accompanied her, and compelled her generation. From fancying Donny Osmond, to wanting to be Ian Curtis, this is a razor-sharp memoir, filtered through the medium of music.
In the City of Love's Sleep
This is a story about a woman and a man who meet by chance. Nothing of any importance is said, yet she suddenly turns away, leaves the room, and starts to run. She is in shock from what this man has brought back to life: an electrical affinity, a higher self, a feeling of having been woken, recognized, and desired.Iris, a museum conservator in her late forties, is in the midst of separating from her husband, with whom she has two daughters. Her house is falling down, money is tight, and her husband is unwell. The man she meets is Raif, a stalled academic whose wife has died and whose girlfriend is about to move in. He is not as mysterious as he appears.Iris and Raif have no say. For all we talk about love; name its parts; explain it to each other, it is something that just happens to us. We repeat steps laden with memory. In the City of Love's Sleep reveals love in all its inscrutable complexity: the raw nature of feeling and its uncontrollable, inconsistent, unsettling truths.
Selected Poems
Lavinia Greenlaw's Selected Poems provides a timely retrospective on thirty years of highly distinctive poetic output. The selection draws on five collections to date and from her free translation of Troilus and Criseyde.
The Built Moment
Lavinia Greenlaw's latest collection, The Casual Perfect (2011), focused on 'the achievement of the provisional'. In the near decade since writing those poems, she has found herself exploring what we build out of the provisional: beginnings and endings, arrivals and departures, and the moments we fix as memories, fixing too their joy and pain. The Built Moment is divided into two sections. The first, 'The Sea is an Edge and an Ending', is a sequence of poems about her father's disappearance into Alzheimer's. It is not a narrative of illness so much as a meditation on the metaphysics of memory loss. What does it mean only to exist in the present, for your sense of self to come loose and for t...
