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Dragging Away
In Dragging Away Lex Morgan Lancaster traces the formal and material innovations of contemporary queer and feminist artists, showing how they use abstraction as a queering tactic for social and political ends. Through a process Lancaster theorizes as a drag—dragging past aesthetics into the present and reworking them while pulling their work away from direct representation—these artists reimagine midcentury forms of abstraction and expose the violence of the tendency to reduce abstract form to a bodily sign or biographical symbolism. Lancaster outlines how the geometric enamel objects, grid paintings, vibrant color, and expansive installations of artists ranging from Ulrike Müller, Nancy Brooks Brody, and Lorna Simpson to Linda Besemer, Sheila Pepe, and Shinique Smith offer direct challenges to representational and categorical legibility. In so doing, Lancaster demonstrates that abstraction is not apolitical, neutral, or universal; it is a form of social praxis that actively contributes to queer, feminist, critical race, trans, and crip politics.
Experimental Film and Queer Materiality
Experimental Film and Queer Materiality studies a rich archive of queer material engagements in work by well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, and Jack Smith as well as under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl, and Teo Hernández.
Pre-Raphaelite Girl Gang
Pre-RaphaeliteGirl Gang willintroduce readers of all ages to the remarkable women of the Pre-Raphaelite artmovement which began in the second half of the nineteenth century and continuedthrough the early part of the twentieth. From models to artists, these womenall contributed something personal and incredible towards the most beautifuland imaginative art movement in the world. From duchesses to poor laundresses,each woman has a story to tell and a unique viewpoint on art no matter theirage, status or background. Rich or poor, black or white, these women redefinedwhat it meant to be beautiful and influential in a male-dominated world andbroke new ground in art, business and women's rights to pursue the life theyloved. Spanning almost a century and uncovering the truth behind some familiarand less familiar faces, this collection will offer new information to readersalready interested in Pre-Raphaelite art and open the doors on an enchantingand revolutionary band of women who are unlikely and compelling role models.Artists, sculptors, inventors, models, wives, sisters and muses, all provideinspiration for ground-breakers and trouble-makers today.
Fool's Gold
From award-winning Financial Times journalist Gillian Tett, who enraged Wall Street leaders with her news-breaking warnings of a crisis more than a year ahead of the curve, Fool’s Gold tells the astonishing unknown story at the heart of the 2008 meltdown. Drawing on exclusive access to J.P. Morgan CEO Jamie Dimon and a tightly bonded team of bankers known on Wall Street as the “Morgan Mafia,” as well as in-depth interviews with dozens of other key players, including Treasury Secretary Timothy Geithner, Gillian Tett brings to life in gripping detail how the Morgan team’s bold ideas for a whole new kind of financial alchemy helped to ignite a revolution in banking, and how that revolut...
American Graphic
What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust—in our current culture of information—for cool epi...
Under Construction
Die Publikation widmet sich dem Wandel von Männlichkeit(en), den Bildende Künstler:innen seit den 1970er Jahren und aktuell mehr denn je verhandeln. Die vielfältigen künstlerischen Prozesse, in denen die Vorstellung von Männlichkeit als scheinbar universale, unumstößliche Konstante sukzessiv durch die Annahme einer Pluralität von Männlichkeiten abgelöst wird, beleuchten die kunst- und kulturwissenschaftlichen Beiträge des Bandes in vier Sektionen: Postphallische Männlichkeit, Queering Masculinities, Optimierte Männlichkeit(en) und Verletzlichkeit. Ausgehend von der Prämisse, dass Männerkörper keinen intrinsischen Wesenskern besitzen, sondern sozial konstruiert und somit transformierbar sind, werden Visionen zukünftiger Männlichkeit(en) diskutiert und greifbar gemacht.
Under Construction
While currently identitarian ideologies and essentialist notions of identity that tend to simplify and reduce life experience to simple factors are globally regaining massive attention, it becomes inevitable to recollect the thorough discussions of identity concepts of the past three decades. It also calls for an ever keener awareness of and capacity to deal with the complexity and diversity of the world we live in. Artists play a major role in the potential reflection and transformation of perceptions and conceptions of the world – musicians, dancers, choreographers, spoken word artists, performance artists, actors, also fine art, installation, media artists or photographers alike. “Per...
Abstraction & Economy
Opposing a regime of accumulation and abstraction This anthology explores the tension between abstraction and economics from the perspectives of art, art theory, art history, as well as law, sociology, philosophy, and economics. It poses questions about the current challenges of a global capitalist economy with claims to expansive growth in relation to aesthetics, technology, and democracy. The relationship between abstraction and economics is discussed in a series of theoretical and artistic contributions. The main focus is on the role of art in mediating between the concrete and the abstract, on formalist approaches to art theory, and on the social and economic cues that help us trace the ...
Baroque Modernity
A groundbreaking study on the vital role of baroque theater in shaping modernist philosophy, literature, and performance. Finalist for the Outstanding Book Award by the Association for Theatre in Higher Education, Honorable Mention for the Balakian Prize by the International Comparative Literature Association, Winner of the Helen Tartar Book Subvention Award by the American Comparative Literature Association, Finalist of the MSA First Book Prize by the Modernist Studies Association Baroque style—with its emphasis on ostentation, adornment, and spectacle—might seem incompatible with the dominant forms of art since the Industrial Revolution, but between 1875 and 1935, European and American...
