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'A Report on the Painted Windows in the Parish Church of All Saints in the Royal Borough of Kingston Upon Thames', by W. E. St. Lawrence Finney, 1944
On the stained glass inserted from the mid-Victorian period to 1923, especially by Lavers & Barrand.
Study of Thomas Hardy and Other Essays
D. H. Lawrence's 'Study of Thomas Hardy', written in the early months of World War I, was originally intended to be a short critical work on Hardy's characters, but developed into a major statement of Lawrence's philosophy of art. The introduction to this work shows its relation to Lawrence's final rewriting of The Rainbow and its place among his continual attempts to express his philosophy in a definitive form. Previously published posthumously from a corrupt typescript, the 'Study' is now more firmly based on Koteliansky's typescript - Lawrence having destroyed the manuscript. The other essays in this volume span virtually the whole of Lawrence's writing career, from 'Art and the Individual' (1908) to his last essay 'John Galsworthy', written in 1927. The introduction sets these essays in the context of Lawrence's life and work. The textual apparatus gives variant readings, and explanatory notes identify references and quotations, and offer background information.
England, My England and Other Stories
The fourteen short stories collected in this volume were written between 1913 and 1921, most of them against the background of the 1914-18 War. All but one were published in slightly different versions by magazines and periodicals on both sides of the Atlantic. Ten were selected and revised by Lawrence for his collection England, My England published in 1922 in the United States and 1924 in Britain. Some of the stories included in this volume are "Tickets Please", "The Blind Man", "Monkey Nuts", "Wintry Peacock", "Hadrian", "Samson and Delilah", "The Primrose Path", "The Horse-Dealer's Daughter", and "The Last Straw". The texts aim to recover Lawrence's own intentions, which editors and publishers all too frequently ignored or altered. Where possible, manuscripts and corrected typescripts are used as base-texts. The introduction traces the composition and revision of the stories, setting them in the context of Lawrence's life and work. The textual apparatus gives variant readings, and explanatory notes identify sources, references and quotations. The 1915 version of "England, My England" is given in an appendix.
St Mawr and Other Stories
St Mawr and Other Stories is newly edited from Lawrence's original manuscripts and typescripts.
Unspeakable Awfulness
The late nineteenth century was a golden age for European travel in the United States. For prosperous Europeans, a journey to America was a fresh alternative to the more familiar ‘Grand Tour’ of their own continent, promising encounters with a vast, wild landscape, and with people whose culture was similar enough to their own to be intelligible, yet different enough to be interesting. Their observations of America and its inhabitants provide a striking lens on this era of American history, and a fascinating glimpse into how the people of the past perceived one another. In Unspeakable Awfulness, Kenneth D. Rose gathers together a broad selection of the observations made by European travel...
Women in Love
D. H. Lawrence's Women in Love - 'the beginning of a new world', as he called it - suffered in the course of its revision, transcription, and publication some of the most spectacular damage ever inflicted upon one of his books. Until now no text of Women in Love has ever been published which is faithful to all of Lawrence's revisions. This edition, edited by scholars in England and America, clears the text of literally thousands of accumulated errors allowing its readers to read and understand the novelist's work as he himself created it. The edition includes the 'Foreword' Lawrence wrote in 1919 and two preliminary and discarded chapters which have attracted widespread critical and biographical discussion. The introduction gives a full history of the novel's composition, revision, publication and reception, and notes explain allusions and references; the textual apparatus records all variants between the base-text and the first printed editions.
Lawrence of Arabia
Two years in the making and the winner of seven Academy Awards, David Lean's screen classic Lawrence of Arabia has been seen and enjoyed by millions since 1962. Specially compiled for the film's 30th anniversary, this volume provides, for the first time, an account of this film's remarkable genesis, artistry, and influence.
The Irish in Haverhill, Massachusetts
James Maroney from Clare. "Capt." Nicholas Costello from Kilkenny. The Lucey and Hodnett sisters from Cork. The many Linnehans from Limerick. Bridget McGovern from Cavan. These were some of Haverhill's Irish. Some came by sailing ship during the years of the Great Famine. Others came by steamship at the end of the century. The immigrants hailed from every part of Ireland, but especially from the province of Munster. They were drawn to Haverhill, Massachusetts, to work in its shoe shops, to cook and clean in its "big houses," and to be laborers for the city. The Irish immigrants settled in every part of Haverhill and put their imprint on the old Yankee town. They built their own churches and schools, joined together in fraternal and religious organizations, elected their fellow Irish to the city government, opened stores, and saw their children become lawyers, doctors, priests, and nuns, as well as professional baseball players. They were a visible presence, and we can view them through this wonderful collection of photographs lovingly preserved by their descendants.
