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The Voodoo Cathedral Murders
Vengeance was in the humid night air of the Louisiana bayou, but it wasn't the kind Charlie Buck wanted. Before them, lit by the glowing coals of the campfire and stark light of the full moon, three men lay asleep. A fourth man, sitting with a rifle propped over his shoulder, was asleep too. Charlie glanced over at his companion, the strange Voodoo doctor he had met just before the attack. The man's black torso was bare except for the large snake curled around his neck. Despite the heat, Charlie shivered. All he wanted was to find out his father's murderer. But it was complicated. The clues had led to two places: the bayou and the cathedral in New Orleans. Guilt pointed at the priest. Charlie could not accept that. Where did Voodoo, and of all things, counterfeit money, fit with his Father's murder? His mind touched momentarily on the memory of his lost love, Rachel. She was still here too, just as beautiful as ever. But she was in love with his brother, another one of his suspects. Too many questions and not enough answers. Still, here he was. Charlie Buck drew his Colt and cocked the hammer.
New Orleans in the Twenties
It was a decade of flappers, Prohibition, and unprecedented prosperity that abruptly ended with the crash of '29. In New Orleans, steamships lined the wharves, vaudeville gave way to "talkies," and William Faulkner's Sherwood Anderson and Other Famous Creoles was the first book produced by a new publisher called Pelican Publishing Company. Mary Lou Widmer's fourth retrospect of the city reminisces about how New Orleans welcomed the economic growth of the postwar twenties in its own special way. The Crescent City celebrated this prosperity, giving birth to jazz halls in the Vieux Carrand launching the careers of musicians like Louis Armstrong. It was the most progressive era in the city's his...
The Mississippi Steamboat Era in Historic Photographs
DIV170 rare and valuable photographs of Mississippi River and its vessels: major steamboats, luxurious interiors, passenger portraits, cargoes, mail boats, capsized ships, much more. Informative text. /div
New Orleans Architecture
"Focuses on the architecture along the length of majestic Esplanade Avenue from the Mississippi River to Bayou St. John"--Back cover.
Hearings
None
A Bloodless Victory
Introduction: "a correct remembrance of great events"--"By the eternal, they shall not sleep on our soil:" the New Orleans Campaign -- "Half a horse and half an alligator:" the Battle of New Orleans in the Era of Good Feelings -- "Under the command of a plain Republican--an American Cincinnatus:" the Battle of New Orleans in the Age of Jefferson -- "The union must and shall be preserved:" the Battle of New Orleans and the American Civil War -- "True daughters of the war:" the Battle of New Orleans at 100 -- "Not pirate ... privateer:" the Battle of New Orleans and mid-20th century popular culture -- "Tourism whetted by the celebration:" the Battle of New Orleans in the 20th century -- A "rustic and factual" appearance: the Battle of New Orleans at 200 -- Closing: "what is past is prologue
Technology, Innovation, and Southern Industrialization
Because of its strong agrarian roots, the South has typically been viewed as a region not favorably disposed to innovation and technology. Yet innovation was never absent from industrialization in this part of the United States. From the early nineteenth century onward, southerners were as eager as other Americans to embrace technology as a path to modernity. This volume features seven essays that range widely across the region and its history, from the antebellum era to the present, to assess the role of innovations presumed lacking by most historians. Offering a challenging interpretation of industrialization in the South, these writings show that the benefits of innovations had to be care...
French and Spanish Records of Louisiana
Representing years of extensive research, this authoritative and comprehensive guide to the records generated in the Louisiana Territory during the French and Spanish colonial periods is a major reference work. Henry Putney Beers has painstakingly traced all types of documents, including land, military, and ecclesiastical records; registers of births, marriages, and burials; and private papers. Far more than a mere bibliographical listing, the book provides a complete history and description of these records and their past as well as current locations. When microfilms or other copies of particular bodies of documents exist, Beers describes the circumstances of reproduction and lists the loca...
Building Antebellum New Orleans
The Creole architecture of New Orleans is one of the city’s most-recognized features, but studies of it largely have been focused on architectural typology. In Building Antebellum New Orleans Tara A. Dudley examines the architectural activities and influence of gens de couleur libres—free people of color—in a city where the mixed-race descendants of whites could own property. Between 1820 and 1850 New Orleans became an urban metropolis and industrialized shipping center with a growing population. Amidst dramatic economic and cultural change in the mid-antebellum period, the gens de couleur libres thrived as property owners, developers, building artisans, and patrons. Dudley writes an intimate microhistory of two prominent families of Black developers, the Dollioles and Souliés, to explore how gens de couleur libres used ownership, engagement, and entrepreneurship to construct individual and group identity and stability. With deep archival research, Dudley recreates in fine detail the material culture, business and social history, and politics of the built environment for free people of color and adds new, revelatory information to the canon on New Orleans architecture.
