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The Ukrainian national poetess Lesya Ukrainka (1871–1913) has contributed greatly to the development of Ukrainian Modernism and its transition from Ukrainian ethnographic themes to subjects that were universal, historical and psychological. Breaking the thematic conventions of populist literature, she sought difficult and complex motifs and gave them original treatment: themes such as the revolutionary ideological conflicts of the seventeenth and eighteenth centuries, which appear in some of her later poetry, are strengthened, given greater impact by her method of applying the individual and the personal to the more general concepts. From the beginning of her career her poetry was characte...
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This book, sponsored by the Women's Council of the Ukrainian Canadian Committee, is a discussion of Lesya Ukrainka'slife and works and includes selected translations."
Among the last of her poetic career, The Babylonian Captivity is an allegory describing the conditions of the Ukrainians under Russian influence at the end of the Nineteenth Century-which is not unlike the pressures Ukraine is under in 2014. This text is modernized from an earlier translation. Lesya Ukrainka is a pseudonym of Larisa Petrivna Kosach-Kvitka, perhaps made necessary in the beginning because the Ukrainian language was not permitted in publications at the time. The story is of Jews, not all of the same persuasion, in exile in Babylon, in woeful conditions. The main character is Eleazar, a singer and harpist, who is challenged by the others of his community for serving the Babylonian masters with his songs. He defends his activities and helps to redefine the situation they are all in. The play is designed for reading rather than staging in a theater, and is in looser format than strictly poetic lines, although Eleazar does perform a few songs in measured lines. The reason for publishing it now is to provide for a wider audience a historical dimension to current affairs in one part of the world rarely portrayed in European fiction.
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This book presents a cultural history of the Greek tragedy and its influence on subsequent Greek and Roman art and literature.
Lesia Ukrainka was a Ukrainian poet, prose writer, and dramatist of universal importance. Her first collection of poetry, On the Wings of Song (1893), established her reputation as an accomplished lyrical poet. This collection contains her often-quoted poem "Contra spem spero" (Hope against Hope)—an expression of her remarkable strength of character and determination to face down a severe illness (tuberculosis of the bones) that afflicted her from an early age and caused her untimely death at the age of 42. Lesia Ukrainka wrote her masterpieces in the genres of drama and dramatic poetry, to which she turned her attention in the early 1900s. Many of her dramas were set in a variety of histo...
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