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Dandarians
Based on sources as diverse as Heian period female Japanese writers and the world of science fiction, and drawing on her own experience as a second-generation Japanese American, acclaimed poet Lee Ann Roripaugh's fourth collection explores a series of ?word betrayals”?English words misunderstood in transmission from her Japanese mother that came to take on symbolic ramifications in her early years. Co-opting and repurposing the language of knowledge and of misunderstanding, and dialoguing in original ways with notions of diaspora and hybrid identities, these poems demonstrate the many ways we attempt to be understood, culminating in an experience of aural awe. At once wonderfully lyrical and strikingly acute, Dandarians will further establish Lee Ann Roripaugh as one of the most important and original voices in contemporary Asian American literature.
Year of the Snake
In her second collection of poems, Lee Ann Roripaugh probes themes of mixed-race female identities, evoking the molting processes of snakes and insects who shed their skins and shells as an ongoing metaphor for transformation of self. Intertwining contemporary renditions of traditional Japanese myths and fairy tales with poems that explore the landscape of childhood and early adolescence, she blurs the boundaries between myth and memory, between real and imagined selves. This collection explores cultural, psychological, and physical liminalities and exposes the diasporic arc cast by first-generation Asian American mothers and their second-generation daughters, revealing a desire for metamorphosis of self through time, geography, culture, and myth.
Tsunami Vs. the Fukushima 50
"One of our brightest talents."--ISHMAEL REED
Beyond Heart Mountain
Lee Ann Roripaugh has been hailed by Ishmael Reed as "one of the brightest talents" writing poetry today. In this collection, she gives voice to the Japanese immigrants of the American West. In an unforgiving land of dirt and sagebrush, mothers labor to teach their children of the ocean, old men are displaced by geography and language, and the ghosts of Hiroshima clamor for peace. Lee Ann Roripaugh's exquisitely crafted poems rise from the pages of Beyond Heart Mountain burdened with memory and pain, yet converting these to powerful art--art that is like "the pattern of kimono found burned into a woman after Hiroshima . . . almost too beautiful, too horrible . . . to bear." Remember to raise bright orbs of rice-paper lanterns by the goldfish pond, so they can watch for me with the yellow, unblinking gaze of nocturnal things . . . --from "Peony Lantern"
On the Cusp of a Dangerous Year
Lady Murasaki wrote in The Tale of Genji that thirty-seven is “a dangerous year” for women. Evoking the styles of Murasaki and other women writers of the Heian-period Japanese court, Lee Ann Roripaugh presents a collection of confessional poems charting the course of that perilous year. Roripaugh, in both an homage to and a dialogue with women writers of the past, explores the trials of women facing the treacherous waters of time while losing none of the grace and decadence of femininity. Often calling upon the passing of the seasons and revelations of nature, these lyrically elegant poems chronicle the dangers and delights of a range of issues facing contemporary women—from bisexualit...
Wild Grass on the Riverbank
These poets will plunge you into dreamlike landscapes of volatile proliferation: shape-shifting mothers, living father-corpses, and pervasively odd vegetation
Beautiful Nerve
The poems in Sheila Squillante's debut collection, Beautiful Nerve, are meant to unsettle. They draw on our anxieties and fears--somatic, linguistic, metaphoric--leading us somewhere somehow calming in its familiarity but troublingly unsteady: a bridge that ends abruptly as you cross it, the doomed deck of a haunted ship, a three-cornered room, the cutlery drawer, a table where you lie still beneath the surgeon's knife. Miscommunications and disorientations abound in these poems. Memories and dreams collide with nature and media, creating something superficially simple, but too unstable for us to ever get comfortable. "Look at the landscape for a while," they tell us. But then "pull out and be on your way."
The Lost Country of Sight
Poetry. Winner of the 2007 Philip Levine Prize Prize for Poetry. "It's difficult to believe that Neil Aitken's THE LOST COUNTRY OF SIGHT is a first book, since there is mastery throughout the collection. His ear is finely tuned, and his capacity for lyricism seems almost boundless. What stands out everywhere in the poems is his imagery, which is not only visually precise but is also possessed of a pure depth. The poems never veer off into the sensational; they are built from pensiveness and quietude and an affection for the world. 'Traveling Through the Prairies, I Think of My Father's Voice' strikes me as a perfectly made poem, but poems of similar grace and power are to be found throughout the book. This is a debut to celebrate"--C.G. Hanzlicek, judge.
Rare Wondrous Things
A poetic biography of Maria Sibylla Merian (1647-1717), Rare Wondrous Things investigates the history of this German artist and naturalist who made groundbreaking discoveries in entomology. While Merian led an exceptional life--even traveling to Suriname at fifty-two years old in the pursuit of knowledge--her name has largely remained in obscurity, and her personal life is still shrouded in mystery. These poems recover her legacy by exploring the tensions between science and religion, professional aspirations and motherhood, wifehood and independence, and biographer and subject.
