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Official Gazette
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Beyond Babel
Examines how black intermediaries in colonial Spanish America influenced written portrayals of virtuous and beautiful blackness.
The Diaspora Encounter
The mere record of a humane experience in the politics, economics and social mores of colonial life was entrenched in the heritage of a people living detached from the motherland to a frenzied Diaspora Encounter in China. One discussed relativity and the atom bomb; analyzed Marxism and Communism comparing both to Christianity and Democracy. The ships of Columbus pierced that veil and brought the vast continent into view. Today, it is the destiny of America to pierce another veil, the veil of the Middle Eastern peoples of the world. Our performance is to uplift these people to some decency of living. Ultimately, our ending of all wars whether for religious or other reasons is our task and our mission. As a historian in his own right, who is emerging as an author of alternative history, he has captured all his personal history in this memoir incorporating his life experiences throughout his many travels.
Animation Now!
Survey of 80 of the world's most prominent animation artists and studios.
Sofonisba's Lesson
"Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"--
