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Conserving Canvas
The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witn...
Functionalized Inorganic Semiconductor Nanomaterials: Characterization, Properties, and Applications
This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact.
The Synthetic Resins Used in the Treatment of the Polychrome Works of Art
In the restoration of polychrome works (paintings, wooden sculptures, frescoes, but also works on paper, ceramics...) synthetic materials have largely replaced substances with similar properties, but of natural origin. It therefore becomes essential for the restorer to understand the fundamental properties of these materials that have too often been used improperly. The discourse is complicated by the fact that these materials are of recent development and that there are cases of aging of about fifty years at the most. The study of these materials is made even more difficult by the fact that most of the currently used formulations were originally developed for completely different applications from the restoration of cultural heritage, and that rarely all components are declared.00Translation of 'Le Resine Sintetiche Usate nel Trattamento di Opere Policrome', ISBN 9788863362565, : Casa Editrice Il Prato (2016).
Kermes 90
CRONACHE DEL RESTAURO Cecilia Sodano L’Annunciazione in terracotta del Museo Civico di Bracciano. Una modalità di approccio critico alla reintegrazione delle lacune TEMI D’ARTE Claudio Seccaroni Appunti su Scipione Pulzone. Progettazione e produzione di immagini nella Roma della seconda metà del Cinquecento LA RICERCA Luigi Orata (a cura), Filippo Capellaro, Luigi Orata Un adesivo termoplastico modulabile secondo le caratteristiche dell’opera. La foderatura di un grande formato particolare Daphne De Luca, Leonardo Borgioli, Sibilla Orsini, Sabrina Burattini Manufatti dipinti su supporto tessile. Proposte di materiali alternativi per la stuccatura delle lacune. Comportamento all’inv...
Kermes 88
Indice: CRONACHE DEL RESTAURO Stefano Pasolini Il restauro del Perseo della Vasca dell’Isola del Giardino di Boboli LA RICERCA Sara Fiorentino, Gian Carlo Grillini, Rocco Mazzeo, Ada Foschini Nell’abbazia di Pomposa l’Arte incontra la Scienza. Le indagini diagnostiche dei dipinti murali del nartece Daphne De Luca, Leonardo Borgioli, Luigia Sabatini, Valentina Viti Manufatti dipinti su supporto tessile. Reintegrazione delle lacune. Proposta di materiali alternativi TEMI D’ARTE Gian Piero Cammarota, Diego Cauzzi, Pietro Moioli, Claudio Seccaroni, Anna Selleri L’ultima Susanna di Artemisia Gentileschi ai raggi X LE TECNICHE Sara Bianchin, Monica Favaro, Claudia Neri, Luca Rosi Arte co...
Lo Stato dell’Arte 5 - Atti del Congresso Nazionale IGIIC
Congresso Nazionale IGIIC “Lo Stato dell’Arte 5” - Cremona, Palazzo Cittanova 11-13 Ottobre 2007 ATTI DEL CONVEGNO IN FORMATO DIGITALE PDF 700 pagine, illustrato in b/nero
Las resinas sintéticas usadas para el tratamiento de obras policromas
En la restauración de obras polícromas (cuadros, esculturas lígneas, frescos, pero también obras en papel, cerámica….) los materiales sintéticos han reemplazado en gran medida a sustancias con propiedades análogas, pero de origen natural. Se hace por lo tanto imprescindible para el restaurador comprender las propiedades fundamentales de estos materiales que demasiado a menudo han sido utilizados de manera inapropiada. Tras una parte de introducción que responde básicamente a la pregunta “¿Qué es un polímero?”, se expone en el 2º capítulo la problemática referente a la durabilidad de estos materiales. Un discurso complejo, dado que para los materiales que van a integrarse...
La madera: de su conocimiento a su conservaciòn
Este manual propone la utilización de ciertas claves para una lectura mas articulada del complejo sistema de construcción de obras con soporte en madera, sin brindar recetas o soluciones definitivas, sino mas bien invitando al técnico restaurador a concentrarse sobre los mecanismos de interacción que puedan coexistir al interior de una obra. Además de armar un panorama de la mas recientes técnicas de intervención desarrolladas por instituciones reconocidas a nivel mundial.
