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The Eye of the Mirror
Taken from the quiet sanctuary of a convent school, where she works as a maid, Aisha is thrown back into the chaotic world of her parents' home in the Tal Ezza'tar refugee camp when the Lebanese civil war begins. From then on she is caught up in a series of tragedies, including the continuous bombardment of the camp by the Phalangists and the subsequent invasion and massacres within the settlement. Aisha's family and friends are torn apart by events beyond their control and although she finds love and marries, amid such violence the decision to start her own family becomes harder still. Set within one of the most bloody conflicts of modern times, this heart wrenching story shows how women's experience of war is particularly cruel as they confront the dilemma of bringing a new life into a war-zone.
A Compass for the Sunflower
Life of a teenage girl growing up on the occupied West-Bank.
The Eye of the Mirror
Set in Palestinian refugee camp Tal el-Zaatar, where the Lebanese civil war first started, this tells of Aisha and her upbringing during the massacre which forced Palestinians to leave the camp. Using a mosaic of eye-witness accounts, Liana Badr presents a rewriting of Palestinian history.
The Book of Ramallah
A coffee seller waits all day for one of his customers to ask him how he is, until eventually he just tells the city itself... A teenager is ordered off a bus at a checkpoint and told he must kiss a complete stranger if he wants the bus to be let through... A woman pilgrimages to the Cave of the Prophets, to pray for rain for her tiny patch of land, knowing it will take more than water to save it... Unlike most other Palestinian cities, Ramallah is a relatively new town, a de facto capital of the West Bank allowed to thrive after the Oslo Peace Accords, but just as quickly hemmed in and suffocated by the Occupation as the Accords have failed. Perched along the top of a mountainous ridge, it ...
Palestinian Cinema
Although in recent years, the entire world has been increasingly concerned with the Middle East and Israeli-Palestinian relationship, there are few truly reliable sources of information regarding Palestinian society and culture, either concerning its relationship with Israeli society, its position between east and west or its stances in times of war and peace. One of the best sources for understanding Palestinian culture is its cinema which has devoted itself to serving the national struggle. In this book, two scholars--an Israeli and a Palestinian--in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They discover that the more the social, political and economic conditions worsen and chaos and pain prevail, the more Palestinian cinema becomes involved with the national struggle. As expected, Palestinian cinema has unfolded its national narrative against the Israeli narrative, which tried to silence it.
Palestinian Literature and Film in Postcolonial Feminist Perspective
Palestinian Literature and Film in Postcolonial Feminist Perspective is the first sustained study of gender-consciousness in the Palestinian creative imagination. Drawing on concepts from postcolonial feminist theory, Ball analyses a range of literary and filmic works by major creative practitioners including Michel Khleifi , Liana Badr, Annemarie Jacir, Elia Suleiman, Mona Hatoum and Suheir Hammad, and reveals a hitherto unrecognized trajectory in gender-consciousness under development in the Palestinian imagination from the start of the twentieth century. The book explores how these works resonate with questions of power, identity, nation, resistance, and self-representation in the Palestinian imagination more broadly, and asks how these gender-conscious narratives transform our understanding of Palestine's struggle for postcoloniality. Working at the cusp of postcolonial, feminist and cultural enquiry, Ball seeks to open up vital new directions in the interdisciplinary study of Palestine.
A Balcony Over the Fakihani
This series is designed to bring to North American readers the once-unheard voices of writers who have achieved wide acclaim at home, but are not recognized beyond the borders of their native lands. With special emphasis on women writers, Interlink's Emerging Voices series publishes the best of the world's contemporary literature in translation or original English. Copyright © Libri GmbH. All rights reserved.
Rituals of Memory in Contemporary Arab Women’s Writing
This volume carefully assesses fixed notions of Arab womanhood by exploring the complexities of Arab women’s lives as portrayed in literature. Encompassing women writers and critics from Arab, French, and English traditions, it forges a transnational Arab feminist consciousness. Brinda Mehta examines the significance of memory rituals in women’s writings, such as the importance of water and purification rites in Islam and how these play out in the women’s space of the hammam (Turkish bath). Mehta shows how sensory experiences connect Arab women to their past. Specific chapters raise awareness of the experiences of Palestinian women in exile and under occupation, Bedouin and desert rituals, and women’s views on conflict in Iraq and Lebanon, and the compatibility between Islam and feminism. At once provocative and enlightening, this work is a groundbreaking addition to the timely field of modern Arab women’s writing and criticism and Arab literary studies.
Qissat
These fascinating and diverse stories reflect the everyday concerns of Palestinians living under occupation. Writers who were children during the first intifada appear alongside those who remember the outbreak of the Lebanese civil war. They offer compassionate, often critical, insight into their society in times of hardship and turmoil, drawing upon the warmth of human relations and the hope that better times will come. Qissat is a rare showcase of Palestinian women writers across generations and places, including Gaza, Ramallah, the United States and the Gulf. 'Raw and honest ... lyrical and beautifully written' -- Sunday Times 'Layered, haunting, sensuously rich' -- The Times 'In turn lyrical, sensuous, comic and ironic ... it is the quality of subtle, evocative writing here that makes Qissat remarkable.' -- Independent
In the Wake of the Poetic
Heralding a new period of creativity, In the Wake of the Poetic explores the aesthetics and politics of Palestinian cultural expression in the last two decades. As it increasingly gains a significant presence on the international scene, much of Palestinian art owes a debt to Mahmoud Darwish, one of the finest contemporary poets, and to Palestinian writers of his generation. Rahman maps the immense influence of Darwish’s poetry on a new generation of performance artists, visual artists, spoken-word poets, and musicians. Through an examination of selected works by key artists—such as Suheir Hammad, Ghassan Zaqtan, Elia Suleiman, Mona Hatoum, Sharif Waked, and others—Rahman articulates an aesthetic founded on loss, dispersion, dispossession, and transformation. It interrupts dominant regimes, constituting acts of dissension and intervention. It reinscribes belonging and is oriented toward solidarity and future. This innovative wave of experimentation transforms our understanding of the national through the diasporic and the transnational, and offers a profound meditation on identity.
