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10:04
"Ben Lerner is a brilliant novelist, and one unafraid to make of the novel something truly new. 10:04 is a work of endless wit, pleasure, relevance, and vitality." --Rachel Kushner, author of The Flamethrowers Leaving the Atocha Station was hailed as "one of the truest (and funniest) novels...of his generation" (Lorin Stein, New York Review of Books), "a work so luminously original in style and form as to seem like a premonition, a comet from the future" (Geoff Dyer, The Observer). Now Lerner's second novel departs from Atocha's exquisite ironies in order to explore new territories of thought and feeling. In the last year, the narrator of 10:04 has enjoyed unexpected literary success, has be...
The Schwa was Here
They say his clothes blend into the background, no matter where he stands. They say a lot of things about the Schwa, but one thing’s for sure: no one ever noticed him. Except me. My name is Antsy Bonano, and I was the one who realized the Schwa was “functionally invisible” and used him to make some big bucks. But I was also the one who caused him more grief than a friend should. So if you all just shut up and listen, I’ll tell you everything there is to know about the Schwa, from how he got his name, to what really happened with his mom. I’ll spill everything. Unless, of course, “the Schwa Effect” wipes him out of my brain before I’m done….
The Lichtenberg Figures
Winner of the Hayden Carruth Award uses "broken sonnets" to explore complex juxtapositions of contemporary culture.
Mean Free Path
“Lerner [is] among the most promising young poets now writing.”—Publishers Weekly “Sharp, ambitious, and impressive.” —Boston Review National Book Award finalist Ben Lerner turns to science once again for his guiding metaphor. “Mean free path” is the average distance a particle travels before colliding with another particle. The poems in Lerner’s third collection are full of layered collisions—repetitions, fragmentations, stutters, re-combinations—that track how language threatens to break up or change course under the emotional pressures of the utterance. And then there’s the larger collision of love, and while Lerner questions whether love poems are even possible, h...
Away from Me
and I was writing myself out of a hole I thought that actually was writing myself into a hole I think and Other Poems came as I was writing to a joyful bigger and bigger and bigger inflating when a TN or Star is dying it gets bigger in bigger and that's how you know it's nearly expired it comes colossal how much writing was found to be on the right size size of what passes through me when my send my voice out what comes back what happens to other people's voices inside me what kind of sieve I am from 'explanatory notes with no fingers' Away From Me is the highly-anticipated second collection from poet and novelist Caleb Klaces. 'The world, ' wrote Georges Perec, 'is big.' The poems here rediscover the familiar intimacies of love, disgust, vulnerability, nurture and nostalgia in the vast spaces, technologies and voices that extend vertiginously beyond the individual self. In Klaces's imagined landscapes, language is purposefully sieved, processed and contaminated by forces outside the writer's control, creating a work with its own glitchy music and sharp beauty: 'a joyful bigger'.
Topside
A wild outer-space fantasy about fixing your mistakes and the friends you meet along the way. When Jo, a headstrong maintenance technician, makes an error that destabilizes her planet's core, she only knows one way to fix things: leaving her underground home for a trip to the planet's dangerous, unruly surface. Soon she's wandering through deserts, riding on the backs of giant beasts, and cutting deals with con artists and bounty hunters. Meanwhile, agents of the core are in hot pursuit. J. N. Monk and Harry Bogosian (co-creators of the web-comic StarHammer) present a wild outer-space fantasy about fixing your mistakes and the friends you meet along the way.
EngiNerds
The battle between boys and bots is on in this funny, fast-paced novel. Ken is an EngiNerd: one of a super-smart group of friends—all nerds—who have been close since kindergarten. They may be brainiacs, but they’re just like everyone else: they fight with one another, watch too much TV, eat Chinese food, and hate walking their dogs. Well, maybe not just like everyone because Ken’s best friend Dan has been building robots. He then secretly sent one to each of the EngiNerds, never letting them know he’s the mastermind. At first Ken is awed and delighted: what kid hasn’t dreamed of having a robot all their own? Someone who can be their friend, clean their room, walk the dog, answer homework questions…how amazing is that? But be careful what you wish for: Dan’s robot, Greeeg, may look innocent, but his ravenous consumption of food—comestibles—turns him into a butt-blasting bot. And once the other robots ‘come alive’ it’s up to the motley crew of EngiNerds to not only save the day, but save the planet!
Leaving the Atocha Station
Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in his...
The Hatred of Poetry
No art has been denounced as often as poetry. It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore." In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.
The Topeka School
Adam Gordon is a senior at Topeka High School, class of '97. His parents are psychologists, his mom a famous author in the field. A renowned debater and orator, an aspiring poet, and - although it requires a lot of posturing and weight lifting - one of the cool kids, he's also one of the seniors who brings the loner Darren Eberheart into the social scene, with disastrous effects. Deftly shifting perspectives and time periods, The Topeka School is a riveting story about the challenges of raising a good son in a culture of toxic masculinity. It is also a startling prehistory of the present: the collapse of public speech, the tyranny of trolls and the new right, and the ongoing crisis of identity among white men.
