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This Osprey title details the course of one of the most crucial military campaigns of the Renaissance.For much of the 16th century the Mediterranean was a battleground between Christians and Muslims. A decisive battle between two large galley fleets was expected to decide the fate of the entire Mediterranean basin. In August 1571, an Ottoman fleet of some 235 galleys encountered the slightly smaller Christian fleet of the Holy League. In a five hour melee the Christians inflicted a decisive defeat on the Turks. Lepanto was the last great galley fight of all time and one of the most decisive naval battles in history.
In this compelling piece of narrative history, Capponi describes the clash between the Ottoman Empire and the Holy League that led to the Battle of Lepanto and takes a fresh look at the bloody struggle at sea between oared fighting galleys and determined men of faith.
The turning-point naval battle in the sixteenth century war between Christianity and Islam
The defeat of the Ottomans by the Holy League fleet at Lepanto (1571) was among the most celebrated international events of the sixteenth century. The Battle of Lepanto anthologizes the work of twenty-two poets who composed Latin poetry in response to the news of the battle, the largest Mediterranean naval encounter since antiquity.
Hilaire Belloc called "Lepanto" Chesterton's greatest poem and the greatest poem of his generation. But not only have English classes neglected this masterpiece of rhyme and meter, History classes have neglected the story of the pivotal battle upon which the poem is based. This book brings together the poem, the historical background of the famous battle, a riveting account of the battle itself, and a discussion of its historical consequences. The poem is fully annotated, and is supplemented with two interesting essays by Chesterton himself. Well-known Chesterton expert, Dale Ahlquist, has gathered together all the insightful commentaries and explanatory notes. Here is the story behind the m...
La più grande battaglia navale combattuta nel Mediterraneo negli ultimi duemila anni, una clamorosa vittoria per la flotta della Lega Santa che ha unito Venezia, la Spagna e il Papa contro il nemico ottomano. Una battaglia tutt'altro che decisiva, ma rimasta per sempre nella memoria collettiva... Basta guardare le galee ottomane e cristiane nelle splendide tavole di questo libro: nate dalla stessa tecnologia, dalla stessa civiltà; identiche se non per le bandiere che sventolano sull'albero maestro! The greatest naval battle fought in the Mediterranean in the last two thousand years, a resounding victory for the fleet of the Holy League that united Venice, Spain and the Pope against the Ottoman enemy. A battle that was anything but decisive, but remained forever in the collective memory... Just look at the Ottoman and Christian galleys in the splendid plates of this book: born from the same technology, from the same civilization; identical if not for the flags waving on the mast!
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Interdisciplinary approach to the Iberian and Italian perceptions and representations of the Battle of Lepanto and the Muslim “other” The Battle of Lepanto, celebrated as the greatest triumph of Christianity over its Ottoman enemy, was soon transformed into a powerful myth through a vast media campaign. The varied storytelling and the many visual representations that contributed to shape the perception of the battle in Christian Europe are the focus of this book. In broader terms, Lepanto and Beyond also sheds light on the construction of religious alterity in the early modern Mediterranean. It presents cross-disciplinary case studies that explore the figure of the Muslim captive in historical documentation, artistic depictions, and literature. With a focus on the Republic of Genoa, the authors also aim to balance the historical scale and restore the important role of the Genoese in the general scholarly discussion of Lepanto and its images.
Even though humanism derived its literary, moral and educational predilections from ancient Greek and Roman models, it was never an inherently secular movement and it soon turned to religious questions. Humanists were, of course, brought up with Christian beliefs, regarded the Bible as a fundamental text, and many of them were members of the clergy, either regular or secular. While their importance as religious sources was undiminished, biblical and patristic texts came also to be read for their literary value. Renaissance authors who aspired to be poetae christianissimi naturally looked to the Latin Fathers who reconciled classical and Christian views of life, and presented them in an elega...