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Shakespeare's Hyperontology
  • Language: en
  • Pages: 212

Shakespeare's Hyperontology

Utilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra.

Representing Judith in Early Modern French Literature
  • Language: en
  • Pages: 186

Representing Judith in Early Modern French Literature

  • Type: Book
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  • Published: 2016-03-23
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  • Publisher: Routledge

Although attention to the Book of Judith and its heroine has grown in recent years, this is the first full-length study to focus on adaptations of the Bible’s Old Testament Book of Judith across a range of literary genres written in French during the early modern era. Author Kathleen Llewellyn bases her analysis on references to Judith in a number of early modern sermons as well as the ’Judith’ texts of four early modern writers. The texts include two theatrical dramas, Le Mystère de Judith et Holofernés (c. 1500), believed to have been written by Jean Molinet, and Le Miroir des vefves: Tragédie sacrée d'Holoferne & Judith by Pierre Heyns (1596), as well as two epic poems, La Judit...

The Yeats Circle, Verbal and Visual Relations in Ireland, 1880-1939
  • Language: en
  • Pages: 220

The Yeats Circle, Verbal and Visual Relations in Ireland, 1880-1939

  • Categories: Art

Focusing on W.B. Yeats's ideal of mutual support between the arts and on the cultural production of the Yeats circle members, Karen Brown explores the artistic relationships and outcome of Yeats's vision in five case studies. In so doing, the author makes use of primary materials and fresh archival evidence, and delves into a variety of media, including embroidery, print, illustration, theatre, costume design, poetry, and painting.

The Seventeenth-Century Literature Handbook
  • Language: en
  • Pages: 284

The Seventeenth-Century Literature Handbook

  • Type: Book
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  • Published: 2010-02-10
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  • Publisher: A&C Black

One-stop resource offering complete textbook for courses in seventeenth-century literature - progressing from introductory topics through to overviews of current research.

The Forest of Medieval Romance
  • Language: en
  • Pages: 260

The Forest of Medieval Romance

Corinne J. Saunders's exploration of the topos of the forest, a familiar and ubiquitous motif in the literature of the middle ages, is a broad study embracing a range of medieval and Elizabethan exts from the twelft to the sixteenth centuries: the roman d'antiquite, Breton lay and courtly romance, the hagiographical tradition of the Vita Merlini and the Queste del Saint Graal, Spenser and Shakespeare. Saunders identifies the forest as a primary romance landscape, as a place of adventure, love, and spiritual vision... offers a pleasurable overview of the narrative function of the forest as a literary landscape. Based on a close comparative and theoretically non-partisan] reading of a broad ra...

The French Revolution Debate and the British Novel, 1790-1814
  • Language: en
  • Pages: 233

The French Revolution Debate and the British Novel, 1790-1814

This study examines how debates about history during the French Revolution informed and changed the nature of the British novel between 1790 and 1814. During these years, intersections between history, political ideology, and fiction, as well as the various meanings of the term "history" itself, were multiple and far reaching. Morgan Rooney elucidates these subtleties clearly and convincingly. While political writers of the 1790s--Burke, Price, Mackintosh, Paine, Godwin, Wollstonecraft, and others--debate the historical meaning of the Glorious Revolution as a prelude to broader ideological arguments about the significance of the past for the present and future, novelists engage with this dis...

The Song of the Sirens
  • Language: en
  • Pages: 276

The Song of the Sirens

In this collection of his essays on Homer, some new and some appearing for the first time in English, the distinguished scholar Pietro Pucci examines the linguistic and rhetorical features of the poet's works. Arguing that there can be no purely historical interpretation, given that the parameters of interpretation are themselves historically determined, Pucci focuses instead on two features of Homer's rhetoric: repetition of expression (formulae) and its effects on meaning, and the issue of intertextuality.

Literature and Homosexuality
  • Language: en
  • Pages: 290

Literature and Homosexuality

  • Type: Book
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  • Published: 2000
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  • Publisher: Rodopi

Contains 13 essays, mostly written by American university-based professors of English, Hispanic language and literature, and women's studies, focusing on a variety of themes relating to lesbian and gay literature and the work of gay and lesbian authors. Lacks a subject index. Annotation copyrighted by Book News Inc., Portland, OR

The Oxford Critical and Cultural History of Modernist Magazines
  • Language: en
  • Pages: 1527

The Oxford Critical and Cultural History of Modernist Magazines

  • Categories: Art

A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.

But He Talked of the Temple of Man’s Body
  • Language: en
  • Pages: 302

But He Talked of the Temple of Man’s Body

Starting with Locke’s philosophy of language, which turns words into bricks and uses them to build a rigid system of science and morality, this book is a response to Blake’s un-Lockian thought through an analysis of his linguistic practices. It is an attempt to understand why Blake says what he says the way he does. While being a study of Blake’s poetics, the book is at the same time a poetic study that never attempts to translate poetry into prose. It reads like a narrative, telling of an effort to build, an attempt to destroy, and then rebuild again. Primarily aimed at Blake readers, it will also interest those interested in Enlightenment and Romanticism, as well as students of art, religion or philosophy. And, since Blake’s criticism of Locke is in fact Blake’s criticism of the main assumptions of modernity, the book should prove a stimulating experience to all those who do not mind looking at the reality from some critical distance.