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Between Noble and Humble
Between Noble and Humble: Cao Xueqin and the Dream of the Red Chamber (曹雪芹新传, literally New Biography of Cao Xueqin) is a translation of a scholarly work by the famous mainland Chinese critic Zhou Ruchang. Written for the Western reader, it historicizes the life and times of the Chinese novelist Cao Xueqin (c. 1715-1763) and comprehensively introduces the origins of the novel Dream of the Red Chamber (Honglou meng). This translation is unique because it offers the first book-length biography of Cao Xueqin in English. Zhou carefully historicizes the decline of the once illustrious Cao clan, and he demonstrates how Cao Xueqin's own childhood experiences in a wealthy bondservant family during the Qing dynasty profoundly informed the encyclopedic narrative that he would later write. In Between Noble and Humble, Zhou also offers intriguing and controversial theories about Honglou meng based on decades of careful research, for instance, that the famous commentator Red Inkstone was in fact a female relative of Cao Xueqin.
无尽武装1
t is said that Liang Chaosu is abstinent and stuffy, and no one can get their hands on theflower of Gaoling
Mr Li's Survival Instinct is Off The Charts Again Today!
Her boyfriend cheated on her, so she married a stranger to get back at him. However, her ‘broke’ husband suddenly turned out to be one of the rising stars in A Country! It was true that he did not have a car or a house, but he did have a manor, a yacht, and a private jet. They said that Su Jianxi was a seductress who wormed her way into a rich man’s lap and even made a cuckold out of him. Later, Li Tingyao personally dispelled the rumors, saying he was the one who pursued Su Jianxi, and that the child was his!
Contemporary Chinese Art
In the early 1990s artist Xu Bing stamped two pigs with respectively nonsensical Latin words and fake Chinese characters and allowed them to mate in an art gallery. The performance of ‘two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization’, engaging in the ‘most primal form of social intercourse’ confronted the public with the tension between nature and civilization. The work also addresses the tension between China and the West and therefore perfectly fits the core message of this book. Contemporary art in China takes place in a post-socialist (post-Mao) context, and at the same time a post-traditional one, searching for balance b...
China’s Techno-Warriors
This book skillfully weaves together four stories: Chinese views of technology during the Communist era; the role of the military in Chinese political and economic life; the evolution of open and flexible conceptions of public management in China; and the technological dimensions of the rise of Chinese power.
The Chinese Filmography
From A to Z, Abandon Superstitions (1958; Po Chu Mi Xing in Chinese) to Zuo Wenjun and Sima Xiangru (1984; Zuo Wen Jun Ahe Si Ma Xiang Ru), this comprehensive reference work provides filmographic data on 2,444 Chinese features released since the formation of the People's Republic of China. The films reflect the shifting dynamics of the Chinese film industry, from sweeping epics to unabashedly political docudramas, although straight documentaries are excluded from the current work. The entries include the title in English, the Chinese title (in Pinyin romanization with each syllable noted separately for clarity), year of release, studio, technical information (e.g., black and white or color, letterboxed or widescreen), length, technical credits, literary source (when applicable), cast, plot summary, and awards won.
Printing and Book Culture in Late Imperial China
Despite the importance of books and the written word in Chinese society, the history of the book in China is a topic that has been little explored. This pioneering volume of essays, written by historians, art historians, and literary scholars, introduces the major issues in the social and cultural history of the book in late imperial China. Informed by many insights from the rich literature on the history of the Western book, these essays investigate the relationship between the manuscript and print culture; the emergence of urban and rural publishing centers; the expanding audience for books; the development of niche markets and specialized publishing of fiction, drama, non-Han texts, and genealogies; and more.
Dear, Come to My Arms
For two hundred thousand dollars, the stepmother put her in the old man's bed. However, why did the man who didn't save her before the bar had come to find her to settle the score, and even wanted her to compensate him for his body loss?
