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Lesya Ukrainka
The Ukrainian national poetess Lesya Ukrainka (1871–1913) has contributed greatly to the development of Ukrainian Modernism and its transition from Ukrainian ethnographic themes to subjects that were universal, historical and psychological. Breaking the thematic conventions of populist literature, she sought difficult and complex motifs and gave them original treatment: themes such as the revolutionary ideological conflicts of the seventeenth and eighteenth centuries, which appear in some of her later poetry, are strengthened, given greater impact by her method of applying the individual and the personal to the more general concepts. From the beginning of her career her poetry was characte...
The Forest Song
The Forest Song represents the crowning achievement of Lesia Ukrainka's mature period and is a uniquely powerful poetic text. A play in three acts, it seemingly breaks with her intellectually charged social and cultural themes, which range from feminism and the deconstruction of patriarchy to the workings of colonialism, even in antiquity. Here, the author instead presents a symbolist meditation on the interaction of humanity and nature set in a world of primal forces and pure feelings as seen through childhood memories and the re-creation of local Volhynian folklore. The play unfolds in spirited dialogues between characters from Ukrainian mythology and people of the land: Old Man River, the Nymph, two water spirits, Uncle Leo, Luke, Sylph, and the peasant woman Kylyna and her mother-in-law. The Forest Song is a testament to the power of love to overcome differences and bring loved ones back from the dead.
Spirit of Flame
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The Song of the Forest
Lesia Ukrainka was a Ukrainian poet, prose writer, and dramatist of universal importance. Her first collection of poetry, On the Wings of Song (1893), established her reputation as an accomplished lyrical poet. This collection contains her often-quoted poem "Contra spem spero" (Hope against Hope)—an expression of her remarkable strength of character and determination to face down a severe illness (tuberculosis of the bones) that afflicted her from an early age and caused her untimely death at the age of 42. Lesia Ukrainka wrote her masterpieces in the genres of drama and dramatic poetry, to which she turned her attention in the early 1900s. Many of her dramas were set in a variety of histo...
The Babylonian Captivity
Among the last of her poetic career, The Babylonian Captivity is an allegory describing the conditions of the Ukrainians under Russian influence at the end of the Nineteenth Century-which is not unlike the pressures Ukraine is under in 2014. This text is modernized from an earlier translation. Lesya Ukrainka is a pseudonym of Larisa Petrivna Kosach-Kvitka, perhaps made necessary in the beginning because the Ukrainian language was not permitted in publications at the time. The story is of Jews, not all of the same persuasion, in exile in Babylon, in woeful conditions. The main character is Eleazar, a singer and harpist, who is challenged by the others of his community for serving the Babylonian masters with his songs. He defends his activities and helps to redefine the situation they are all in. The play is designed for reading rather than staging in a theater, and is in looser format than strictly poetic lines, although Eleazar does perform a few songs in measured lines. The reason for publishing it now is to provide for a wider audience a historical dimension to current affairs in one part of the world rarely portrayed in European fiction.
Lesya Ukrainka
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Interesting UKRAINE
This book contains 100 fascinating articles about the most vivid symbols of Ukraine – from official, such as the national emblem and flag, to folk, like borsch and horilka; the main Ukrainian cities, outstanding historical figures, the most popular dishes of the national cuisine, handicrafts, natural beauty, and achievements in science and technology. Why did we post this books for free? You know that our country is going through a difficult time right now, and today we really need the recognition of Ukraine as a full-fledged civilised European state. I hope that after reading (or just looking through) these books, you will be convinced that Ukraine is not a “third world” country, but a strong, beautiful state, with its own interesting history, worthy of being a member of the EU.
Queer Ukraine
Against the backdrop of brutal invasion, it is much easier for right-wing figures to target marginalised groups, and during wartime the queer community is exceedingly vulnerable to persecution, scapegoating and censorship. Being visibly queer in Ukraine is an act of rebellion in itself, but LGBTQI+ people find ways to express themselves against all odds, to create beyond all constraints. And what is queerness without defiance – the linking of arms, the echo of a hundred voices? Every voice tells a story, and this anthology is a platform for these voices, an archive of their existence. It is time for them to tell their stories on their own terms – and for the rest of the world to stand in solidarity with them. Proceeds from the sales of this book go to a selection of charities supporting LGBTQI+ people in Ukraine. The list is periodically reviewed so that funds go to where they’re most sorely needed, but includes: TU Platform Mariupol (Supporting queer youth), Queers For Ukraine (Supporting people with HIV in Ukraine and delivering much-needed hormones for the trans community) and Insight NGO (Humanitarian Aid for the LGBTQI+ community in Ukraine).
Women and Gender in Central and Eastern Europe, Russia, and Eurasia
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Next-Generation Memory and Ukrainian Canadian Children’s Historical Fiction
This is the first book monograph devoted to Anglophone Ukrainian Canadian children’s historical fiction published between 1991 and 2021. It consists of five chapters offering cross-sectional and interdisciplinary readings of 41 books – novels, novellas, picturebooks, short stories, and a graphic novel. The first three chapters focus on texts about the complex process of becoming Ukrainian Canadian, showcasing the experiences of the first two waves of Ukrainian immigration to Canada, including encounters with Indigenous Peoples and the First World War Internment. The last two chapters are devoted to the significance of the cultural memory of the Holodomor, the Great Famine of 1932-1933, a...
