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Lesya Ukrainka
The Ukrainian national poetess Lesya Ukrainka (1871–1913) has contributed greatly to the development of Ukrainian Modernism and its transition from Ukrainian ethnographic themes to subjects that were universal, historical and psychological. Breaking the thematic conventions of populist literature, she sought difficult and complex motifs and gave them original treatment: themes such as the revolutionary ideological conflicts of the seventeenth and eighteenth centuries, which appear in some of her later poetry, are strengthened, given greater impact by her method of applying the individual and the personal to the more general concepts. From the beginning of her career her poetry was characte...
Spirit of Flame
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The Babylonian Captivity
Among the last of her poetic career, The Babylonian Captivity is an allegory describing the conditions of the Ukrainians under Russian influence at the end of the Nineteenth Century-which is not unlike the pressures Ukraine is under in 2014. This text is modernized from an earlier translation. Lesya Ukrainka is a pseudonym of Larisa Petrivna Kosach-Kvitka, perhaps made necessary in the beginning because the Ukrainian language was not permitted in publications at the time. The story is of Jews, not all of the same persuasion, in exile in Babylon, in woeful conditions. The main character is Eleazar, a singer and harpist, who is challenged by the others of his community for serving the Babylonian masters with his songs. He defends his activities and helps to redefine the situation they are all in. The play is designed for reading rather than staging in a theater, and is in looser format than strictly poetic lines, although Eleazar does perform a few songs in measured lines. The reason for publishing it now is to provide for a wider audience a historical dimension to current affairs in one part of the world rarely portrayed in European fiction.
Bridging East and West
Bridging East and West explores the literary evolution of one of Ukraine's foremost modernist writers, Ol'ha Kobylianska, who was a major contributor in the intellectual debates of her time. Investigating themes of feminism, populism, Nietzscheanism, nationalism, and fascism in her works, this study presents an alternative intellectual genealogy in turn-of-the-century European arts and letters whose implications reach far beyond the field of Ukrainian studies. Rather than repeating various narratives about modernism as a radical response to nineteenth-century bourgeois culture or an aesthetic of fragmentation, this study highlights the fissures and fusions inherent to turn-of-the-century tho...
The Song of the Forest
Lesia Ukrainka was a Ukrainian poet, prose writer, and dramatist of universal importance. Her first collection of poetry, On the Wings of Song (1893), established her reputation as an accomplished lyrical poet. This collection contains her often-quoted poem "Contra spem spero" (Hope against Hope)—an expression of her remarkable strength of character and determination to face down a severe illness (tuberculosis of the bones) that afflicted her from an early age and caused her untimely death at the age of 42. Lesia Ukrainka wrote her masterpieces in the genres of drama and dramatic poetry, to which she turned her attention in the early 1900s. Many of her dramas were set in a variety of histo...
Women and Gender in Central and Eastern Europe, Russia, and Eurasia
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Ukrainian Women Writers and the National Imaginary
By writing of Ukrainian national identity from a woman-centered perspective, female authors from the last Soviet generation established themselves as authoritative critics of their culture and paved the way to visibility and success for their younger female literary peers.
The Forest Song
The Forest Song represents the crowning achievement of Lesia Ukrainka’s mature period and is a uniquely powerful poetic text. A play in three acts, it seemingly breaks with her intellectually charged social and cultural themes, which range from feminism and the deconstruction of patriarchy to the workings of colonialism, even in antiquity. Here, the author instead presents a symbolist meditation on the interaction of humanity and nature set in a world of primal forces and pure feelings as seen through childhood memories and the re-creation of local Volhynian folklore. The play unfolds in spirited dialogues between characters from Ukrainian mythology and people of the land: Old Man River, the Nymph, two water spirits, Uncle Leo, Luke, Sylph, and the peasant woman Kylyna and her mother-in-law. The Forest Song is a testament to the power of love to overcome differences and bring loved ones back from the dead.
Handbook on the History and Culture of the Black Sea Region
Following the annexation of Crimea by the Russian Federation in spring 2014 – 160 years after the Crimean War – and the full-scale invasion of Ukraine in February 2022, the Black Sea region has again become the focus of world history. In this handbook, international scholars from various historical and cultural disciplines provide deep historical insights into the structures of conflict, cooperation, and interrelations between the Balkans, the Middle East, the Caucasus, and Eastern Europe in the space referred to as the Black Sea world. The trans-maritime communication and intra-regional circulations, spanning from Antiquity to the present day via, Byzantium, the Polish-Lithuanian Common...
